Bøker utgitt av W. W. Norton & Company

The region includes some of the best bird-watching trails in the Northeast of the USA: salt marsh walks, woodland rambles, beach strolls, wildlife refuges, and the 40-mile-long Cape Code National Seashore. With a climate tempered by the sea, summers lingering into fall and winters are mild enough for all year-round hiking. Of the 35 walks described in this edition, 24 are mainland jaunts, 7 explore Martha's Vineyard, and 4 are on Nantucket. Each description includes a map, directions to the trailhead and commentary on local and natural history.

While people automatically think of the Revolutionary War or the Civil War as defining moments in American history, the wars with the Indians were strikingly important in shaping the destiny and mythology of the nation. Encyclopedia of American Indian Wars notes the inevitability of conflict between western and native cultures given the great disparity in values and customs, especially with regard to land ownership. It also analyzes the many indirect changes in Indian lifestyles caused by the settlers - such as the introduction of iron implements and firearms - which changed the balance of power between traditional enemies. In a wide-ranging panorama of 450 entries and 70 illustrations, this comprehensive volume provides an in-depth analysis of pivotal battles, famous and infamous leaders, and broken treaties. It explores lesser known subjects, such as dog soldiers, ghost dancing, scalping and scalp bounties, staked plains, praying towns, the Galvanized Confederates, and stories of white captives, some of whom preferred life with Indian captors over rescue. Encyclopedia of American Indian Wars paints a complete, objective, and detailed picture of the bloody conflicts that gave birth to the nation - and their terrible cost. "Keenan fills a gap in reference collections. Information on many of the entries can be found in other sources . . . but the Encyclopedia of American Indian Wars pulls them together. Recommended." - Booklist "Clear, concise entries. . . . Fills a niche, bringing together and giving order to a great deal of information about a complex series of interwoven incidents." - Choice

When Turgenev published Diary of a Superfluous Man in 1850, he created one of the first literary portraits of the alienated man. Turgenev once said that there was a great deal of himself in the unsuccessful lovers who appear in his fiction. This failure, along with painful self-consciousness, is a central fact for the ailing Chulkaturin in this melancholy tale. As he reflects on his life, he tells the story of Liza, whom he loved, and a prince, whom she loved instead, and the curious turns all their lives took.

A collection of poems which praise and mourn in turn and even at once.

In this extraordinary collection of short stories, Duncan McLean shows us real life - and real death - in all its many guises. Equally adept at black farce, brutal rants, or tender epiphanies, McLean plunges us headlong into the lives of his characters: partying, and all it entails, with soccer enthusiasts; shivering inside the butcher's man-sized fridge; stumbling bloody-footed along the cliff-top path at midnight, lost in a liver'n'onions-fueled fantasy of sex and violence. The men and women in these stories are mostly unemployed or in dead-end jobs, often on the edge of madness or destruction; but just as often they are on the brink of simply leaving: walking away from relationships, responsibilities, and the reassurance of alcohol and aggression. Told with enormous skill, fierce humor, and a dark emotional drive, these stories are as various as the characters themselves. Their commonality derives from a merciless realism, and an almost fanatical adherence to the rhythms and cadences of spoken language. "McLean wants to capture the unremarkable, but it is his remarkable stories which transport. Expressed here at last is a psychic disorder, so contemporary, so unsafe; here is swaggering, sneering, frustrated, self-scepticism on the pavement." - Guardian (London)  Winner of the Somerset Maugham Award

Victor Hugo was the most important writer of the nineteenth century in France: leader of the Romantic movement; revolutionary playwright; poet; epic novelist; author of the last universally accessible masterpieces in the European tradition, among them Les Misérables and The Hunchback of Notre Dame. He was also a radical political thinker and eventual exile from France; a gifted painter and architect; a visionary who conversed with Virgil, Shakespeare, and Jesus Christ; in short, a tantalizing personality who dominated and maddened his contemporaries.

