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An idiosyncratic and highly controversial French philosopher, Jacques Derrida inspired profound changes in disciplines as diverse as law, anthropology, literature and architecture. In Derrida's view, texts and contexts are woven with inconsistencies and blindspots, which provide us with a chance to think in new ways about, among other things, language, community, identity and forgiveness. Derrida's suggestions for "how to read" lead to a new vision of ethics and a new concept of responsibility.Penelope Deutscher discusses extracts from the full range of Derrida's work, including Of Grammatology, Dissemination, Limited Inc, The Other Heading: Reflections on Europe, Monolinguism of the Other, Given Time, and "Force of Law."

Emphasizing the Romantic heritage and modernist legacy of Karl Marx's writings, Peter Osborne presents Marx's thought as a developing investigation into what it means, concretely, for humans to be practical historical beings.Drawing on passages from a wide range of Marx's writings, and showing the links among them, Osborne refutes the myth of Marx as a reductively economistic thinker. What Marx meant by "materialism," "communism," and the "critique of political economy" was much richer and more original, philosophically, than is generally recognized. With the renewed globalization of capitalism since 1989, Osborne argues, Marx's analyses of the consequences of commodification are more relevant today than ever before.Extracts are taken from the full breadth of Marx's writings, including Notebooks on Epicurean Philosophy, the Economic and Philosophical Manuscripts, and The Communist Manifesto to Capital.

Ralph Ember longs to be respectable. The trouble is his money comes from big-time drug dealing, where fortunes are made but reputations are dubious and the risks truly murderous. Ralph has to decide whether to go after a syndicate alone or form an alliance with others.

Worldwatch Institute researcher Chris Bright explains why conservation biologists are raising the alarm about a global threat to biodiversity that is unfolding largely unnoticed - bioinvasion, the spread of alien, "exotic" organisms.With the exception of a few spectacular invasions, like the zebra mussel's conquest of the Great Lakes, there has been little public recognition of the dangers posed by these invading species. But exotic species are injuring our biological wealth on virtually every level - from the genetic (when exotics interbreed with native species) to the wholesale transformation of landscapes.Life Out of Bounds shows that this "biological pollution" is now beginning to corrode the world's economies as well. But the policy responses, on both the national and international levels, have usually been weak and uncoordinated. This book outlines the current scientific research on the threat, the social and economic implications if these invasions are allowed to continue unchecked, and steps that can be taken to contain the spread of exotic species.

Covers everything from the first spark of inspiration to the final draft. Writers will see how a series of careful questions will lead them to the messages of their reports, and will learn how to let those messages drive the structure of the piece. From this foundation they will be able to create a paragraph-by-paragraph plan of their entire report. A final chapter explains the author's techniques for editing reports of any length.

Well-known writers, including William Maxwell, Margaret Atwood, Don DeLillo, and Mark Richard, join lesser-known writers, such as Molly Giles, Andrew Lam, Judy Troy--who will be (or should be) better known--in this stellar collection of 60 short-shorts--serious writing that's fun to read.

The new edition retains the author's pungent analysis of what makes math "hard" for otherwise successful people and how women, more than men, become victims of a gendered view of math. It has been substantially updated to incorporate new research on what we know and don't know about "sex differences" in brain organization and function, and it has been enlarged to include problems, puzzles, and strategies tried out in hundreds of math anxiety workshops Tobias and her colleagues have sponsored.What remains unchanged is the author's politics. She sees "math anxiety" as a political issue. So long as people themselves to be disabled in mathematics and do not rise up and confront the social and pedagogical origins of their disabilities, they will be denied "math mental health." Tobias defines this as "the willingness to learn the math you need when you need it." In an ever more technical society, having that willingness can make the difference between high and low self-esteem, failure and success.

Ablaze with intellectual and social change, Paris in the 1830s and 1840s beckons to two English brothers-Frederick and Charles Courtland, an architect and a priest-each of whom is struggling for self-definition and social recognition. Of their lives and this world Sennett has made a remarkable work of fiction that transports the reader into nineteenth century Europe and into the nature and inconsistencies of culture and faith, and the way each is shaped by the passage of time.

