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In 1664, England decided to invade the Dutch-controlled city of New Amsterdam on Manhattan Island. Charles II and his brother, the Duke of York, had dreams of empire, and their archrivals, the Dutch, were in the way. But Richard Nicolls, who led the English flotilla bent on destruction, changed his strategy once he began parleying with Peter Stuyvesant, the Dutch leader on Manhattan.Bristling with vibrant characters, Taking Manhattan reveals the founding of New York to be an invention: the result not of an English military takeover but of clever negotiations that led to a fusion of the multiethnic capitalistic society the Dutch had pioneered to the power of the rising English empire. But the birth of what might be termed the first modern city is also a story of the brutal dispossession of Native Americans and of the roots of American slavery. Taking Manhattan shows how the paradox of New York's origins-boundless opportunity coupled with subjugation and displacement-reflect America's promise and failure to this day. Russell Shorto, whose work has been described as "astonishing" (New York Times) and "revelatory" (New York magazine), has once again mined newly translated sources to offer a vibrant tale and a fresh and trenchant argument about American beginnings.

In near-future Los Angeles, Xandria Brown works diligently as an archivist at the Huntington Library, Art Museum, and Botanical Gardens. Descended from a family of obsessive collectors who took part in the Great Migration, Xandria has always been passionate about the art of curation and preservation, especially of seemingly useless African American ephemera. But while juggling multiple projects, her neurocognitive symptoms of long COVID are worsening, as her healthbot keeps having to remind her. When the Huntington unexpectedly goes into lockdown, Xandria must rely on her adaptive technology and her own flickering intuition to preserve her life's work-the Diwata Collection. A strikingly original saga written in lyrical prose, The Ephemera Collector announces Stacy Nathaniel Jackson as a singular new voice in fiction.

With bylines spanning six decades, Joan Didion's legacy towers over the landscape of American letters. Although she launched her career in New York City, she soon struck out for Los Angeles, where the nation's dreams were manufactured-and every aspect of her work reflected what she saw there, whether she was writing on politics, society, or herself. In this riveting cultural biography, Wilkinson takes a fresh perspective on Didion's career as a novelist, critic, and screenwriter deeply embroiled in the grit and glamour of Hollywood. In eloquent prose, she charts how Didion became intimately acquainted with power players of the Los Angeles elite, arriving in the twilight of the old studio system in time to see lines between the industry and public life blur. Peering through a scrim of celluloid, Wilkinson incisively dissects the motifs and machinations that informed Didion's writing-and how her writing, ultimately, demonstrated Hollywood's addictive grasp on American identity.

Our nation's infrastructure is crumbling. From collapsing highways to pockmarked roads to unreliable subway systems, the need to rebuild is manifest. But as Deborah N. Archer warns in Dividing Lines, we must not repair our infrastructure without first coming to grips with the troubling history behind it. Archer shows that when government-sanctioned racism was finally deemed illegal after the successes of the Civil Rights movement in the 1960s, officials across the country turned to infrastructure to protect segregation. Highways could not be run through Black neighborhoods based on the race of their residents, but those neighborhoods' lower property values-a legacy of racial exclusion-could justify their destruction. A new suburb could not be for "whites only," but planners could refuse to extend sidewalks from Black communities into white ones. With immense authority, Archer uncovers the animus built into our everyday environments and explains why existing Civil Rights law is insufficient to address the challenges we face today.

As the daughter of Jamaican immigrants, Marie Mitchell cooks to understand and celebrate recipes that have been passed down from generation to generation. In Kin, her hotly anticipated debut cookbook, she shares dishes from the Caribbean and its diaspora. Accompanied by gorgeous photographs, many shot in the Caribbean, the book's 80 recipes blend influences from South Asia, Africa, and Latin America in crispy Saltfish Fritters, Honey Jerk Wings with Fluffy Cassava Fries and Hot Pepper Sauce, garlicky Mojo Roast Pork, Sweet Tangy Coleslaw, and Creamy Tomato Curry. Her breads, desserts, and drinks evoke the islands and are stunningly easy: coconut bread buns, a Ginger Drizzle cake, Summer Rum Punch. Marie's food is subtle and playful, layering different notes and spices carefully to create delicate, rewarding flavors perfect for home cooks.