A landmark history of African Americans in the West, In Search of the Racial Frontier rescues the collective American consciousness from thinking solely of European pioneers when considering the exploration, settling, and conquest of the territory west of the Mississippi. From its surprising discussions of groups of African American wholly absorbed into Native American culture to illustrating how the largely forgotten role of blacks in the West helped contribute to everything from the Brown vs. Board of Education desegregation ruling to the rise of the Black Panther Party, Quintard Taylor fills a major void in American history and reminds us that the African American experience is unlimited by region or social status.

Diana Dalsass has created over 100 original recipes, testing each one over and over again to preserve the integrity of the original dessert while making an entirely new chocolate sensation. Pies, pastries, puddings, cakes, cookies, and even coffee cakes, muffins, and breads are reinvented and made startlingly fresh and delicious by the addition of that magical ingredient, chocolate. Dalsass has created simple, easy-to-follow recipes that will not tax your time or energy. She draws on classic American desserts, including Key Lime Pie, Indian Pudding, and Boston Cream Pie, as well as luscious European favorites like eclairs, Zuppa Inglese, and Madeleines. With such intriguingly unusual concoctions as chocolate zabaglione and Baked Alaska, this unique cookbook opens up worlds of scrumptious possibilities. New Chocolate Classics will soothe the craving of the most hardened chocoholic while opening up new horizons for any lover of dessert.

Focusing on Dvorák's eventful stay in the United States from 1892 to 1895, this book explores the world behind the public legend, offering fresh insights into the composer's music. We see the traditional image-that of a simple Czech fellow with a flair for composing symphonic and chamber music-give way to one of a complex figure writing works filled with hidden drama and secret programs. In his cogent examination of Dvorák's state of mind, Michael B. Beckerman, a noted scholar of Czech music, concludes that the composer suffered from a debilitating and previously unexplored anxiety disorder during his American sojourn. Using Dvorák as a model, he argues convincingly that the biographical images we carry of composers condition the way we approach their music.New Worlds of Dvorák also presents us with a wealth of new information about the origins of the composer's "New World" Symphony, its strong relationship (in the face of Dvorák's denials) to Henry Wadsworth Longfellow's epic poem The Song of Hiawatha, the Hiawatha opera that the composer envisioned but did not write, and the "Negro themes" that Dvorák claimed as a strong influence on his American works. Along the way we are introduced to a cast of characters that could easily spring from the pages of a novel. First there is Jeannette Thurber, a wealthy New Yorker who founded a music conservatory and persuaded Dvorák to direct it. We meet Henry T. Burleigh, a black composer of art music, who sang African American spirituals to Dvorák. Among the critics of the day who wrote endlessly about the Czech composer and his "American" symphony, we meet James Huneker, who derided Dvorák's claim that his music was American, even though Huneker himself played a major role in acquainting Dvorák with African American songs. We learn that Huneker was not quite the villain he has been made out to be in the Dvorák saga. We also meet the newspaperman James Creelman, who was nurtured under Pulitzer and Hearst and was an early proponent of "yellow journalism," in which the journalist plays an active role in the story being reported. Finally, we meet Henry Krehbiel, who became a friend of Dvorák's and who saw the music critic as mediator between the musician and the public, arousing interest and paving the way to popular comprehension of concert music. In this forceful reinterpretation of the composer's personality and work, readers will gain a rich new view of Dvorák that will deepen their understanding of his works, especially the "New World" Symphony and the other compositions dating from his American years."After having done extensive research on Dvorák and writing my novel Dvorák in Love, I thought I knew everything there was to know about the composer. Now Michael Beckerman's brilliant New Worlds of Dvorák shows me the size and number of gaps in my knowledge. . . . The CD included with the volume . . . makes it easy even for readers with not much musical education to follow Beckerman's arguments and thus experience the pleasant shock of discovering the deepest and subtlest aspects of Dvorák's great and beloved works." -Josef skvorecký "Ingeniously conceived, thoroughly and skeptically researched, entertainingly written, and graced by a wealth of lovely audible examples, this book somehow succeeds in being both an important work of revisionist scholarship that specialists in the field will need to consider carefully and a delightful meditation on music loved by many that deserves-and will attract-a wide general readership." -Richard Taruskin, Class of 1955 Professor of Music, University of California, Berkeley