As Marilyn Hacker has written, "Black, lesbian, mother, cancer survivor, urban woman: none of Lorde's selves has ever silenced the others; the counterpoint among them is often the material of her strongest poems."

As both a poet and novelist, Charlie Smith has been hailed as one of the most original voices on the literary scene today. The New York Times calls him "prodigiously talented" and Madison Smartt Bell describes him as "not only a spectacular stylist but also a visionary." He is the author of four novels, a book of novellas, and two previous volumes of poetry, Red Roads and Indistinguishable from the Darkness. In images both stark and voluptuous, Charlie Smith writes in The Palms of a world that is sometimes brutal, violent, and chaotic. His mythmaking imagination, Stanley Kunitz says, is "the art of the born storyteller...in love with language and places, heart's mysteries, and the invitation of roads." He follows where the imagination leads, whether it be driving a rental car east on Sunset Boulevard or "stepping into Nebraska / as one would step onto a white ferry." In his willingness to stand looking until he sees, he draws us into the urgency and glory of American life.

So begins May Sarton's short, swift blow of a novel, about the powerlessness of the old and the rage it can bring. As We Are Now tells the story of Caroline Spencer, a 76-year-old retired schoolteacher, mentally strong but physically frail, who has been moved by relatives into a "home." Subjected to subtle humiliations and petty cruelties, sustained for too short a time by the love of another person, she fights back with all she has, and in a powerful climax wins a terrible victory.

"This collection of 25 short stories written in English by non-Americans represents a wide range of writers working in all genres. Some of these writers are well known and widely published; others have just begun their writing careers." -Library Journal

At the opening of this masterful debut novel, Vishnu lies dying on the staircase he inhabits while his neighbors the Pathaks and the Asranis argue over who will pay for an ambulance. As the action spirals up through the floors of the apartment building we are pulled into the drama of the residents' lives: Mr. Jalal's obsessive search for higher meaning; Vinod Taneja's longing for the wife he has lost; the comic elopement of Kavita Asrani, who fancies herself the heroine of a Hindi movie.Suffused with Hindu mythology, this story of one apartment building becomes a metaphor for the social and religious divisions of contemporary India, and Vishnu's ascent of the staircase parallels the soul's progress through the various stages of existence. As Vishnu closes in on the riddle of his own mortality, we wonder whether he might not be the god Vishnu, guardian not only of the fate of the building and its occupants, but of the entire universe.

An electrifying collection of the finest, most entertaining, and illuminating writing on and from the rock and roll scene--from its earliest days to the present, from the brightest moments of the biggest stars to obscure but compellingly significant treasures. The crazy, exhilarating, endlessly creative world of rock and roll has fascinated us--and some of our best writers--since the earliest days of the genre. William McKeen has assembled in this book the writing of those who played the music and pushed it to new limits, as well as those who were on the scene to witness and celebrate its magic. The story of rock and roll music and the rock and roll life lifts from these pages with marvelous immediacy, in selections ranging from Bruce Springsteen on his experience of backing up Chuck Berry, to Joan Didion sitting in on a Doors recording session, to Henry Rollins on Madonna, to Roddy Doyle's The Commitments. Tom Wolfe, Patti Smith, Don DeLillo, John Lennon, Frank Zappa, Nick Hornby, and many others contribute to this portrait of the music and its culture from its ancestors in the blues to its latest variants beyond grunge and rap. The book is organized into sections that create provocative and eye-opening juxtapositions, from "Superstardom" to "Weirdness," from "Present at the Creation" to "Soul." A section on rock critics shows how these writers matched the music with their own sharp rhythm, while "Tributes" rounds off the volume by remembering in their glory some of the greats who are making noise in the hereafter.

