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In the stark expanse of Northern Alberta, a queer Indigenous doctoral student steps away from his dissertation to write a novel, informed by a series of poignant encounters: a heart-to-heart with fellow doctoral student River over the mounting pressure placed on marginalized scholars; a meeting with Michael, a closeted man from his hometown whose vulnerability and loneliness punctuate the realities of queer life on the fringe. Woven throughout these conversations are memories of Jack, a cousin caught in the cycle of police violence, drugs, and survival. Jack's life parallels the narrator's own; the possibilities of escape and imprisonment are left to chance with colonialism stacking the odds. A Minor Chorus introduces a dazzling new literary voice whose vision and fearlessness shine much-needed light on the realities of Indigenous survival.

If you thought "meat-free" and "barbecue" were opposing concepts, think again: Rukmini Iyer's collection of delicious grill recipes is delightfully plant-based. As a vegetarian, Iyer is always crafting knockout veggie-centered dishes that highlight the unique flavors and textures of plant-based cooking. At the grill, her creativity comes to life, from appetizers and salads to hearty mains and sweet treats. Her showstopping vegan and vegetarian BBQ dishes will take any cookout from standard to standout.Whether you're looking for light bites, barbecuing on the go, preparing a flexitarian feast, or simply broadening your BBQ horizons, these recipes are simple and simply fantastic. Iyer's menu includes: Griddled Cherries with Warm Goat Cheese, Crispy Barbecue Tofu Lettuce Wraps, Simple Sage & Onion Cannellini Burgers, Cinnamon Griddled Pineapple, and more. Complete with vibrant photos and inventive tips for using leftovers, this is a must-have for the plant-obsessed home cook.

"Alive with delicious prose and the cacophony of '90s Harlem, Big Girl gifts us a heroine carrying the weight of worn-out ideas, who dares to defy the compulsion to shrink, and in turn teaches us to pursue our fullest, most desirous selves without shame." -Janet MockMalaya Clondon hates when her mother drags her to Weight Watchers meetings in the church's stuffy basement community center. A quietly inquisitive eight-year-old struggling to suppress her insatiable longing, she would much rather paint alone in her bedroom, or sneak out with her father for a sampling of Harlem's forbidden street foods.For Malaya, the pressures of going to a predominantly white Upper East Side prep school are compounded by the high expectations passed down over generations from her sharp-tongued grandmother and her mother, Nyela, a painfully proper professor struggling to earn tenure at a prestigious university. But their relentless prescriptions-fad diets of cottage-cheese and sugar-free Jell-O, high-cardio African dance classes, endless doctors' appointments-don't work on Malaya.As Malaya comes of age in a rapidly gentrifying 1990s Harlem, she strains to understand "ladyness" and fit neatly within the suffocating confines of a so-called "femininity" that holds no room for her body. She finds solace in the lyrical riffs of Biggie Smalls and Aaliyah, and in the support of her sensitive father, Percy; still, tensions at home mount as rapidly as Malaya's weight. Nothing seems to help-until a family tragedy forces her to finally face the source of her hunger on her own terms.Exquisitely compassionate and clever, Big Girl is "filled with everyday people who, in Mecca Jamilah Sullivan's gifted hands, show us the love and struggle of what it means to be inside bodies that don't always fit with the outside world" (Jacqueline Woodson). In tracing the perils and pleasures of the inheritance that comes with being born, Sullivan pushes boundaries and creates an unforgettable portrait of Black womanhood in America.

Arthur and Maudie Brightstorm are back home in Lontown and finally settling in after their exhilarating-and secret-adventures in Erythea. Maudie's sky-ak invention is a hit, and Harriet has just announced that she will share her sky-ship's hydroelectric technology.But tensions are brewing. Pitch is becoming more and more difficult to mine, and the existence of super-sapient creatures on other continents threatens how the Explorers see themselves in the natural order of the world. When Arthur and Maudie begin hearing a strange song summoning them north-a song only they can hear-they know there's an adventure waiting for them that may change the lives of everyone in the Wide. As the crew of the Aurora prepares for their trip, they're joined by new members and old friends. But they're not the only sky-ship journeying northward to uncover the region's secrets. . . . Return to Vashti Hardy's "marvelously imagined" world (Publisher's Weekly) in this sweeping and propulsive new addition to the Brightstorm series.