At the End of the World There Is a Pond is a book about aftermaths. Each poem comes in the wake of a deep rupture-the rupture of mental illness and addiction, of migration and displacement, of violence, familial conflict, and ecological catastrophe. The speakers of these poems engage with despair and playfulness in equal measure, always allowing humor, irony, and the exuberance of the natural world to bend darkness toward something like hope.Again and again, Steven Duong's writing excavates the unnatural conditions of the seemingly natural world: the betta fish trapped in its mason jar, the forest choked by invasive kudzu, the elephant wounded in a landmine blast. Ultimately, At the End of the World There Is a Pond articulates an impossible question: How can we reconcile a deep love for the world in all its buzzing, wriggling aliveness with an equally deep self-destructive desire to leave it behind?

Meet the deadliest big cats on Earth.Whose bite is the most lethal? Is it the stylish tiger? The sneaky leopard? The speedy cheetah? Or someone else?The host of this stiff competition, Dr. Eleanor Spicer Rice, teaches the rules for big cat interactions (Do not get one as a pet! Do not encroach on their territory!), gives a digestible breakdown of these apex predators, and introduces the contestants.This tale of claws and jaws invites readers into the world of big cats: where they live, what they eat-and what could happen if you ever encountered one. It also encourages readers to appreciate them, showing how they survive, why they're important to the places they live-and why we should protect them. With humor, accessible science, and a colorful graphic format by best-selling artist Max Temescu, The Deadliest: Big Cat shows that there's a lot to learn about these deadly creatures.

Meet the deadliest spiders on Earth.Whose bite is the most venomous? Is it the sneaky black widow? The shy recluse? The aggressive Brazilian wandering spider? Or someone else?The host of this stiff competition, Dr. Eleanor Spicer Rice, teaches the rules for spider interactions (Do not touch! Do not fear!), gives a digestible breakdown of arachnids, and introduces the contestants.The Deadliest: Spider invites readers into the world of spiders: where they live, their spidery habits-and what could happen if you get bitten by one. It also encourages readers to appreciate them, showing how they survive, why they're important to the places they live-and why we should leave them alone and protect them. With humor and accessible science presented in a colorful graphic format by best-selling artist Max Temescu, this fang-filled picture book shows that a lot to learn about these deadly creatures beyond their venomous bites.

What began in spring 2020 as local protests in response to the killing of George Floyd by Minneapolis police quickly exploded into a massive nationwide movement. Millions of mostly young people defiantly flooded into the nation's streets, demanding an end to police brutality and to the broader, systemic repression of Black people and other people of color. To many observers, the protests appeared to be without precedent in their scale and persistence. Yet, as the acclaimed historian Elizabeth Hinton demonstrates in America on Fire, the events of 2020 had clear precursors-and any attempt to understand our current crisis requires a reckoning with the recent past.Even in the aftermath of Donald Trump, many Americans consider the decades since the civil rights movement in the mid-1960s as a story of progress toward greater inclusiveness and equality. Hinton's sweeping narrative uncovers an altogether different history, taking us on a troubling journey from Detroit in 1967 and Miami in 1980 to Los Angeles in 1992 and beyond to chart the persistence of structural racism and one of its primary consequences, the so-called urban riot. Hinton offers a critical corrective: the word riot was nothing less than a racist trope applied to events that can only be properly understood as rebellions-explosions of collective resistance to an unequal and violent order. As she suggests, if rebellion and the conditions that precipitated it never disappeared, the optimistic story of a post-Jim Crow United States no longer holds.Black rebellion, America on Fire powerfully illustrates, was born in response to poverty and exclusion, but most immediately in reaction to police violence. In 1968, President Lyndon Johnson launched the "War on Crime," sending militarized police forces into impoverished Black neighborhoods. Facing increasing surveillance and brutality, residents threw rocks and Molotov cocktails at officers, plundered local businesses, and vandalized exploitative institutions. Hinton draws on exclusive sources to uncover a previously hidden geography of violence in smaller American cities, from York, Pennsylvania, to Cairo, Illinois, to Stockton, California.The central lesson from these eruptions-that police violence invariably leads to community violence-continues to escape policymakers, who respond by further criminalizing entire groups instead of addressing underlying socioeconomic causes. The results are the hugely expanded policing and prison regimes that shape the lives of so many Americans today. Presenting a new framework for understanding our nation's enduring strife, America on Fire is also a warning: rebellions will surely continue unless police are no longer called on to manage the consequences of dismal conditions beyond their control, and until an oppressive system is finally remade on the principles of justice and equality.

