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Foreword by Jake Humphrey, author of HIGH PERFORMANCE.Formula 1 teams operate at the highest level of any competitive sport - and indeed of any industry. With huge sums of money, global prestige and even lives on the line, they must constantly work at an elite level to survive and succeed.Drawing on over a decades' worth of experience working for one of the most successful F1 teams in history, Marc Priestley shows how you can take lessons learned from and amongst the world's best, and use them in your work and life.Looking at areas including teamwork, leadership, celebrating success, responding to failures and more, these are lessons taken from the pitlane, and applied to every day life.

How does one of the greatest storytellers of our time write her own life? The long-awaited memoir from one of our most lauded and influential cultural figures'Every writer is at least two beings: the one who lives, and the one who writes. Though everything written must have passed through their minds, or mind, they are not the same.'Raised by ruggedly independent, scientifically minded parents - entomologist father, dietician mother - Atwood spent most of each year in the wild forest of northern Quebec. This childhood was unfettered and nomadic, sometimes isolated (on her eighth birthday: 'It sounds forlorn. It was forlorn. It gets more forlorn.'), but also thrilling and beautiful.From this unconventional start, Atwood unfolds the story of her life, linking seminal moments to the books that have shaped our literary landscape, from the cruel year that spawned Cat's Eye to divided 1980s Berlin where she began The Handmaid's Tale. In pages bursting with bohemian gatherings, her magical life with the wildly charismatic writer Graeme Gibson and major political turning points, we meet poets, bears, Hollywood actors and larger-than-life characters straight from the pages of an Atwood novel.As we travel with her along the course of her life, more and more is revealed about her writing, the connections between real life and art - and the workings of one of our greatest imaginations.

From psychotherapist and social media star Meg Josephson, a groundbreaking exploration of people-pleasing as an under-recognized but common trauma response, that also offers a compassionate and actionable path for healing. Are you... - Constantly worried about what people think of you, if they like you, if they're mad at you?- Anxious, a perfectionist, or an overachiever?- Always overextending yourself (and then resentful)?- Someone who avoids conflict at all costs?- Fearful of getting into trouble or being seen as "bad"?- Silencing your needs for the comfort and happiness of everyone else?- Prone to overexplain or over apologize?- Eternally obsessing over why someone texted with a period instead of an exclamation point?In Are You Mad at Me?, psychotherapist Meg Josephson explodes the idea that people-pleasing is a personality trait. Instead, she illuminates how it's actually a common trauma response (also known as "fawning"): an instinct often learned in childhood to become more appealing to a perceived threat in order to feel safe. Yet many people are stuck in this way of being for their whole lives. Meg weaves her own moving story, fascinating patient case studies, and thought-provoking exercises to show readers how to:- Identify all the roles you might play from peacekeeper to performer to caretaker to perfectionist to lone wolf to chameleon that keep you far from yourself. - Stop fearing your thoughts and emotions, even if they're unpleasant. - Rethink conflict and boundaries as an opening for deeper connection. - Practice "leaning back" in relationships.

With top-hat and cane in hand, Detective Inspector Stamford Hawksmoor shadows the murky backstreets of London on the hunt for a sadistic serial killer. In the dying days of the French occupation of Britain, through gaslit, cobbled streets and squalid alleyways, stalks the great eagle Detective Stamford Hawksmoor in search of the homicidal manic whose killing spree claims dozens of seemingly unconnected victims, from random murders to targeted political assassinations. The deeper he delves, the more he puts himself in mortal ??anger, pitting himself against unknown antagonists whilst under the scrutiny of the feared anti-terrorist squad, and the more he is forced to resort to working outside the law. The Casebook of Stamford Hawksmoor is an intriguing, labyrinthine stand-alone mystery set in a world of hansom cabs and pea-souper fogs, where explosive violence can erupt at any second - and does!

