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June, 1916. With a world war raging on the continent, exhausted John H. Watson, M.D. is operating on the wounded full-time when his labors are interrupted by a knock on his door, revealing Sherlock Holmes, with a black eye, a missing tooth and a cracked rib. The story he has to tell will set in motion a series of world-changing events in the most consequential case of the detective's career.Amid rebellion in Ireland and revolution in Russia, Germany has a secret plan to win the war and Sir William Melville of the British Secret Service dispatches the two aging friends to learn what the scheme is before it can be put into effect. In pursuit of a mysterious coded telegram sent from Berlin to an unknown recipient in Mexico, Holmes and Watson must cross the Atlantic, dodge German U-boats and assassination attempts, and evade the intrigues of young J. Edgar Hoover, while enlisting the help of a beautiful, eccentric Washington socialite as they seek to foil the schemes of Holmes's nemesis, the escaped German spymaster Von Bork.Sherlock Holmes and the Telegram from Hell plunges Holmes into a world that eerily resembles our own, where entangling alliances, treaties, and human frailty threaten to create another cataclysm.

What began in spring 2020 as local protests in response to the killing of George Floyd by Minneapolis police quickly exploded into a massive nationwide movement. Millions of mostly young people defiantly flooded into the nation's streets, demanding an end to police brutality and to the broader, systemic repression of Black people and other people of color. To many observers, the protests appeared to be without precedent in their scale and persistence. Yet, as the acclaimed historian Elizabeth Hinton demonstrates in America on Fire, the events of 2020 had clear precursors-and any attempt to understand our current crisis requires a reckoning with the recent past.Even in the aftermath of Donald Trump, many Americans consider the decades since the civil rights movement in the mid-1960s as a story of progress toward greater inclusiveness and equality. Hinton's sweeping narrative uncovers an altogether different history, taking us on a troubling journey from Detroit in 1967 and Miami in 1980 to Los Angeles in 1992 and beyond to chart the persistence of structural racism and one of its primary consequences, the so-called urban riot. Hinton offers a critical corrective: the word riot was nothing less than a racist trope applied to events that can only be properly understood as rebellions-explosions of collective resistance to an unequal and violent order. As she suggests, if rebellion and the conditions that precipitated it never disappeared, the optimistic story of a post-Jim Crow United States no longer holds.Black rebellion, America on Fire powerfully illustrates, was born in response to poverty and exclusion, but most immediately in reaction to police violence. In 1968, President Lyndon Johnson launched the "War on Crime," sending militarized police forces into impoverished Black neighborhoods. Facing increasing surveillance and brutality, residents threw rocks and Molotov cocktails at officers, plundered local businesses, and vandalized exploitative institutions. Hinton draws on exclusive sources to uncover a previously hidden geography of violence in smaller American cities, from York, Pennsylvania, to Cairo, Illinois, to Stockton, California.The central lesson from these eruptions-that police violence invariably leads to community violence-continues to escape policymakers, who respond by further criminalizing entire groups instead of addressing underlying socioeconomic causes. The results are the hugely expanded policing and prison regimes that shape the lives of so many Americans today. Presenting a new framework for understanding our nation's enduring strife, America on Fire is also a warning: rebellions will surely continue unless police are no longer called on to manage the consequences of dismal conditions beyond their control, and until an oppressive system is finally remade on the principles of justice and equality.

Sylvia Legris's Garden Physic is a paean to the pleasures and delights of one of the world's most cherished pastimes: Gardening!      "At the center of the garden the heart," she writes, "Red as any rose. Pulsing / balloon vine. Love in a puff." As if composed out of a botanical glossolalia of her own invention, Legris's poems map the garden as body and the body as garden-her words at home in the phytological and anatomical-like birds in a nest. From an imagined love-letter exchange on plants between garden designer Vita Sackville-West and Harold Nicolson to a painting by Agnes Martin to the medicinal discourse of the first-century Greek pharmacologist Pedanius Dioscorides, Garden Physic engages with the anaphrodisiacs of language with a compressed vitality reminiscent of Louis Zukofsky's "80 Flowers." In muskeg and yard, her study of nature bursts forth with rainworm, whorl of horsetail, and fern radiation-spring beauty in the lines, a healing potion in verse.