Cordelia Hatmaker has saved England from war. She stopped Lord Whitloof's sinister plans, rescued the King and Princess, and restored the Makers Guild. But she still hasn't found her missing father. Ever since Cordelia discovered the hidden map in her father's telescope, she's been searching the streets of London by starlight, trying to uncover its secrets.She never expects to stumble upon a secret society of Mapmakers-or to learn that magic isn't limited to the few Maker families, but instead is all around, if you know where to look. But danger is lurking around every corner, and Cordelia must convince the rival Maker families to work together for once-not only to bring her father home, but to save the very essence of magic itself. . . .With exceptional and inventive storytelling and a lionhearted heroine, Tamzin Merchant once again draws readers into her captivating London and takes them on a breathless new adventure full of wildness, wit, warmth-and magic.

Single father Todd is relaxing at the beach with his son, Anthony, when he catches sight of a man approaching from the water's edge. As the man draws closer, Todd recognizes him as Jack, who bullied Todd relentlessly in their teenage years but now seems overjoyed to have "run into" his old friend. Jack suggests a meal to catch up. And can he spend the night?What follows is a fast-paced story of obsession and cunning. As Jack invades Todd's life, pain and intimidation from the past unearth knife-edge suspense in the present. Set in a small town on the New England coast, Conner Habib's debut introduces characters trapped in isolation by the expansive woods and the encroaching ocean, their violence an expression of repressed desire and the damage it can inflict. Both gruesome and tender, Hawk Mountain offers a compelling look at how love and hate are indissoluble, intertwined until the last breath.

What began in spring 2020 as local protests in response to the killing of George Floyd by Minneapolis police quickly exploded into a massive nationwide movement. Millions of mostly young people defiantly flooded into the nation's streets, demanding an end to police brutality and to the broader, systemic repression of Black people and other people of color. To many observers, the protests appeared to be without precedent in their scale and persistence. Yet, as the acclaimed historian Elizabeth Hinton demonstrates in America on Fire, the events of 2020 had clear precursors-and any attempt to understand our current crisis requires a reckoning with the recent past.Even in the aftermath of Donald Trump, many Americans consider the decades since the civil rights movement in the mid-1960s as a story of progress toward greater inclusiveness and equality. Hinton's sweeping narrative uncovers an altogether different history, taking us on a troubling journey from Detroit in 1967 and Miami in 1980 to Los Angeles in 1992 and beyond to chart the persistence of structural racism and one of its primary consequences, the so-called urban riot. Hinton offers a critical corrective: the word riot was nothing less than a racist trope applied to events that can only be properly understood as rebellions-explosions of collective resistance to an unequal and violent order. As she suggests, if rebellion and the conditions that precipitated it never disappeared, the optimistic story of a post-Jim Crow United States no longer holds.Black rebellion, America on Fire powerfully illustrates, was born in response to poverty and exclusion, but most immediately in reaction to police violence. In 1968, President Lyndon Johnson launched the "War on Crime," sending militarized police forces into impoverished Black neighborhoods. Facing increasing surveillance and brutality, residents threw rocks and Molotov cocktails at officers, plundered local businesses, and vandalized exploitative institutions. Hinton draws on exclusive sources to uncover a previously hidden geography of violence in smaller American cities, from York, Pennsylvania, to Cairo, Illinois, to Stockton, California.The central lesson from these eruptions-that police violence invariably leads to community violence-continues to escape policymakers, who respond by further criminalizing entire groups instead of addressing underlying socioeconomic causes. The results are the hugely expanded policing and prison regimes that shape the lives of so many Americans today. Presenting a new framework for understanding our nation's enduring strife, America on Fire is also a warning: rebellions will surely continue unless police are no longer called on to manage the consequences of dismal conditions beyond their control, and until an oppressive system is finally remade on the principles of justice and equality.