Lyndsay Faye-international bestseller, translated into fifteen languages, and a two-time Edgar Award nominee-first appeared on the literary scene with Dust and Shadow, her now-classic novel pitting Sherlock Holmes against Jack the Ripper, and later produced The Whole Art of Detection, her widely acclaimed collection of traditional Watsonian tales.  Now Faye is back with Observations by Gaslight, a thrilling volume of both new and previously published short stories and novellas narrated by those who knew the Great Detective.Beloved adventuress Irene Adler teams up with her former adversary in a near-deadly inquiry into a room full of eerily stopped grandfather clocks.  Learn of the case that cemented the lasting friendship between Holmes and Inspector Lestrade, and of the tragic crime which haunted the Yarder into joining the police force. And witness Stanley Hopkins' first meeting with the remote logician he idolizes, who will one day become his devoted mentor.  From familiar faces like landlady Mrs. Hudson to minor characters like Lomax the sub-librarian, Observations by Gaslight-entirely epistolary, told through diaries, telegrams, and even grocery lists-paints a masterful portrait of Sherlock Holmes and Dr. Watson as you have never seen them before.

H of H Playbook is an explosion of thought, in drawings and language, about a Greek tragedy called Herakles by the 5th-century BC poet Euripides. In myth Herakles is an embodiment of manly violence who returns home after years of making war on enemies and monsters (his famous "Labors of Herakles") to find he cannot adapt himself to a life of peacetime domesticity. He goes berserk and murders his whole family. Suicide is his next idea. Amazingly, this does not happen. Due to the intervention of his friend Theseus, Herakles comes to believe he is not, after all, indelibly stained by his own crimes, nor is his life without value. It remains for the reader to judge this redemptive outcome.      "I think there is no such thing as an innocent landscape," said Anselm Kiefer, painter of forests grown tall on bones.

"The poet is endemic with life itself," Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. "This being the ballet of the forgotten," he writes as diasporic witness, "of refracted boundary points as venom." The volume's opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo-two writers whose luminous art suffered "colonial wrath through refraction." A tribute to the Congo forms the bridge and brisé vole of the book: the Congo as "charged aural colony" and "primal interconnection," a "subliminal psychic force" with a colonial and postcolonial history dominated by the Occident. Will Alexander's improvisatory cosmicity pushes poetic language to the point of most resistance-incantatory and swirling with magical laterality and recovery.