"The poet is endemic with life itself," Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. "This being the ballet of the forgotten," he writes as diasporic witness, "of refracted boundary points as venom." The volume's opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo-two writers whose luminous art suffered "colonial wrath through refraction." A tribute to the Congo forms the bridge and brisé vole of the book: the Congo as "charged aural colony" and "primal interconnection," a "subliminal psychic force" with a colonial and postcolonial history dominated by the Occident. Will Alexander's improvisatory cosmicity pushes poetic language to the point of most resistance-incantatory and swirling with magical laterality and recovery.

Police are nine times more likely to kill African-American men than they are other Americans-in fact, nearly one in every thousand will die at the hands, or under the knee, of an officer. As eminent constitutional scholar Erwin Chemerinsky powerfully argues, this is no accident, but the horrific result of an elaborate body of doctrines that allow the police and, crucially, the courts to presume that suspects-especially people of color-are guilty before being charged.Today in the United States, much attention is focused on the enormous problems of police violence and racism in law enforcement. Too often, though, that attention fails to place the blame where it most belongs, on the courts, and specifically, on the Supreme Court. A "smoking gun" of civil rights research, Presumed Guilty presents a groundbreaking, decades-long history of judicial failure in America, revealing how the Supreme Court has enabled racist practices, including profiling and intimidation, and legitimated gross law enforcement excesses that disproportionately affect people of color.For the greater part of its existence, Chemerinsky shows, deference to and empowerment of the police have been the modi operandi of the Supreme Court. From its conception in the late eighteenth century until the Warren Court in 1953, the Supreme Court rarely ruled against the police, and then only when police conduct was truly shocking. Animating seminal cases and justices from the Court's history, Chemerinsky-who has himself litigated cases dealing with police misconduct for decades-shows how the Court has time and again refused to impose constitutional checks on police, all the while deliberately gutting remedies Americans might use to challenge police misconduct.Finally, in an unprecedented series of landmark rulings in the mid-1950s and 1960s, the pro-defendant Warren Court imposed significant constitutional limits on policing. Yet as Chemerinsky demonstrates, the Warren Court was but a brief historical aberration, a fleeting liberal era that ultimately concluded with Nixon's presidency and the ascendance of conservative and "originalist" justices, whose rulings-in Terry v. Ohio (1968), City of Los Angeles v. Lyons (1983), and Whren v. United States (1996), among other cases-have sanctioned stop-and-frisks, limited suits to reform police departments, and even abetted the use of lethal chokeholds.Written with a lawyer's knowledge and experience, Presumed Guilty definitively proves that an approach to policing that continues to exalt "Dirty Harry" can be transformed only by a robust court system committed to civil rights. In the tradition of Richard Rothstein's The Color of Law, Presumed Guilty is a necessary intervention into the roiling national debates over racial inequality and reform, creating a history where none was before-and promising to transform our understanding of the systems that enable police brutality.

In this revelatory investigation, science journalist Lydia Denworth takes us in search of friendship's biological, psychological, and evolutionary foundations. An "expert guide" (Kathryn Bowers, New York Times Book Review), Denworth weaves past and present, field biology and neuroscience, to show how our bodies and minds are designed for friendship across life stages, the processes by which healthy social bonds are developed and maintained, and how friendship is changing in the age of social media. Now including a Q&A between the author and her close friend to guide reflection and conversation, Friendship is a clarion call for putting positive relationships at the center of our lives.

An "endlessly fascinating" (Michael Ruse) work of scientific thought and synthesis, Genesis is Edward O. Wilson's twenty-first-century statement on Darwinian evolution. Asserting that religious creeds and philosophical questions can be reduced to purely genetic and evolutionary components, and that the human body and mind have a physical base obedient to the laws of physics and chemistry, Wilson demonstrates that the only way for us to fully understand human behavior is to study the evolutionary histories of nonhuman species. At least seventeen of these species-among them the African naked mole rat and the sponge-dwelling shrimp-have been found to have advanced societies based on altruism and cooperation. Braiding twenty-first- century scientific theory with the lyrical biological and humanistic observations for which Wilson is beloved, Genesis is "a magisterial history of social evolution, from clouds of midges or sparrows to the grotesqueries of ant colonies" (Kirkus Reviews, starred review).