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This Norton Critical Edition includes:* The Second Quarto text, edited by Robert S. Miola and accompanied by his footnotes, headnotes, and introductory materials. Eighteen illustrations from 1604 to 2008, three of them new to the Second Edition. The Actors' Gallery, presenting actors-from Sarah Bernhardt and Ellen Terry to Kenneth Branagh and David Tennant, two of them new to the Second Edition-reflecting on their roles in major productions of Hamlet. Seventeen critical interpretations, representing a wide range of historical and scholarly commentary. Afterlives, featuring fifteen reflections on Hamlet-from David Garrick and Mark Twain to Margaret Atwood and Jawad al-Assadi. A Bibliography of print and online resources.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts, and criticism-helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

"American values are quite complex," writes Seymour Martin Lipset, "particularly because of paradoxes within our culture that permit pernicious and beneficial social phenomena to arise simultaneously from the same basic beliefs."Born out of revolution, the United States has always considered itself an exceptional country of citizens unified by an allegiance to a common set of ideals, individualism, anti-statism, populism, and egalitarianism. This ideology, Professor Lipset observes, defines the limits of political debate in the United States and shapes our society.American Exceptionalism explains why socialism has never taken hold in the United States, why Americans are resistant to absolute quotas as a way to integrate blacks and other minorities, and why American religion and foreign policy have a moralistic, crusading streak.

The fiestas provide tangible links to the pre-Hispanic cultures of middle America, intertwining some of the great Pagan festivals of these ancient peoples with catholic ritual and tradition. In the Eye of the Sun is a remarkable visual chronicle of Mexican life. The book also includes an introduction by Richard Rodriguez and an essay by J.M.G. Le Clezio.

James Cook, born in 1728, was one of the most celebrated men of his time, the last and the greatest of the romantic navigator/explorers. His voyages in the Royal Navy to the eastern and western seaboards of North America, the North and South Pacific, the Arctic, and the Antarctic brought a new understanding of the worlds geography and of the peoples, flora, and fauna of the lands he discovered.Richard Hough's vivid narrative captures all the excitement of this age of discovery and establishes Cook as a link between the vague scientific speculations of the early eighteenth century and the industrial revolution to come. A pioneer in many fields, Cook produced maps of unprecedented accuracy; revolutionized the seaman's diet, all but eliminating scurvy; and exploded the myth of the Great Southern Continent imagined by earlier geographers and scientists.Hough consulted numerous archives and traveled in Cook's wake from Alaska to Tasmania, visiting many of the Pacific islands--including the spot where Cook was stoned to death by cannibals in the Hawaiian archipelago--to produce a comprehensive and immensely readable biography, full of new insights into the life of one of the worlds greatest mariners.

With the world population now at 5.7 billion, and increasing by about 90 million per year, we have clearly entered a zone where we can see, and may well encounter, limits on the human carrying capacity of the Earth. In this penetrating analysis of one of the most crucial questions of our time, a leading scholar in the field reviews the history of world population growth and appraises what can be known about its future.

Ellen Greenberg sets the stage for both the House of Representatives and the Senate, explaining what the mace and hopper are, how the chambers are laid out, who the onstage actors are and what they do. Her section on the jargon--the most common phrases used--goes far beyond mere description to show how our government operates. She also explains how business is done: what happens on a daily basis and during the weekly schedule and how a bill becomes a law--or doesn't. The House and Senate Explained includes a chapter on using the Internet to access information about the House, the Senate, and the White House, from getting around Washington to accessing proposed bills to sending E-mail to your congressional representatives. In addition, you'll learn how to be heard by your representatives and how to take a more active role in committee hearings. A listing of all the congressional committees and subcommittees lets you know where your special concerns are being addressed. Whether a C-SPAN addict, a concerned citizen, or a general reader watching the nightly news, this hands-on manual will help you understand Congress and how to make it work for you.

Each volume includes all the necessary materials for the comprehensive study of a work of art:An illustration section showing the complete work of art, details, preliminary studies, and iconographic sources;An introductory essay by the editor;Documents and literary sources;Critical essays from the art-historical literature.