Police are nine times more likely to kill African-American men than they are other Americans-in fact, nearly one in every thousand will die at the hands, or under the knee, of an officer. As eminent constitutional scholar Erwin Chemerinsky powerfully argues, this is no accident, but the horrific result of an elaborate body of doctrines that allow the police and, crucially, the courts to presume that suspects-especially people of color-are guilty before being charged.Today in the United States, much attention is focused on the enormous problems of police violence and racism in law enforcement. Too often, though, that attention fails to place the blame where it most belongs, on the courts, and specifically, on the Supreme Court. A "smoking gun" of civil rights research, Presumed Guilty presents a groundbreaking, decades-long history of judicial failure in America, revealing how the Supreme Court has enabled racist practices, including profiling and intimidation, and legitimated gross law enforcement excesses that disproportionately affect people of color.For the greater part of its existence, Chemerinsky shows, deference to and empowerment of the police have been the modi operandi of the Supreme Court. From its conception in the late eighteenth century until the Warren Court in 1953, the Supreme Court rarely ruled against the police, and then only when police conduct was truly shocking. Animating seminal cases and justices from the Court's history, Chemerinsky-who has himself litigated cases dealing with police misconduct for decades-shows how the Court has time and again refused to impose constitutional checks on police, all the while deliberately gutting remedies Americans might use to challenge police misconduct.Finally, in an unprecedented series of landmark rulings in the mid-1950s and 1960s, the pro-defendant Warren Court imposed significant constitutional limits on policing. Yet as Chemerinsky demonstrates, the Warren Court was but a brief historical aberration, a fleeting liberal era that ultimately concluded with Nixon's presidency and the ascendance of conservative and "originalist" justices, whose rulings-in Terry v. Ohio (1968), City of Los Angeles v. Lyons (1983), and Whren v. United States (1996), among other cases-have sanctioned stop-and-frisks, limited suits to reform police departments, and even abetted the use of lethal chokeholds.Written with a lawyer's knowledge and experience, Presumed Guilty definitively proves that an approach to policing that continues to exalt "Dirty Harry" can be transformed only by a robust court system committed to civil rights. In the tradition of Richard Rothstein's The Color of Law, Presumed Guilty is a necessary intervention into the roiling national debates over racial inequality and reform, creating a history where none was before-and promising to transform our understanding of the systems that enable police brutality.

The international bestseller that mesmerizingly charts quixotic journeys through London's past, Mudlark thrills Anglophiles and history lovers alike. Long heralded as a city treasure herself, beloved "Mudlark" Lara Maiklem tirelessly treks along the Thames' muddy shores, unearthing a myriad of artifacts and their stories-from Roman hairpins and perfectly preserved Tudor shoes to the clay pipes that were smoked in riverside taverns. Seamlessly interweaving reflections from her own life with meditations on the art of wandering, Maiklem ultimately delivers a treatise "as deep and as rich as the Thames and its treasures" (Stanley Tucci).

In this revelatory investigation, science journalist Lydia Denworth takes us in search of friendship's biological, psychological, and evolutionary foundations. An "expert guide" (Kathryn Bowers, New York Times Book Review), Denworth weaves past and present, field biology and neuroscience, to show how our bodies and minds are designed for friendship across life stages, the processes by which healthy social bonds are developed and maintained, and how friendship is changing in the age of social media. Now including a Q&A between the author and her close friend to guide reflection and conversation, Friendship is a clarion call for putting positive relationships at the center of our lives.

It's Holy Week in the small town of Las Penas, New Mexico, and thirty-three-year-old unemployed Amadeo Padilla has been given the part of Jesus in the Good Friday procession. He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep and disrupts his plans for personal redemption. With weeks to go until her due date, tough, ebullient Angel has fled her mother's house, setting her life on a startling new path.Vivid, tender, funny, and beautifully rendered, The Five Wounds spans the baby's first year as five generations of the Padilla family converge: Amadeo's mother, Yolanda, reeling from a recent discovery; Angel's mother, Marissa, whom Angel isn't speaking to; and disapproving Tíve, Yolanda's uncle and keeper of the family's history. Each brings expectations that Amadeo, who often solves his problems with a beer in his hand, doesn't think he can live up to.The Five Wounds is a miraculous debut novel from a writer whose stories have been hailed as "legitimate masterpieces" (New York Times). Kirstin Valdez Quade conjures characters that will linger long after the final page, bringing to life their struggles to parent children they may not be equipped to save.

Given a chance to salvage his law enforcement career, Dona Ana County Sheriff's Detective Clayton Istee catches a bizarre late-night double homicide at a Las Cruces hotel. Both victims, a man and a woman, have been scalped with their throats cut.The murders show all the signs of a signature hit, but national and state crime databases reveal no similar profiles. Digging into the victims' backgrounds, Clayton discovers that six months prior the couple had walked out of a nearby casino with $200,000 of a high-stakes gambler's money.He also learns the crime had been hushed up by an undercover federal DEA agent, who resurfaces and recruits Clayton for a dangerous mission to seize the Mexican drug lord responsible for the killings.Thrust into the nightmare world of borderland drug wars and corrupt cops, Clayton duels with a cunning assassin poised to kill him and his family in a ferocious climax to the Kevin Kerney series that is sure to stun.