In a future in which the world is run by the Board of Corporations, King's daughter, Athena, reckons with his legacy-literally, for he has given her access to his memories, among other questionable gifts.With climate change raging, Athena has come to believe that saving the planet and its Shareholders will require a radical act of communion-and so she sets out to tell the truth to the world's Shareholders, in entrancing sensory detail, about King's childhood on a South Indian coconut plantation; his migration to the U.S. to study engineering in a world transformed by globalization; his marriage to the ambitious artist with whom he changed the world; and, ultimately, his invention, under self-exile, of the most ambitious creation of his life-Athena herself.The Immortal King Rao, written by a former Wall Street Journal technology reporter, is a resonant debut novel obliterating the boundaries between literary and speculative fiction, the historic and the dystopian, confronting how we arrived at the age of technological capitalism and where our actions might take us next.

Funny and doom-drenched, The Employees chronicles the fate of the Six-Thousand Ship. The human and humanoid crew members complain about their daily tasks in a series of staff reports and memos. When the ship takes on a number of strange objects from the planet New Discovery, the crew becomes strangely and deeply attached to them, even as tensions boil toward mutiny, especially among the humanoids.Olga Ravn's prose is chilling, crackling, exhilarating, and foreboding. The Employees probes into what makes us human, while delivering a hilariously stinging critique of life governed by the logic of productivity. It was shortlisted for the the Ursula K. Le Guin Prize.

In her fiction, Claire Messud "has specialized in creating unusual female characters with ferocious, imaginative inner lives" (Ruth Franklin, New York Times Magazine). Kant's Little Prussian Head and Other Reasons Why I Write opens a window on Messud's own life: a peripatetic upbringing; a warm, complicated family; and, throughout it all, her devotion to art and literature.In twenty-six intimate, brilliant, and funny essays, Messud reflects on a childhood move from her Connecticut home to Australia; the complex relationship between her modern Canadian mother and a fiercely single French Catholic aunt; and a trip to Beirut, where her pied-noir father had once lived, while he was dying. She meditates on contemporary classics from Kazuo Ishiguro, Teju Cole, Rachel Cusk, and Valeria Luiselli; examines three facets of Albert Camus and The Stranger; and tours her favorite paintings at Boston's Museum of Fine Arts. In the luminous title essay, she explores her drive to write, born of the magic of sharing language and the transformative powers of "a single successful sentence."Together, these essays show the inner workings of a dazzling literary mind. Crafting a vivid portrait of a life in celebration of the power of literature, Messud proves once again "an absolute master storyteller" (Rebecca Carroll, Los Angeles Times).

In the aftermath of World War One, everyone in the small town of Barton is rebuilding their lives. Ben needs to find his brother, Sam-who was wounded in action and is now missing-if he wants to avoid being sent to the orphanage. Lotti's horrible aunt and uncle want to send her away from her beloved home to boarding school, just when she has successfully managed to get expelled from her last one.When a chance encounter brings the two children together, each recognizes the other as a kindred spirit. But just as they've found their feet, disaster strikes, and Ben and Lotti must run away. They hatch a plan to cross the English Channel on Ben's narrowboat, the Sparrowhawk, and track down Sam in France. But there's something in France that Lotti is looking for, too. . . .Funny, heartwarming, and wise, Voyage of the Sparrowhawk is full of high stakes, twists and connections, and-most of all-adventure.

"The poet is endemic with life itself," Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. "This being the ballet of the forgotten," he writes as diasporic witness, "of refracted boundary points as venom." The volume's opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo-two writers whose luminous art suffered "colonial wrath through refraction." A tribute to the Congo forms the bridge and brisé vole of the book: the Congo as "charged aural colony" and "primal interconnection," a "subliminal psychic force" with a colonial and postcolonial history dominated by the Occident. Will Alexander's improvisatory cosmicity pushes poetic language to the point of most resistance-incantatory and swirling with magical laterality and recovery.