This is not a wine book - this is a book about making a good life, and the great bottles you might sip while you do so. For Tom Gilbey, the two are inseparable. Hailing from the first British family to own a vineyard and chateau in Burgundy in the 1800s, having a taste for wine is part of the Gilbey DNA. In this book, Tom takes you under the bonnet of a wine dealer, charting lessons from his three decades in the wine business and five decades on the planet. From how to detect if a batch of wine is "good shit", to maybe killing George Michael to falling in love and using wine knowledge as a courting method, Tom is here to level up your vino game with 100 wines and myriad anecdotes that will have you rolling on the floor. Along the way, you may also become a pro at ordering from any wine list, skipping wines that aren't worth the cost in the wine aisle and getting a great deal on the good stuff.

2014: A great poem is read aloud and never heard again. For generations, people speculate about its message, but no copy has yet been found. 2119: The lowlands of the UK have been submerged by rising seas. Those who survive are haunted by the richness of the world that has been lost. Tom Metcalfe, an academic at the University of the South Downs, part of Britain's remaining island archipelagos, pores over the archives of that distant era, captivated by the freedoms and possibilities of human life at its zenith. When he stumbles across a clue that may lead to the lost poem, a story is revealed of entangled loves and a crime that destroy his assumptions about people he thought he knew intimately well. What We Can Know is a masterpiece, a fictional tour de force that reclaims the present from our sense of looming catastrophe, and imagines a future world where all is not quite lost.

'It all happened long time ago, no one now remembers this storylet me tell you how it all happened, how once we turned unholy.'In Southernmost, Leo Boix takes us on a spellbinding voyage through time and imagination, from the Argentina of his birth - 'the end of the world, the antipode' - to a new life in England.Unearthing an old grief, the poet embarks on a glittering, encyclopaedic exploration of the Latin America he left behind: a journey through personal memory into a continent's past, haunted by the Europeans who once fixed their telescopes on its shores. Helping us 'see faces history can't reach', Southernmost reveals truths hidden in plain sight: the devastation of indigenous peoples and their lands; dissidents disappeared by the junta; a mother's concealed cancer diagnosis; the clarifying sexuality of a boy whose father can't bear to acknowledge it.Restlessly intelligent, tender in their evocation of gay intimacy, migration, and the natural world, this virtuosic net of sonnets captures a glimpse of our world's interconnecting threads.'And I realised I couldn't go on travelling - I had to stop my tour;that there was no El Dorado; their vast skies were also ours.Years later, in another country, I was also an interpreter who tried to render things from one world to another.When I finally wake up I'm always at a loss. Where am I?I'm back home, of course. Still, outside, the strangest sky.'

'For intellectual range, emotional depth, and lexical shimmer, Crawford is unsurpassed among recent Scottish poets'Sunday HeraldWriting out of older Scottish traditions that are ludic, intellectually deft and linguistically complex, Robert Crawford also stands with fellow poets, Liz Lochhead, Douglas Dunn and Simon Armitage as a contemporary master. Nimbly traversing the globe, Old World is a generous, playful collection featuring the traditional forms of haiku and riddle, versions of Mexican, Chinese, Old English and Greek poems, a tincture of Scots work, and many pieces that present an ageing planet dealing with twenty-first-century issues from European war to climate change and AI. These poems speak both of the menaced plenitude of living beings, and of frailties associated with growing old. Part of the book is given over to voices of creatures from the non-human world, part to human voices, but boundaries between these categories become mischievously and disconcertingly unstable. Mixing lyricism, play, and a sense of vulnerable interdependence, Old World draws on both Western and Eastern cultures to articulate through sound, lineation, and silence a sense of the sacredness of life on earth.