The bait is half of a $10,000 bill, delivered to Perry Mason by a man who promises the second half of the note should his companion, a silent masked woman, ever require the lawyer's services. When a dead body is discovered soon after, Mason feels the hook-but how can one prove the innocence of a person whose identity is unknown? Suspecting that he's been set-up, but curious nonetheless, Perry sets out to solve the mystery from the ground up, beginning with the face behind the veil. The more he learns, the more complex his investigation becomes. Uncovering a convoluted case of stock fraud, divorce, and inheritance, Mason's nearly left reeling-that is until, with the help of Della Street and Paul Drake, he pulls off one of his most daring gambits ever to finally cast light on the killer.Filled with memorable characters, a multitude of motives, and just a few red herrings, The Case of the Baited Hook is classic Perry Mason, showcasing the character's brilliance and pizazz with a plot that pushes his powers into overdrive. As puzzling as it is entertaining, the book exemplifies the style that made Erle Stanley Gardner one of the most popular authors of the twentieth century."Millions of Americans never seem to tire of Gardner's thrillers." -The New York TimesDON'T MISS THE NEW HBO ORIGINAL SERIES PERRY MASON, BASED ON CHARACTERS FROM ERLE STANLEY GARDNER'S NOVELS, STARRING EMMY AWARD WINNER MATTHEW RHYS

“A highly personal, deeply affecting account of what it is to be yanked from a happy, well-ordered life and thrust into a sudden, unimaginable, terrifying darkness. Rikke Schmidt Kjærgaard has done the impossible of putting into words an experience that would seem to be beyond expressing.”—from the foreword by Bill Bryson It was New Year’s Day. Rikke Schmidt Kjærgaard, a young mother and scientist, was celebrating with family and friends when she was struck down with a sudden fever. Within hours, she’d suffered multiple organ failure and was clinically dead. Then, brought back to the edge of life—trapped in a near-death coma—she was given a 5 percent chance of survival. She awoke to find herself completely paralyzed, with blinking as her sole means of communicating with the outside world.The Blink of an Eye is Rikke’s gripping account of being locked inside her own body, and what it took to painstakingly relearn every basic life skill—from breathing and swallowing, speaking and walking, to truly living again. Much more than an account of recovery against all odds—this is, at its heart, a celebration of love, family, and every little thing that matters when life hangs in the balance.

Artforum is certainly one of César Aira's most charming, quirky, and funny books to date. Consisting of a series of interrelated stories about his compulsion to collect Artforum magazine, this is not about art so much as it is about passionate obsession. At first we follow our hapless collector from magazine shops to used bookstores hunting for copies of Artforum. A friend alerts him to a copy somewhere and he obsesses about actually going to get it-will the shop be open, will the copy already be sold? Finally he takes out a subscription, but then it never comes, so he hounds the mailman. There's the day his stash of Artforums gets rained on, but only one absorbs the water. And interspersed is a wacky chapter about the mystery of the broken clothespins. "How weird." "How crazy."

An "endlessly fascinating" (Michael Ruse) work of scientific thought and synthesis, Genesis is Edward O. Wilson's twenty-first-century statement on Darwinian evolution. Asserting that religious creeds and philosophical questions can be reduced to purely genetic and evolutionary components, and that the human body and mind have a physical base obedient to the laws of physics and chemistry, Wilson demonstrates that the only way for us to fully understand human behavior is to study the evolutionary histories of nonhuman species. At least seventeen of these species-among them the African naked mole rat and the sponge-dwelling shrimp-have been found to have advanced societies based on altruism and cooperation. Braiding twenty-first- century scientific theory with the lyrical biological and humanistic observations for which Wilson is beloved, Genesis is "a magisterial history of social evolution, from clouds of midges or sparrows to the grotesqueries of ant colonies" (Kirkus Reviews, starred review).