Sylvia Legris's Garden Physic is a paean to the pleasures and delights of one of the world's most cherished pastimes: Gardening!      "At the center of the garden the heart," she writes, "Red as any rose. Pulsing / balloon vine. Love in a puff." As if composed out of a botanical glossolalia of her own invention, Legris's poems map the garden as body and the body as garden-her words at home in the phytological and anatomical-like birds in a nest. From an imagined love-letter exchange on plants between garden designer Vita Sackville-West and Harold Nicolson to a painting by Agnes Martin to the medicinal discourse of the first-century Greek pharmacologist Pedanius Dioscorides, Garden Physic engages with the anaphrodisiacs of language with a compressed vitality reminiscent of Louis Zukofsky's "80 Flowers." In muskeg and yard, her study of nature bursts forth with rainworm, whorl of horsetail, and fern radiation-spring beauty in the lines, a healing potion in verse.

Adrianne Geffel was a genius. Praised as the "Geyser of Grand Street" and the "Queen of Bleak Chic," she was a one-of-a-kind artist, a pianist and composer with a rare neurological condition that enabled her to make music that was nothing less than pure, unmediated emotional expression. She and her sensibility are now fully integrated into the cultural lexicon; her music has been portrayed, represented, and appropriated endlessly in popular culture. But what do we really know about her? Despite her renown, Adrianne Geffel vanished from public life, and her whereabouts remain a mystery to this day.David Hajdu cuts through the noise to tell, for the first time, the full story of Geffel's life and work, piecing it together through the memories of those who knew her, inspired her, and exploited her-her parents, teachers, best friend, manager, critics, and lovers. Adrianne Geffel made music so strange, so compelling, so utterly unique that it is simply not to be believed. Hajdu has us believing every note of it in this slyly entertaining work of fiction.A brilliantly funny satire, with characters that leap off the page, Adrianne Geffel is a vividly twisted evocation of the New York City avant-garde of the 1970s and '80s, and a strangely moving portrait of a world both utterly familiar and like none we've ever encountered.

Suffering from the complications of syphilis toward the end of his life, Édouard Manet begins to jot down his daily impressions, reflections, and memories in a notebook. He travels for healing respites in the French countryside and finds inspiration in nature-a cloud of dragonflies, peonies blanketed by the morning dew. Back in Paris, the artist holds court in his studio and meets a mysterious muse, Suzon. Entranced by Suzon's cool blue eyes, he decides to paint his final masterpiece, A Bar at the Folies-Bergere, life-sized-and wagers his health to complete it. In a sensual portrait of Manet's last years, illustrated with his own sketches, Maureen Gibbon offers a vibrant testament to the endurance of the artistic spirit.

From colorful threads found on the floor of an ancient Georgian cave to the Indian calicoes that fueled the Industrial Revolution, The Golden Thread illuminates the myriad and fascinating histories behind the cloths that came to define human civilization-the fabric, for example, that allowed mankind to shatter athletic records, and the textile technology that granted us the power to survive in space. Exploring the enduring association of textiles with "women's work," Kassia St. Clair "spins a rich social history . . . that also reflects the darker side of technology" (Rachel Newcomb, Washington Post).

