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Every May 15, the Virginia Military Institute conducts a moving ceremony. The names of ten former cadets are called out during the dress parade. After each name is read, a cadet steps forward and reports, "Dies on the field of honor, Sir."The ceremony is held to honor the ten cadets killed at the Battle of New Market in 1864 during the Civil War. Confederate General John C. Breckinridge ordered cadets from the Virginia Military Institute (VMI), some of them child soldiers no older than 15, to join an attack on the Union lines. This is the courageous story of 264 teenage boys who faced the ultimate challenge of mortal combat.

Documenting Walker Evans's lifelong fascination with the picture postcardThe eight scrupulously tritone dry-trap printed postcards that make up A Gallery of Postcards were originally produced by Walker Evans in 1936 by contact printing sections of his 8 x 10-inch negatives onto the smaller Kodak gelatin silver postcard stock. This edition comes with an essay by Jeff L. Rosenheim, curator of The Metropolitan Museum of Art's 2000 Walker Evans exhibition, from which these postcards are drawn. "Like a poet refining an idea word by word, Evans often clarified and intensified the meanings of his pictures by trimming his prints just slightly to present the leanest possible image," Rosenheim writes. "With the postcards he took that impulse to another level. Evans was a master of the edge and one of the mediums greatest precisionists."

Extraordinary images of the circus in its heyday, from the rediscovered great American photographerThis elegant new volume showcases the rediscovered work of the great American photographer Frederick W. Glasier (1866-1950), who made extraordinary photographs of the American circus during its heyday, 1890-1925. A contemporary of such recognized masters as Eugene Atget in Paris, August Sander in Cologne and Ernest J. Bellocq in New Orleans, Glasier is arguably in that class of the greatest practitioners of the medium. With 73 gloriously reproduced images from the 1,700 existing glass plate negatives from the collections of the John & Mable Ringling Museum of Art, Florida State University, informative anecdotal captions by the circus historian (and co-editor of this volume) Deborah W. Walk and a fascinating essay by Luc Sante, this book will establish Glasier in the canon of the great American photographer.

O, Write My Name: American Portraits, Harlem Heroes, now also a traveling exhibition organized by the Schomburg Center for Research in Black Culture and the New York Public Library, presents us with portraits of 50 extraordinary people who participated in the great cultural movement that was the Harlem Renaissance. This collection of 50 exquisite duotone prints by the photographer, critic and novelist Carl Van Vechten is a celebration of these inimitable writers, actors, musicians, painters, athletes and intellectuals as well as an acknowledgment of their unprecedented contribution to American art and culture. Van Vechtens friendship with his subjects is reflected in the intimate nature of these portraits. With an insightful introduction by American novelist, playwright and essayist Darryl Pinckney, this book is an homage to the African American men and women from the Harlem Renaissance who continue to inspire generations.

Texas is a land of legends and folktales. These ghost stories are told in whispers. Perhaps to make children behave or adults change their way of living and have become interwoven with the real-life historical happenings and characters of Texas to the point of doubt in some instances as to what is real and what is the child of overactive imaginations. As is the case with all folklore, they are told in many different versions. These have be-come a part of the heritage of Texas folklore.The author, who insists that her stories be free of anything satanic or destructive to the minds of children, weaves a good yarn that a storyteller - such as herself - could spin before an audience. In the third volume of this popular series, the author tells tales about iconic Texas locations, including Enchanted Rock, Palo Duro Canyon, the Governor's Mansion, and many more. Twenty-six tales in all that are sure to chill and thrill.

"The Eakins Press Foundation is proud to announce the publication of Magicians & Charlatans, by the art critic Jed Perl. In this collection of 26 essays, Mr. Perl writes with great urgency about the art scene of the past decade. The poet John Ashbery has said that "For years Jed Perl has been covering the art world with tremendous empathy and unsparing accuracy. His ability to recognize the traditional forms of art behind their continual transmutation has made his an almost solitary, essential voice." The essays range from highly controversial critiques of the painter Gerhard Richter, the art dealer Leo Castelli, and the Museum of Modern Art, to appreciations of the art of Bernini and Chardin, and the writings of Edmund Wilson and Meyer Schapiro." -- Publisher's description.

Blanca Is My Name is the second in the Animal Legends Collection. The first book, They Call Me Old Blue, won the 2002 R. C. Crane Award for "best fiction book on West Texas." Both are based on true events.