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Offers an array of scholars' self-reflective journeys into podcasting, illustrating how the academic world is shaped by the adoption of this audio medium. It delves into the transformative effects on pedagogy, research dissemination, and the fabric of academic communication as podcasting evolves from experiment into vital scholarly expression.

Fragmented and hybrid in style, On Comics and Grief examines a year in comic book publishing and the author's grief surrounding his mother's death. This book connects grief, memory, nostalgia, personal history, theory, and multiple lines of comics studies inquiry in relation to the comic books of 1976.

For the past four centuries, five major languages have dominated Western literature. This domination has excluded or rendered marginal all other literatures - has, in effect, diminished literary diversity and endangered the existence of the literature of "smaller" cultures. In an illuminating defence for their preservation, François Paré reflects on the diversity of cultures and languages in the world and on the fantastic richness of "smaller" literatures. He offers us memorable samples of this diversity and, in his original and thought-provoking style, tantalizes us with critical musings on the complexity of "marginal" literature and the regenerative power it can offer. Exiguity: Reflections on the Margins of Literature reflects Paré's deep involvement with the development and preservation of minority cultures in Canada.

Many feminists today are challenging the outmoded aspects of both the conventions and the study of religion in radical ways. Canadian feminists are no exception. Gender, Genre and Religion is the outcome of a research network of leading women scholars organized to survey the contribution of Canadian women working in the field of religious studies and, further, to "plot the path forward." This collection of their essays covers most of the major religious traditions and offers exciting suggestions as to how religious traditions will change as women take on more central roles. Feminist theories have been used by all contributors as a springboard to show that the assumptions of unified monolithic religions and their respective canons is a fabrication created by a scholarship based on male privilege. Using gender and genre as analytical tools, the essays reflect a diversity of approaches and open up new ways of reading sacred texts. Superb essays by Pamela Dickey Young, Winnie Tomm, Morny Joy and Marsha Hewitt, among others, honour the first generation of feminist theologians and situate the current generation, showing how they have learned from and gone beyond their predecessors. The sensitive and original essays in Gender, Genre and Religion will be of interest to feminist scholars and to anyone teaching women and religion courses.

From its inception in the early 1900s, The United Church of Canada set out to become the national church of Canada. This book recounts and analyzes the history of the church of Canada's largest Protestant denomination and its engagement with issues of social and private morality, evangelistic campaigns, and its response to the restructuring of religion in the 1960s. A chronological history is followed by chapters on the United Church's worship, theology, understanding of ministry, relationships with the Canadian Jewish community, Israel, and Palestinians, changing mission goals in relation to First Nations peoples, and changing social imaginary. The result is an original, accessible, and engaging account of The United Church of Canada's pilgrimage that will be useful for students, historians, and general readers. From this account there emerges a complex portrait of the United Church as a distinctly Canadian Protestant church shaped by both its Christian faith and its engagement with the changing society of which it is a part.

In From the Iron House: Imprisonment in First Nations Writing, Deena Rymhs identifies continuities between the residential school and the prison, offering ways of reading "the carceral"-that is, the different ways that incarceration is constituted and articulated in contemporary Aboriginal literature. Addressing the work of writers like Tomson Highway and Basil Johnston along with that of lesser-known authors writing in prison serials and underground publications, this book emphasizes the literary and political strategies these authors use to resist the containment of their institutions. The first part of the book considers a diverse sample of writing from prison serials, prisoners' anthologies, and individual autobiographies, including Stolen Life by Rudy Wiebe and Yvonne Johnson, to show how these works serve as second hearings for their authors-an opportunity to respond to the law's authority over their personal and public identities while making a plea to a wider audience. The second part looks at residential school narratives and shows how the authors construct identities for themselves in ways that defy the institution's control. The interactions between these two bodies of writing-residential school accounts and prison narratives-invite recognition of the ways that guilt is colonially constructed and how these authors use their writing to distance themselves from that guilt. Offering new ways of reading Native writing, From the Iron House is a pioneering study of prison literature in Canada and situates its readings within international criticism of prison writing. Contributing to genre studies and theoretical understandings of life writing, and covering a variety of social topics, this work will be relevant to readers interested in indigenous studies, Canadian cultural studies, postcolonial studies, auto/biography studies, law, and public policy.