Police are nine times more likely to kill African-American men than they are other Americans-in fact, nearly one in every thousand will die at the hands, or under the knee, of an officer. As eminent constitutional scholar Erwin Chemerinsky powerfully argues, this is no accident, but the horrific result of an elaborate body of doctrines that allow the police and, crucially, the courts to presume that suspects-especially people of color-are guilty before being charged.Today in the United States, much attention is focused on the enormous problems of police violence and racism in law enforcement. Too often, though, that attention fails to place the blame where it most belongs, on the courts, and specifically, on the Supreme Court. A "smoking gun" of civil rights research, Presumed Guilty presents a groundbreaking, decades-long history of judicial failure in America, revealing how the Supreme Court has enabled racist practices, including profiling and intimidation, and legitimated gross law enforcement excesses that disproportionately affect people of color.For the greater part of its existence, Chemerinsky shows, deference to and empowerment of the police have been the modi operandi of the Supreme Court. From its conception in the late eighteenth century until the Warren Court in 1953, the Supreme Court rarely ruled against the police, and then only when police conduct was truly shocking. Animating seminal cases and justices from the Court's history, Chemerinsky-who has himself litigated cases dealing with police misconduct for decades-shows how the Court has time and again refused to impose constitutional checks on police, all the while deliberately gutting remedies Americans might use to challenge police misconduct.Finally, in an unprecedented series of landmark rulings in the mid-1950s and 1960s, the pro-defendant Warren Court imposed significant constitutional limits on policing. Yet as Chemerinsky demonstrates, the Warren Court was but a brief historical aberration, a fleeting liberal era that ultimately concluded with Nixon's presidency and the ascendance of conservative and "originalist" justices, whose rulings-in Terry v. Ohio (1968), City of Los Angeles v. Lyons (1983), and Whren v. United States (1996), among other cases-have sanctioned stop-and-frisks, limited suits to reform police departments, and even abetted the use of lethal chokeholds.Written with a lawyer's knowledge and experience, Presumed Guilty definitively proves that an approach to policing that continues to exalt "Dirty Harry" can be transformed only by a robust court system committed to civil rights. In the tradition of Richard Rothstein's The Color of Law, Presumed Guilty is a necessary intervention into the roiling national debates over racial inequality and reform, creating a history where none was before-and promising to transform our understanding of the systems that enable police brutality.

In this remarkable, inspiring collection of essays, acclaimed writer and critic Olivia Laing makes a brilliant case for why art matters, especially in the turbulent political weather of the twenty-first century.Funny Weather brings together a career's worth of Laing's writing about art and culture, examining their role in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O'Keeffe, reads Maggie Nelson and Sally Rooney, writes love letters to David Bowie and Freddie Mercury, and explores loneliness and technology, women and alcohol, sex and the body. With characteristic originality and compassion, she celebrates art as a force of resistance and repair, an antidote to a frightening political time.We're often told that art can't change anything. Laing argues that it can. Art changes how we see the world. It makes plain inequalities and it offers fertile new ways of living.

The most important rule to follow when you hunt for hat ingredients is this: keep wildness in your wits and magic in your fingertips.In Cordelia's London, magic is real and is woven into objects created by the five Maker families: the Hatmakers, the Bootmakers, the Watchmakers, the Cloakmakers, and the Glovemakers. Growing up in her father Prospero's footsteps, eleven-year-old Cordelia Hatmaker has learned the family's ancient skills and secrets so she can one day make her own enchanted hats.When Prospero and his ship are lost at sea during an important ingredient expedition, her grief-stricken aunt and uncle must turn their attention toward fulfilling a decree to create a Peace Hat for the king. But Cordelia refuses to accept that her father is gone for good and desperately begins making plans to find him. Then, the Peace Hat is stolen-along with the Peace Boots, Watch, Cloak, and Gloves-and Cordelia realizes that there is a more menacing plot against the Makers' Guild, and that Prospero Hatmaker's disappearance may be connected. Cordelia must uncover the truth about who is behind the thefts if she is to save the Makers and find out what really happened to her father.Full of magic, surprise, and adventure, Tamzin Merchant's sparkling debut introduces a captivating heroine and her extraordinary world.

The ragtag crew of Captain Harriet Culpepper is off on another adventure! Ermitage Wrigglesworth, the notable explorer and author, has been reported missing in Stella Oceanus to the east. Twins Arthur and Maudie are eager to answer the call of adventure to find him, but their old nemesis and newly discovered aunt, Eudora Vane, is also on the hunt. As Lontown's most famous explorer families set sail aboard their sky-ships, it soon becomes clear that Eudora's not just after the missing explorer. There's a secret she's chasing, something Wrigglesworth had discovered before he vanished, something that definitely shouldn't be in Eudora Vane's hands. The Aurora's crew will have to journey to uncover Wrigglesworth's secret first, and will discover new lands and new friends along the way. . . .Return to Vashti Hardy's "marvelously imagined" world (Publishers Weekly) in this sweeping and propulsive follow up to Brightstorm, hailed by the Bulletin of the Center for Children's Books as "a novel of grandeur and action."