Fleur Jaeggy is often noted for her terse and telegraphic style, which somehow brews up a profound paradox that seems bent on haunting the reader: despite a sort of zero-at-the-bone baseline, her fiction is weirdly also incredibly moving. How does she do it? No one knows. But here, in her newest collection, I Am the Brother of XX, she does it again. Like a magician or a master criminal, who can say how she gets away with it, but whether the stories involve famous writers (Calvino, Ingeborg Bachmann, Joseph Brodsky) or baronesses or 13th-century visionaries or tormented siblings bred up in elite Swiss boarding schools, they somehow steal your heart. And they don't rest at that, but endlessly disturb your mind.

A hyper-fast quantum computer is the digital equivalent of a nuclear bomb; whoever possesses one will be able to shred any encryption and break any code in existence. The winner of the race to build the world's first quantum machine will attain global dominance for generations to come. The question is, who will cross the finish line first: the U.S. or China?In this gripping cyber thriller, the United States' top-secret quantum research labs are compromised by a suspected Chinese informant, inciting a mole hunt of history-altering proportions. CIA officer Harris Chang leads the charge, pursuing his target from the towering cityscape of Singapore to the lush hills of the Pacific Northwest, the mountains of Mexico, and beyond. The investigation is obsessive, destructive, and-above all-uncertain. Do the leaks expose real secrets, or are they false trails meant to deceive the Chinese? The answer forces Chang to question everything he thought he knew about loyalty, morality, and the primacy of truth.Grounded in the real-world technological arms race, The Quantum Spy presents a sophisticated game of cat and mouse cloaked in an exhilarating and visionary thriller.

A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world's greatest playwright.

One summer afternoon in 1862, the Rev. Charles Lutwidge Dodgson took a rowboat out on the Thames. With him were three young friends from the Liddell family-the sisters Lorina, Edith, and Alice. Dodgson often spun fairy tales on these boating trips to pass the time, and on this particular afternoon the story was particularly well received by Alice, who afterwards entreated him to write it down for her. Dodgson recalled the pivotal moment thusly: "In a desperate attempt to strike out some new line of fairy-lore, I had sent my heroine straight down a rabbit-hole, to begin with, without the least idea what was to happen afterwards."The tale, initially titled Alice's Adventures Under Ground, became Alice's Adventures in Wonderland, which Dodgson published in 1865 as Lewis Carroll. So began the journey, now in its 150th year, of one of the most beloved stories of all time.The Annotated Alice: 150th Anniversary Deluxe Edition compiles over half a century of scholarship by leading Carrollian experts to reveal the history and full depth of the Alice books and their enigmatic creator. This volume brings together Martin Gardner's legendary original 1960 publication, The Annotated Alice; his follow-ups, More Annotated Alice and the Definitive Edition; his continuing explication through the Knight Letter magazine; and masterly additions and updates edited by Mark Burstein, president emeritus of the Lewis Carroll Society of North America. In these pages Lewis Carroll's mathematical riddles and curious wordplay, ingeniously embedded throughout the Alice works, are delightfully decoded and presented in the margins, along with original correspondence, amusing anecdotal detours, and fanciful illustrations by Salvador Dalí, Beatrix Potter, Ralph Steadman, and a host of other famous artists.Put simply, this anniversary edition of The Annotated Alice is the most comprehensive collection of Alice materials ever published in a single volume. May it serve as a beautiful and enduring tribute to the charming, utterly original "new line of fairy-lore" that Lewis Carroll first spun 150 years ago.The deluxe anniversary edition of The Annotated Alice includes:A rare, never-before-published portrait of Francis Jane Lutwidge, Lewis Carroll's motherOver 100 new or updated annotations, collected since the publication of Martin Gardner's Definitive Edition of The Annotated Alice in 1999More than 100 new illustrations, in vibrant color, by Salvador Dalí, Beatrix Potter, Ralph Steadman, and 42 other artists and illustrators, in addition to the original artwork by Sir John TennielA preface by Mark Burstein, president emeritus of the Lewis Carroll Society of North America, and all of Gardner's introductions to other editionsA filmography of every Alice-related film by Carroll scholar David Schaefer