Bøker utgitt av Western Michigan University, New Issues Press

"Eryn Green's new collection of poetry BEIT is a lyric examination of the idea of home, and how it intersects with the essential human experiences of love, attachment, and loss. Filtered through a Hebrew sense of the letter Bet-the second letter of the Aleph-Bet, and the root of the Hebrew word for home-BEIT explores the connection between the internal and external worlds of poetic expression and spiritual inhabitation. The collection includes poems addressing the vast constellation of concerns inherently built into a home-family, romance, protection, loss, tenderness, the fear of violence, and one's place within the natural world-while asking probing questions of how attentive, poetic care might help us to see our shared spaces more clearly. How does the microcosm of the home relate to the broader macrocosmic physical world? Where does language factor into the relation between the self, the spirit, the other, and the planet? And what can poetry do to assuage our grief at the loss of the people and spaces we love in a universe of unavoidable change? BEIT wants to know just how big the walls of the home might prove to be, how unexpectedly porous and mercurial, and what tessellated universes can be discovered under their aegis. An ecocritical text, the collection looks with wonder and worry at the landscapes which extend and encroach upon the myriad realms of the self and the world, especially the desert. BEIT is always looking at the world with both feet firmly planted in the dirt, and eyes thrown to the heavens"--

""Insofar" is a collection of poems dedicated to analogical reasoning, seeking to remember basic terms of relation and proportion. Archival in mood, it works with and against the idea of an A-Z filing system. This alphabet is akin to a damaged rosary or abacus-an accounting system that carries on in the midst of physical or spiritual impairment. While the poems proceed alphabetically, there are gaps in representation, and redundancies. The poems get stuck in certain alphabetic registers and elide over others. Four of the poems share the same title, "Insofar," as if transfixed by the relational reasoning set up by that adverbial phrase. The collection as a whole is cast in an adverbial mood, exploring disposition as a vital qualifier to thought and action. Its theology, insofar as it finds one, is earth-based, pluralistic, and cyclical. Its fondest prayer is that we come to our senses"--

In Flyshoals, Georgia, karma is writ small enough to witness. When Doreen Swilley discovers that her boss and lover of thirty years intends to fire her to placate his dying wife, she devises a plan to steal his business from him. Her plan just might work too, if she is not thwarted by a small town's enmeshed histories and her family's own dark secrets. Set during the 2009 recession, The Nature of Remains rests at the intersection of class, gender, education and place. Through extended geological metaphor, readers witness the orogeny, crystallization, and weathering of the human soul. Doreen's journey reveals the ways even a woman's most precious connections--her children, her grandchildren, her lover--operate within larger social structures capable of challenging her sovereignty.

Poems that confront the violence of war that is inflicted on the female body and the landscape.

A poetic imagining of a conversation between the narrator and Sally Hemings.