Without losing sight of each field's historical development, they provide modern bridges by which students can observe the cognitive underpinnings of animal learning and the descendants of associationism currently under scrutiny by human memory psychologists-in short, a state-of-the-art presentation that makes clear the commonalities (and contrasts) of human and animal research.Learning and Memory includes the most recent findings in the fields: the study of choice, operant behavior and economics, behavior theory and memory, implicit memory and unconscious memory, connectionism, concepts and generic memory, and networks of memories. In presenting these latest findings, the authors develop selective lines of research rather than merely listing research finding after research finding. This approach not only clearly shows students which findings support (or do nor support) hypotheses, but it also gives students a firm sense of how experiments are conducted, and science developed.In addition, a unique chapter, Chapter 14, "Memory and the Decision-Making of Everyday Life," concludes the book. Drawing from the previous chapters, it explains how normal memory processes lead to the heuristics and strategies that guide our everyday thinking. Taking up heuristics, representativeness, covariation detection, and schema-based reasoning, including animal and human research, this chapter provides even more integration of the fields.

Ralph Bunche was instrumental - sometimes at great personal risk - in finding peaceful solutions to incendiary conflicts around the world, while at the same time he was never far from the realities of racial prejudice. Bunche rose from modest circumstances to become the foremost international mediator and peacekeeper of his time, winner of the 1950 Nobel Peace Prize and key drafter of the United Nations charter. Drawing on Bunche's personal papers and on his many years as Bunche's colleague at the UN, Brian Urquhart's elegant biography delineates a man with a zest for life as well as unsurpassed integrity of purpose. "Brian Urquhart brings [Bunche] back to life with a splendid biography. . . . Bunche emerges here as one of the major American diplomatic figures of this century and one of the towering leaders in African American history."-Arnold Rampersad, Princeton University  At once a splendid biography of a very brave and remarkable American, a vivid account of the struggle for racial justice, and an indispensable introduction to the dilemmas of international peacekeeping."-Arthur Schlesinger, Jr.

When a murder takes place in a secluded tower at Blessed Eleanor's Convent in Sussex and the victim is an old school friend, Britain's most popular TV reporter Jemima Shore finds herself in the middle of a disturbing puzzle. The dead woman, a nun, was to inherit one of the largest fortunes in Britain.Jemima walks into the eye of a worldly storm of fear - and the more she learns, the clearer it becomes that more lives, including her own, are being threatened.Quiet as a Nun was a PBS Mystery! television presentation.

Grace Notes is a compact and altogether masterful portrait of a woman composer and the complex interplay between her life and her art. With superb artistry and startling intimacy, it brings us into the life of Catherine McKenna-estranged daughter, vexed lover, new mother, and musician making her mark in a male-dominated world. It is a book that the Virginia Woolf of A Room of One's Own would instantly understand.

One of the unsung pioneers of American graphic design, Cipe Pineles was art director of Glamour, Seventeen, Charm, and Mademoiselle magazines between 1930 and 1960, helped to create the institutional identity for Lincoln Center in the 1960s, and taught generations of students at Parsons School of Design. Tracing Pineles's career from young immigrant to "ranking" female in the design world, Martha Scotford chronicles her professional life at a time when few women were involved in design and assesses her contributions to graphic design and magazine design in particular.

Identifying American Furniture offers answers to the questions most people ask about furniture: "What style is that?" "How can you tell?" and "When was it popular?" Curators, collectors, appraisers, connoisseurs of furniture, and students of history, architecture, and the arts - as well as those just learning the fascination of stylistic trends in American furniture-will find this succinct handbook essential. Styles are arranged chronologically from 1607 to the present and represent all thirty-five major furniture styles from Arts and Crafts to Windsor. Milo M. Naeve's vivid commentary draws attention to the book's 196 photographs, pinpointing distinctions among the styles. Naeve also offers an excellent guide for further reading.

