Bøker utgitt av Western Michigan University, New Issues Press

Poetry. PURR is Mary Ann Samyn's fourth book of poetry. "This poetry hovers between irony and true despair" - Lynn Emanuel. "Here is a poetry built of sensory data so sharply honed as to make even the mundane microfibre or the quotidian stone path a journey, a finding, a deep understanding of the world. And who couldn't love a book where Doris Day and Nancy Sinatra are as essential and mysterious as saints?"- D.A. Powell

Poetry. "Elaine Sexton knows how to raise autobiography to the level of true poetry, and this knack has much to do with her use of surprise. Just when we think we know where one of her poems is going, we step into air. SLEUTH leads us carefully into her life through a series of bracing verbal delights" -Billy Collins.

Gladys Cardiff is an enrolled member of the Eastern Band of Cherokee, and a member of the Native Writers' Circle of the Americas. Her small book, To Frighten a Storm, from Copper Canyon Press, won the Washington State Governor's First Book Award in 1976.

The poet's sense of wonder is contagious whether she views the world from her seat on a train, from the window of her apartment, or from the streets of the city. Through a subtle, mediated surrealism, Moerling reins in the urban landscapes of New York, drawing the reader into her meditations on the temporal and the spatial, on language itself.

Poet Julie Moulds has battled non-Hodgkins lymphoma for years, through remissions, recurrences, and a bone marrow transplant. In The Woman with a Cubed Head, Moulds summons up an exotic band of kindred spirits to accompany her as she engages the forces of darkness. Here are the loves of her life, from Mary, Mother of God, to Baba Yaga, the evil Russian witch. More like the Monty Python Flying Circus than the Knights of the Round Table, assembled here are characters from folk tales, myth, Moulds' favorite childhood books, icons of her Catholic upbringing, as well as her personae--Iva with steel-toed boots on, and the indefatigable Dog. In poems of wit, spirit, and attitude; in language that is sensual, fresh, and unabashed, Julie Moulds goes forth, tilting with real windmills.

Gladys Cardiff is an enrolled member of the Eastern Band of Cherokee, and a member of the Native Writers' Circle of the Americas. Her small book, To Frighten a Storm, from Copper Canyon Press, won the Washington State Governor's First Book Award in 1976.

In Greatest Hits, Marc Sheehan tells the story of the dispossessed better than anyone since Raymond Carver, with a lyrical élan that seems to reveal--like a brushing away of light snowfall--those things in our lives we hold most dear, whether it's an old stolen fiddle, a recycled Xmas tree, or the Portable Nietzsche one reads while on break at the factory. In a voice that is gentle yet honest, Sheehan is able to lay bare our most desperate moments and to leave in the stillness a redemption offered up by something as simple and beautiful as a blue snake gliding over stones at the edge of a grassy quarry.

Erasable Walls is a series of elegant personal meditations on the always evolving self. These beautifully crafted poems show a degree of mastery that's rare in a first book. Though quiet and subtle, Larsen's voice is also nervy and truth-telling, with considerable cumulative power.

"The shape-shifting realms of longing are fitful setting for local genius. But here, in Lisa Fishman's beautiful first collection of poems, is where for the love of the world we find ourselves. As a reader, I could say I see in these poems a devotion approaching to love, if love ever stayed still enough to take a linguistic reading of. The poet sees much more, though. There's possibly no harder stance for the young poet to take up than one of love and longing. . ." --William Olsen, from the foreword

Fusing lyric meditation and narrative perceptions, the poems in Cynthia Hogue's new collection 'Flux' track the natural world and the self in it -- from the Sonoran Desert of the Southwest to the far north of Iceland. In the tradition of the distilled and lyrically abstract poetry of Dickinson and H.D., Flux opens into visionary language and the search for transcendence.