When a semi-truck crashes in the snow, Big Orange is ready. With a crane, chains, a webbing strap, outriggers, and a winch, Orange will get the semi back on its wheels-and when the job is too tough to tackle alone, Big Blue is there to help. Together they get the semi free and upright. Now, Orange is ready to tow the semi back to the shop, but a storm is coming.?.?.?.?Good thing Blue is around to help when Orange hits ice!With lively storytelling and engaging artwork, acclaimed author-illustrator Chris Gall motors through a brave and stormy tale of big-rig gadgets and collaboration.

In this revelatory investigation, science journalist Lydia Denworth takes us in search of friendship's biological, psychological, and evolutionary foundations. An "expert guide" (Kathryn Bowers, New York Times Book Review), Denworth weaves past and present, field biology and neuroscience, to show how our bodies and minds are designed for friendship across life stages, the processes by which healthy social bonds are developed and maintained, and how friendship is changing in the age of social media. Now including a Q&A between the author and her close friend to guide reflection and conversation, Friendship is a clarion call for putting positive relationships at the center of our lives.

In 2017, inspired in part by Henry James' The Turn of the Screw, the acclaimed English novelist John Lanchester published a ghost story in The New Yorker. "Signal," an eerie story of contemporary life and the perils of technology, was a sensation among readers-and since then Lanchester has written several more.Reality and Other Stories gathers the best of these, taking readers to an uncanny world familiar to fans of The Twilight Zone or Black Mirror. Household gizmos with a mind of their own. Mysterious cell-phone calls from unknown numbers. Reality TV shows and the creeping suspicion that none of this is real...Reality and Other Stories is a book of disquiet that captures the severe disconnection and distraction of our time.

When faced with near death, your survival instincts kick in. Instincts can only take you so far, however; it's preparation and planning that can make the difference between living and dying. In How to Survive, readers will hear harrowing tales of survival and learn from them. These stories are broken down and studied, whether it's the experience of a teenager hiking to safety as the only survivor of a plane crash in the Peruvian Amazon, a fisherman drifting for more than 400 days in an open boat across the Pacific Ocean, or a US Air Force fighter pilot forced to eject from his stealth fighter thousands of feet above the earth.John Hudson, a military survivor instructor, introduces the mindset that he feels is imperative for success: the Survival Triangle. This combination of effort, hope, and goals, along with a few practical skills, provides a premade planning template that can be used to jumpstart the whole survival process.

Given a chance to salvage his law enforcement career, Dona Ana County Sheriff's Detective Clayton Istee catches a bizarre late-night double homicide at a Las Cruces hotel. Both victims, a man and a woman, have been scalped with their throats cut.The murders show all the signs of a signature hit, but national and state crime databases reveal no similar profiles. Digging into the victims' backgrounds, Clayton discovers that six months prior the couple had walked out of a nearby casino with $200,000 of a high-stakes gambler's money.He also learns the crime had been hushed up by an undercover federal DEA agent, who resurfaces and recruits Clayton for a dangerous mission to seize the Mexican drug lord responsible for the killings.Thrust into the nightmare world of borderland drug wars and corrupt cops, Clayton duels with a cunning assassin poised to kill him and his family in a ferocious climax to the Kevin Kerney series that is sure to stun.

Soaring Gothic cathedrals, violent crusades, the Black Death: these are the dramatic forces that shaped the medieval era. But the so-called Dark Ages also gave us the first universities, eyeglasses, and mechanical clocks. As medieval thinkers sought to understand the world around them, from the passing of the seasons to the stars in the sky, they came to develop a vibrant scientific culture.In The Light Ages, Cambridge science historian Seb Falk takes us on a tour of medieval science through the eyes of one fourteenth-century monk, John of Westwyk. Born in a rural manor, educated in England's grandest monastery, and then exiled to a clifftop priory, Westwyk was an intrepid crusader, inventor, and astrologer. From multiplying Roman numerals to navigating by the stars, curing disease, and telling time with an ancient astrolabe, we learn emerging science alongside Westwyk and travel with him through the length and breadth of England and beyond its shores. On our way, we encounter a remarkable cast of characters: the clock-building English abbot with leprosy, the French craftsman-turned-spy, and the Persian polymath who founded the world's most advanced observatory.The Light Ages offers a gripping story of the struggles and successes of an ordinary man in a precarious world and conjures a vivid picture of medieval life as we have never seen it before. An enlightening history that argues that these times weren't so dark after all, The Light Ages shows how medieval ideas continue to color how we see the world today.