A superb long poem by the contemporary master of the form, Glare comprises two sections, "Strip" and "Scat Scan." The poem demonstrates, yet again, why A. R. Ammons's poetic voice is a national treasure: by turns cosmic, self-inflating, self-deflating, eloquent, intimate, bawdy, comic, precise-and always unmistakably his own.

Using the prize money from his Somerset Maugham Award, Duncan McLean traveled from Orkney, Scotland, to Texas in search of the extraordinary mix of jazz, blues, country, and mariachi that is Western Swing.This account of his travels takes in barbed-wire museums, onion festivals, hoe-downs, ghost-towns, dead dogs, and ten thousand miles of driving through the Lone Star State. A constant soundtrack of vintage music from bands like the Texas Top Hands, The Lightcrust Doughboys, and the Modern Mountaineers cheers McLean as he tries, with great difficulty, to track down any trace of his greatest heroes: Bob Wills and the Texas Playboys.Both a quest for a musical grail and a wildly funny travelogue, Lone Star Swing captures the singular wonders of Texas and its maverick inhabitants, its staggering 100-in-the-shade heat, its mouth-blistering chilies. . . . Above all it captures the spirit of the glorious mongrel music-once incredibly popular, now all but forgotten-that he crossed the world to hear.

From childhood violence to romantic ruin in a retirement home, mayhem and magic are never far away in this work. Deliciously conceived, highly flavored, and subtly blended, these stories are a feast for lovers of literature.

Which is preferred - nom de plume, pseudonym, or pen name? What are neologisms, disguised conjunctions, and fused participles? Language enters into almost every part of human life and yet it is all too often misused: directness and clarity disappear in a whirl of clichés, euphemisms, and wooliness of expression.Janet Whitcut has revised Eric Partridge's popular reference book to reflect the language of well-informed writers, readers, and speakers today. She has also added a section to the book entitled "Vogue Words," which includes words that have acquired a new power and influence.

The Mill Women of Lowell, Massachusetts-the first female industrial wage earners in the United States-were a new social and economic phenomenon in American society. In the 1830s and 1840s, drawn by the highest wages offered to female employees anywhere in America, they sought and found independence and opportunity in the country's first planned industrial community.Even after long work hours, the women found time and energy to write about their lives and aspirations. From their own literary magazine, the Lowell Offering, here are their letters, stories, essays, and sketches.

After a two-decade absence, Washington Post journalist Blaine Harden returned to his small-town birthplace in the Pacific Northwest to follow the rise and fall of the West's most thoroughly conquered river.Harden's hometown, Moses Lake, Washington, could not have existed without massive irrigation schemes. His father, a Depression migrant trained as a welder, helped build dams and later worked at the secret Hanford plutonium plant. Now he and his neighbors, once considered patriots, stand accused of killing the river.As Blaine Harden traveled the Columbia-by barge, car, and sometimes on foot-his past seemed both foreign and familiar. A personal narrative of rediscovery joined a narrative of exploitation: of Native Americans, of endangered salmon, of nuclear waste, and of a once-wild river now tamed to puddled remains.Part history, part memoir, part lament, "this is a brave and precise book," according to the New York Times Book Review. "It must not have been easy for Blaine Harden to find himself turning his journalistic weapons against his own heritage, but he has done the conscience of his homeland a great service."

The original text of The Decoration of Houses continues without revision as an authentic classic, perhaps the most important book of its kind ever published. Its carefully reasoned chapters on such aspects of house interiors as fireplaces, ceilings and floors, halls and stairs, are of the greatest value to professionals and serious amateurs concerned with interiors.This expanded edition includes an introduction by Henry Hope Reed and three critical essays by John Barrington Bayley, William A. Coles, and Alvin Holm, AIA. Additions to the album of renderings and photographs of modern and contemporary work in the tradition of Wharton and Codman include a number of important works done in the last decade or so. A portfolio of color plates new to the expanded edition offers the work of such accomplished photographers as Bill Ray and Anne Day. First published in Norton paperback in 1978 in association with Classical America. A selection of Book-of-the-Month Club and Newbridge Book Clubs.