A vital account of fifteen speeches and orators - from Benjamin Franklin to Barack Obama - that tells the story of the United States as a battle over what it means to be an American, from a New York Times bestselling author and former presidential speechwriterWhat does it mean to be an American? Since the Founding, Americans have been having an intense debate over this deceptively simple question which has spawned Constitutional crises, civil war, populism, mass migrations, reform movements - and their inevitable backlash. The history of this debate over who and what makes an American, Ben Rhodes argues, is essential to understanding how the United States has evolved as a nation and the intensity of their divisions today. In this book, Rhodes tells the story of fifteen essential speeches - some famous, some obscure - that, together, offer a fresh and revealing portrait of the United States as an ongoing contest over what it means to be American. With rare insight into the power and purpose of political rhetoric, Rhodes illuminates how each speech reflects the nature of American identity at a particular historical moment, with riveting portraits of the people, movements, and social conditions that produced pivotal oratory. Rhode also establishes the unique role of speaking as an act of American political persuasion - from Franklin's case for compromise at the Constitutional convention to Alexander Stephen's case for white supremacy as the cornerstone of the Confederacy; or, in social movements, from Martin Luther King's demand for racial equality at the march on Washington, to Pat Buchanan's 'culture war' speech to the 1992 Republican convention which foreshadowed Donald Trump. For a country that values individualism, self-invention, and mass media, Rhodes reminds us that speeches have occupied an out-sized space in the American national imagination: the lone voice before a crowd, bending history to its will. At a time when what it means to be an American is a matter of intense debate and division, Ben Rhodes offers rare insight into the gap between who we say we are, and who we want to be.

We Are Green and Trembling is a reimagining of history and the life of Antonio de Erauso, a Basque nun turned war lieutenant during the Spanish Conquista in 17th-century Argentina - a fascinating, largely forgotten figure from world history and one of South America's most famous trans men.Having left the Basque Country behind many years ago, Antonio has travelled across the Americas, reinventing himself every time. Now, Antonio is hiding deep in the jungle with two young Guaraní girls, having escaped imprisonment and a death sentence.The novel is a searing criticism of conquest and colonialism, religious tyranny and the treatment of women and indigenous people; a queer reclamation set in the rainforest - itself a magical, surreal space for transformation.

Unleash the radical and delirious with this electrifying anthology of folk horror from some of Britain's most iconic working-class voices: Ben Myers, AK Blakemore, Natasha Carthew, Salena Godden, Emma Glass, Jenn Ashworth, Tom Benn, Mark Stafford, Daniel Draper and Hollie StarlingA phonograph cylinder that plays on a loop for eternity, casting out ghostly spectres of violence; a centuries-old stew made of dismembered body parts; a woman working at an ossuary who prefers the bones of the dead to those of the living; three siblings who set out to scatter their fathers' ashes, a man none of them could stand; and a hag stone sat in the pocket of a witch.Uncanny and unsettling, wild and wyrd, the ten stories in this collection showcase the best of folk horror. Set in and around the UK, they celebrate Britain's working-class culture and history - and caution against false gods, giving timely warnings on the dangers of insidious ideology that hide in plain sight.

Discover the many lives of Peter Matthiessen - writer, naturalist, activist, CIA agent, Zen master - in this kaleidoscopic biography of an American literary giant.Author of The Snow Leopard, co-founder of the Paris Review and the only writer to have ever won the National Book Award for both fiction and nonfiction, Peter Matthiessen was a towering figure of twentieth-century American literary culture. He was also, briefly, an undercover agent for the fledgling CIA; an environmental activist; an advocate for Native American rights and California farmworkers; friends with the likes of Truman Capote and William Styron; and a daring explorer who visited every continent on Earth, scaling the Himalayas and floating through the Amazon on a balsawood raft.Across these many lives, Matthiessen was always searching for what he called his 'true nature' - an enlightened state of being, without ego - and this spiritual quest ultimately led him, even as he inflicted great pain on three wives and multiple children, to the highest ranks of Zen.Readers and critics have struggled to reconcile Matthiessen's extraordinarily varied achievements and literary output, which included everything from experimental novels to advocacy journalism. Now, for the first time, drawing on rich primary sources and hundreds of interviews, acclaimed biographer Lance Richardson pulls together the seemingly disparate threads of Matthiessen's story. With page-turning immediacy, Richardson illuminates how the writer's uncanny gifts enabled him to sense connections between ecological decline, racism and labour exploitation - to express, eloquently and presciently, that 'in a damaged human habitat, all problems merge'.'Splendidly readable ... [Richardson] writes with flair and erudition' The Observer on House of Nutter'Illuminating and vividly drawn' Sunday Telegraph on House of Nutter