Delmore Schwartz, the most influential critic in postwar America, wrote of Patrick O'Brian's first novel Testimonies: "A triumph...drawn forward by lyric eloquence and the story's fascination, [the reader] discovers in the end that he has encountered in a new way the sphinx and the riddle of existence itself." Schwartz' imagination was fired by this sinister tale of love and death set in Wales, a timeless story with echoes of Thomas Hardy and Mary Webb.Joseph Pugh, sick of Oxford and of teaching, decides to take some time off to live in a wild and beautiful Welsh farm valley. There he falls physically ill and is nursed back to health by Bronwen Vaughn, the wife of a neighboring farmer. Slowly, unwillingly, Bronwen and Pugh fall in love;' and while that word is never spoken between them, their story is as passionate and as tragic as that of Vronsky and Anna Karenina.

For 6,000 years, irrigation has ranked among the most powerful tools of human advancement. The story of settled agriculture, the growth of cities, and the rise of early empires is, to no small degree, a story of controlling water to make the land more prosperous and habitable. Pillar of Sand examines the history, challenges, and pitfalls of irrigated agriculture - from ancient Egypt and Mesopotamia to twentieth-century India and the United States. By unmasking the risks faced by irrigation-based societies - including water scarcity, soil salinization, and conflicts over rivers - water specialist Sandra Postel connects the lessons of the past with the challenge of making irrigation thrive into the twenty-first century and beyond. Protecting rivers and vital ecosystems as the world aims to feed 8 billion people will require a doubling of water productivity - getting twice as much benefit from each gallon removed from rivers, lakes, and aquifers. Pillar of Sand points the way toward managing the growing competition for scarce water. And it lays out a strategy for correcting a startling flaw of the modern irrigation age - its failure to better the lives of the majority of the world's poorest farmers.

Ezra Pound is destined to rank as one of the great translators of all time. Ranging through many languages, he chose for translation writers whose work marked a significant turning point in the development of world literature, or key poems which exemplify what is most vital in a given period or genre. This new enlarged edition, devoted chiefly to poetry, includes some forty pages of previously uncollected material. Anglo-Saxon: The Seafarer. Chinese: (Cathay) Rihaku (Li Po). Bunno, Mei Sheng, T'ao Yuan Ming. Egyptian: Conversations in Courtship. French: du Bellay, de Boufflers, D'Orléans, Lalorgue, Lubicz-Milosz, Rimbaud, Tailhade. Prose: de Gourmont. Hindi: Kabir. Italian: Cavalcanti, St. Francis, Guinicelli, Leopardi, Montanari, Orlandi. Japanese Noh Plays: 15 plays with Fenollosa's commentary. Latin: Catullus, Horace, Navagero, Rutilius. Provençal: Bertrand de Born, Cercalmon, Daniel, Folquet de Romans, Li Viniers, Ventadorn.

New Directions has long published poet William Carlos Williams' entire body of short fiction as The Farmers' Daughters (1961). This new edition of The Collected Stories of William Carlos Williams contains all fifty-two stories combining the early collections The Knife of the Times (1932), Life Along the Passaic (1938) with the later collection Make Light of It (1950) and the great long story, "The Farmers' Daughters" (1956). When these stories first appeared, their vitality and immediacy shocked many readers, as did the blunt, idiosyncratic speech of Williams' immigrant and working-class characters. But the passage of time has silenced the detractors, and what shines in the best of these stories is the unflinching honesty and deep humanity of Williams' portraits, burnished by the seeming artlessness which only the greatest masters command.

"Men have monopolized human experience, leaving women unable to imagine themselves as both ambitious and female. If I imagine myself (woman has always asked) whole, active, a self, will I not cease, in some profound way, to be a woman? The answer must be: imagine, and the old idea of womanhood be damned. . . . Let us imagine ourselves as selves, as at once striving and female. Womanhood can be what we say it is, not what they have always told us it was."

The author chronicles her efforts to regain her health after having suffered a stroke at the age of seventy-three, describes her self-proclaimed life of solitude, and offers keen observations on the natural world surrounding her.