Eager to learn the answer, an enchantress casts her magic mirror into our universe. Reflected in it are princesses from around the world and across centuries who refuse to be pretty, polite, and obedient.Princess Leila of the desert protects her people from the king with the black-and-gold banner; Princess Tica takes a crocodile for a pet; Princess Ellen explores the high seas; Princess Abayome puts empathy and kindness above royal beauty; and in an apartment building, a girl named Princess saves her community's beloved garden from the hands of urban developers.These girls are fierce, brave, and determined to do the rescuing themselves. Connecting their stories is the magic mirror, which reveals itself when each girl needs it most, illuminating how a princess's power comes not from her title or looks, but from her own inner strength. These beautifully imagined stories, complemented by vibrant and inviting artwork, are by turns charming and bold, familiar and surprising.

Facts are everything to Freddie Yates-once you know one, it's yours to keep. After his grandmother dies, Freddie has to face the facts: his family has now dwindled to just him and his accident-prone stepdad. When Freddie discovers his biological father might be alive and well in Wales, he decides it's time to get back a family member. Together with his best friends Ben and Charlie, he sneaks off on the adventure of a lifetime (or at least, the summer vacation) to track him down.Freddie doesn't expect miracles-they're not real, after all. But as their road trip gets out of hand and the three boys unwittingly set off a chain of hilarious and unlikely events involving an onion-eating competition, stolen superhero costumes, an angry jewel thief, and some very backed-up plumbing, Freddie discovers that some things can't be explained-and that sometimes what you're looking for has been with you the whole time.Propulsive and laugh-out-loud funny, The Super Miraculous Journey of Freddie Yates is a heartwarming story about the true meaning of family.

In Memorial, her unforgettable transformation of the Iliad, Alice Oswald breathed new life into myth. In Nobody, she returns to Homer, this time fixing her gaze on a minor character in the Odyssey-a poet abandoned on a stony island-and the sea that surrounds him. Familiar voices drift in and out of the poem; though there are no proper names, we recognize Helios, Icarus, Alcyone, Philoctetes, Calypso, Clytemnestra, Orpheus, Poseidon, Hermes, and the presiding spirit of Proteus, the shape-shifting sea-god.As with all of Oswald's work, this is poetry that is made for the human voice, but here the language takes on the qualities of another element: dense, muscular, and liquid. Reading Nobody is like watching the ocean; we slip our earthly moorings and follow the circling shoal of sea voices into a mesh of sound and light and water-fluid, abstract, and moving with the wash of waves.

J. B. S. Haldane's life was rich and strange, never short on genius or drama-from his boyhood apprenticeship to his scientist father, who first instilled in him a devotion to the scientific method; to his time in the trenches during the First World War, where he wrote his first scientific paper; to his numerous experiments on himself, including inhaling dangerous levels of carbon dioxide and drinking hydrochloric acid; to his clandestine research for the British Admiralty during the Second World War. He is best remembered as a geneticist who revolutionized our understanding of evolution, but his peers hailed him as a polymath. One student called him "the last man who might know all there was to be known."He foresaw in vitro fertilization, peak oil, and the hydrogen fuel cell, and his contributions ranged over physiology, genetics, evolutionary biology, mathematics, and biostatistics. He was also a staunch Communist, which led him to Spain during the Civil War and sparked suspicions that he was spying for the Soviets. He wrote copiously on science and politics in newspapers and magazines, and he gave speeches in town halls and on the radio-all of which made him, in his day, as famous in Britain as Einstein. It is the duty of scientists to think politically, Haldane believed, and he sought not simply to tell his readers what to think but to show them how to think.Beautifully written and richly detailed, Samanth Subramanian's A Dominant Character recounts Haldane's boisterous life and examines the questions he raised about the intersections of genetics and politics-questions that resonate even more urgently today.