Sixty-four stories and sketches by fourteen writers are brought together in this groundbreaking anthology to trace a tradition of women's writing in America. Crossing boundaries of region and ethnicity, these works are by writers popular in their time but neglected in the twentieth century. In American Women Regionalists readers will find writing that charts the imagination and talent of some of our most compelling voices.Included in the collection are works by New Englanders Mary E. Wilkins Freeman and Sarah Orne Jewett, Tennessean Mary Noailles Murfree, New Orleans writers Kate Chopin and Alice Dunbar-Nelson, Native American Zitkala-Sa, and Western writers Sui Sin Far and Mary Austin, among others. Together these writers enable readers to reconstruct a women's tradition of sketches and short stories from Harriet Beecher Stowe to Willa Cather.To help contextualize the stories and sketches, Pryse and Fetterley provide a general introduction, biographical/critical headnotes, and bibliographies for further reading.

In the first major English biography of Honore de Balzac for over fifty years, Graham Robb has produced a compelling portrait of the great French novelist whose powers of creation were matched only by his self-destructive tendencies. As colorful as the world he described, Balzac is the perfect subject for biography: a relentless seducer whose successes were as spectacular as his catastrophes; a passionate collector, inventor, explorer, and political campaigner; a mesmerizing storyteller with the power to make his fantasies come true. Balzac's early life was a struggle against literary disappointment and poverty, and he learned his trade by writing a series of lurid commercial novels. Robb shows how Balzac's craving for wealth, fame, and happiness produced a series of hare-brained entrepreneurial schemes which took him to the remotest parts of Europe and into a love affair with a Polish countess whom he courted for fifteen years by correspondence. Out of these experiences emerged some of the finest novels in the Realist tradition. Skillfully interweaving the life with the novels, Robb presents Balzac as one of the great tragi-comic heroes of the nineteenth century, a man whose influence both in and outside his native France has been, and still is, immense.

Take it from Kaz Cooke: "There are millions of gorgeous body shapes. Yours is one of them. Dieting doesn't work. Your thighs are pretty cute. Exercise should be fun not duty. Cheap cosmetics can be as good as expensive ones. Advertising lies. Plastic surgery sucks. Modeling can be miserable. You can recover from an eating disorder. You can read magazines and watch television critically. You can fight the Body Police."At last, here is a book that tells you how to be friends with your body. Real Gorgeous is a big, funny, reassuring read about fashion fibs and diet myths-and the truth about, among other things, push-ups, push-up bras, and the great cellulite scam. It is meticulously researched and sensible, but it avoids impenetrable theory and instead embraces the fun of clothes, makeup, and life in general.Packed with jokes, Cooke's own cartoons, and practical ways to find real self-esteem and avoid freak-outs and rip-offs, Real Gorgeous is easy to read, relevant, and an indispensable boost for women aged 11 to 111.

This is the first volume of its kind to present a collection of writings by and about Ireland's women. From Queen Maeve of Connaught to President Mary Robinson, this book presents Irish women as their compatriots-men and women both-have described and interpreted them.Modern Irish women are outspoken about the issues that rouse their passion-love and sex, marriage and divorce, abortion and adoption. As Katie Donovan says in her introduction: "Our selection is intended to give the reader a taste of the varied spectrum, from the courtly praise of men to swinish male chauvinism; from women's declarations of outrage against church and state to their celebrations of childbirth and motherhood." This book celebrates the vast range of women's thought and activity, their spirituality, and their passions.The women who appear in this collection are both well known and unknown, real and invented. The editors have drawn freely upon translations of the mythological tales and later Irish poems, upon letters, biographies, and newspapers as well as prose and poetry, plays, recordings and songs, in order to present a complex multilayered and richly rewarding view of Ireland's women.

A community transplanted from what they now view as an island paradise, these Puerto Rican families yearn for the colors and tastes of their former home. As they carve out lives as Americans, their days are filled with drama, success, and sometimes tragedy. A widow becomes crazy after her son is killed in Vietnam, her remaining word "nada." Another woman carries on after the death of her husband, keeping their store, filled with plantain, Bustello coffee, jamon y queso, open as a refuge for her neighbors. And there are Cofer's stories of growing up with a dictatorial and straying father, a caring mother, and a love for language that will lead to a career as a teacher and writer.