First published in 1962, this novel is one of the most lyrical and authentic portraits of a jazz musician ever published. Born into violence, in the midst of a destructive tornado that flattens sections of East St. Louis, Raymond Douglas overcomes obstacles of family and race to become a jazz trumpeter whose music touches greatness. Rave praise for the Old School Books Series: "One of the most exciting literary revival series since the rediscovery of Jim Thompson's novels..." --Digby Diehl, Playboy "If you can't get enough of Shaft, Foxy Brown (the original one) or Dolemite, then check Old School Books' new series of pulp novels featuring the boldest African-American authors of our time. These new cultural artifacts are fast-paced and hard. They take the brutality and ruin of the urban Black landscape and transform them into art. Each character in the series is searching for "old school" wisdom and never loses sight of the racial, political, and emotional context from which they came."--The Source "My endorsement of Old School Books is a hundred percent. This is the kind of publishing program that shows serious readers that publishing can still be more than just a business. This is a cultural service of the highest order. W.W. Norton and Company deserves a standing ovation. Congratulations."--Clarence Major, University of California, Davis "Glad to see that at least one publisher isn't afflicted with the bottom-line fever, the republishing of these old time classics proves that Norton is devoted to quality publishing. I'm especially glad to see John A. Williams' The Angry Ones used. It's as fresh as the day it was written."--Ishmael Reed, University of California, Berkeley "As of late, members of the pulp pantheon are finding themselves being revised by Hollywood, scrutinized by serious academics, and canonized by the Library of America, though they never completely went out of fashion. But a little-known subgenre of pulp that faded from public view will soon be getting its second chance when Norton's Old School Books, a series of paperback reprint by black pulp novelists, hit bookstores."--Village Voice Literary Supplement

This book details the steps you need to take to turn your idea--whether it's a song or a rocket engine--into an income.

Growing evidence suggests that the global economy, rooted in ideas and assumptions that were progressive two hundred years ago, is now destroying its own ecological base and offering little to billions of impoverished people. In response, pioneers are creating the architecture of sustainable economies, one innovation at a time. State of the World 2008 describes these innovations-from microfinance to closed-loop manufacturing and the use of trusts to protect common resources-as well as identifying the obstacles that prevent a critical mass of people and organizations from moving toward sustainability, and rallying coalitions of stakeholders that can produce win-win solutions and strategies for achieving specific sustainability goals.

Renowned biographer Michael Holroyd had always assumed that his own family was perfectly English, or at least perfectly ordinary. But an investigation into the Holroyd past-guided by old photograph albums, crumbling documents, and his parents' wildly divergent accounts of their lives-gradually yields clues to a constellation of startling events and eccentric characters: a slow decline from English nobility on one side, a dramatic Scandinavian ancestry on the other. Fires, suicides, bankruptcies, divorces, unconsummated longings, and the rumor of an Indian tea fortune permeate this wry, candid memoir, "part multiple biography, part autobiography, but principally an oblique investigation of the biographer's art" (New York Times Book Review). "[A] perfect example of a memoir that entrances me."-Katherine A. Powers, Boston Sunday Globe "[O]ne of the few [biographers] who can convey what makes ordinary as well as extraordinary mortals live in our minds."-Los Angeles Times

His ideas have influenced the diverse psychoanalytic schools of Anna Freud, Melanie Klein, and Hans Kohut. But his reach extends far beyond professional circles: his talks to general audiences over the years won him enormous numbers of followers among parents and teachers who have found his observations rich in penetrating insight.This collection brings together many of Winnicott's most important pieces, including previously unpublished talks and several essays from books and journals now difficult to obtain. They range widely in topic-from "The Concept of a Healthy Individual" and "The Value of Depression" to "Delinquency as a Sign of Hope"-and elucidate some of Winnicott's seminal ideas, such as the "transitional object" and the concept of false self. All convey Winnicott's vision of the ways in which the developing self interacts with the family and the larger society.