Sarton writes perceptively of how age affects her: the way small things take longer and tire more, what it feels like to endure pain and to be afraid. Other days her energy returns, her spirits lift, and projects abound. Readers both new and old will cherish this latest dispatch from her ongoing journey.

In the first part of this useful book, the author shows how to solve common problems of writing. The reader will learn how to recognize common problems of writing. The reader will learn how to recognize words and phrases that should be cut; how to shorten cumbersome sentences; how to arrange the elements of pairs, series, and compound subjects and predicates; how to recognize and rectify mismanaged participles; and how to be on the lookout for the better word.The second part of the book consists of more than 1500 recommendations for cuts, changes, and comparisons that editors make to produce writing that is concise and effective.

He is called "the Scottish Celine of the 1990s" (Guardian) and "a mad, postmodern Roald Dahl" (Weekend Scotsman). Using a range of approaches from bitter realism to demented fantasy, Irvine Welsh is able to evoke the essential humanity, well hidden as it is, of his generally depraved, lazy, manipulative, and vicious characters. He specializes particularly in cosmic reversals-God turn a hapless footballer into a fly; an acid head and a newborn infant exchange consciousnesses with sardonically unexpected results-always displaying a corrosive wit and a telling accuracy of language and detail. Irvine Welsh is one hilariously dangerous writer who always creates a sensation.

Although communism lies shattered almost everywhere it once existed, no single form of capitalism has emerged worldwide. Which of the varieties of capitalism will be hardy enough to survive into the next century? Will the private sector make way for government to redress the failures of the market system? Does the defeat of the socialist vision portend that unbridled acquisitiveness will dominate the world?In tackling these questions, Heilbroner takes us to the roots of capitalist society. He views capitalism from a wide angle as both an economic system and a political order, showing the integral connections between the two that are often overlooked; finally, he addresses the overarching challenge ahead-a society that no longer believes in the inevitability of progress.

As a young photojournalist just out of college in the early fifties, Flip Schulke moved to Miami and began covering social issues. In 1958, while working as a freelancer for Jet and Ebony, he was assigned to photograph Martin Luther King. Afterwards, the two men talked late into the night about King's philosophy. Schulke became convinced that King's plans would change the face of the country. At King's invitation, he began photographing behind the scenes at Southern Christian Leadership Conference meetings and eventually became committed to covering King and the growing civil rights movement. For a decade before King's death, Schulke was as close to him and his inner circle as a photographer could be. He was privy to momentous events public and private, and always he was photographing. This book is the result.

This is the first behind-the-scenes account of one of the greatest American success stories of this century-a complex tale, replete with unforgettable characters, corporate infighting, geopolitical intrigue, and old-fashioned values, the last honored as much in the breach as in the observance in the hothouse atmosphere of Digest headquarters. John Heidenry's rich narrative takes the magazine from the early years of this century when DeWitt Wallace and his bride Lila founded it, through its rapid rise over seventy years. Its cast of characters includes the main players at the Digest itself, as well as Richard Nixon, James Michener, Harold Ross, Bebe Rebozo, and Ronald Reagan.

The Buels have used a rich trove of documents to tell the story of a Connecticut woman, Mary Fish Silliman (1736-1818), whose adventures illuminate the day-to-day realities of living through the American Revolution.

Set in postwar Malaya at the time when people and governments alike are bemused and dazzled by the turmoil of independence, this three-part novel is rich in hilarious comedy and razor-sharp in observation. The protagonist of the work is Victor Crabbe, a teacher in a multiracial school in a squalid village, who moves upward in position as he and his wife maintain a steady decadent progress backward.

In addition to the new material on the synthesizer mentioned above, the author has completely reviewed the four parts of the book and integrated new material where appropriate: History (an overview from the silent films to the present); Aesthetics (the artistic purposes film music serves and the forms it takes); Technique (how to synchronize music to picture and the special demands of television); and Contemporary Techniques and Tools (comprising video post-production, digital audio, and other innovations). A completely updated bibliography rounds out this informative study.

In the language of and for our interior lives, Dunn makes poetry a communal act between the poet and his readers. Dunn's landscape at the end of the century embraces the spectrum of urgencies and obsessions that we live with and for. It's a landscape that we share with citizens and spies, revelers and mourners, women who weep, men who keep secrets, and especially with the poet himself.