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Tells the story of the 75th Battalion (later the Toronto Scottish Regiment) and the five thousand men who formed it - most from Toronto - from all walks of life. Timothy Stewart undertook exhaustive research for this first-ever history of the 75th, drawing from archival sources, diaries, letters, newspaper accounts, and interviews.

Presents critical essays on contemporary Canadian cartoonists working in graphic life narrative, from confession to memoir to biography. The contributors draw on literary theory, visual studies, and cultural history to show how Canadian cartoonists have become so prominent in the international market for comic books based on real-life experiences.

Explores the experience of reading-what reading feels like, how it makes people feel, how people read and under what conditions, what drives people to read, and, conversely, what halts the individual in the pursuit of the pleasures of reading.

Focuses on the role that music, film, visual art, and Indigenous cultural practices play in Canada's Truth and Reconciliation Commission on Indian Residential Schools. Contributors examine the impact of aesthetic and sensory experience in residential school history, at TRC events, and in artwork and exhibitions not affiliated with the TRC.

Focuses on the varied and complex roles that editors have played in the production of literary and scholarly texts in Canada. Contributors offer incisive analyses of the cultural and publishing politics of editorial practices that question inherited paradigms of literary and scholarly values.

In this pioneer study, Ion investigates the experience of the Canadians who were part of the Protestant missionary movement in the Japanese Empire. He sheds new light on the dramatic challenges faced by foreign missionaries and Japanese Christians alike in what was the watershed period in the religious history of twentieth-century East Asia. The Cross in the Dark Valley delivers significant lessons for Christian and missionary movements in Asia, Africa, the Americas and Europe which even now have to contend with oppression from authoritarian regimes and with hostility. This new book by A. Hamish Ion, written with objectivity and scholarly competence, will be of interest to all scholars of Japanese-Canadian relations and missionary studies as well as to general historians.

The Working Centre in the downtown core of Kitchener, Ontario, is a widely recognized and successful model for community development. Begun from scratch in 1982, it is now a vast network of practical supports for the unemployed, the underemployed, the temporarily employed, and the homeless, populations that collectively constitute up to 30 percent of the labour market both locally and across North America. Transition to Common Work is the essential text about The Working Centreits beginnings thirty years ago, the lessons learned, and the myriad ways in which its strategies and innovations can be adapted by those who share its goals. The Working Centre focuses on creating access-to-tools projects rather than administrative layers of bureaucracy. This book highlights the core philosophy behind the centre's decentralized but integrated structure, which has contributed to the creation of affordable services. Underlying this approach are common-sense innovations such as thinking about virtues rather than values, developing community tools with a social enterprise approach, and implementing a radically equal salary policy. For social workers, activists, bureaucrats, and engaged citizens in third-sector organizations (NGOs, charities, not-for-profits, co-operatives), this practical and inspiring book provides a method for moving beyond the doldrums of "e;poverty relief"e; into the exciting world of community building.

Should we stop teaching critical thinking? Meant as a prompt to further discussion, Critical Condition questions the assumption that every student should be turned into a critical thinker. The book starts with the pre-Socratics and the impact that Socrates death had on his student Plato and traces the increasingly violent use of critical attack on a perceived opponent. From the Roman militarization of debate to the medieval Churchs use of defence as a means of forcing confession and submission, the early phases of critical thinking were bound up in a type of attack that Finn suggests does not best serve intellectual inquiry. Recent developments have seen critical thinking become an ideology rather than a critical practice, with levels of debate devolving to the point where most debate becomes ad hominem. Far from arguing that we abandon critical inquiry, the author suggests that we emphasize a more open, loving system of engagement that is not only less inherently violent but also more robust when dealing with vastly more complex networks of information. This book challenges long-held beliefs about the benefits of critical thinking, which is shown to be far too linear to deal with the twenty-first century world. Critical Condition is a call to action unlike any other.

Music in Range explores the history of Canadian campus radio, highlighting the factors that have shaped its close relationship with local music and culture. The book traces how campus radio practitioners have expanded stations from campus borders to sur-rounding musical and cultural communities by acquiring FM licenses and establishing community-based mandates. The culture of a campus station extends beyond its studio and into the wider community where it is connected to the local music scene within its broadcast range. The book examines campus stations and local music in Vancouver, Winnipeg, and Sackville, NB, and highlights the ways that campus stationsthrough music-based programming, their operational practices, and the culture under which they operateproduce alternative methods and values for circulating local and independent Canadian artists at a time when ubiquitous commercial media outlets do exactly the opposite. Music in Range sheds light on a radio sector that is an integral component of Canadas musical and cultural fabric and positions campus radio as a worthy site of attention at a time when connectivity and sharing between musicians, music fans, and cultural intermediaries are increasingly shaping our experience of music, radio, and sound.

Margaret Laurence Writes Africa and Canada is the first book to examine how Laurence addresses decolonization and nation building in 1950s Somalia and Ghana, and 1960s and 1970s English Canada.Focusing on Laurence s published works as well as her unpublished letters not yet discussed by critics, the book articulates how Laurence and her characters are poised between African colonies of occupation during decolonization and the settler-colony of English Canada during the implementation of Canadian multiculturalism. Laurence s Canadian characters are often divided subjects who are not quite members of their ancestral imperial cultures, yet also not truly native to their nation. Margaret Laurence Writes Africa and Canada shows how Laurence and her characters negotiate complex tensions between self and nation, and argues that Laurence s African and Canadian writing demonstrates a divided Canadian subject who holds significant implications for both the individual and the country of Canada.Bringing together Laurence s writing about Africa and Canada, Davis offers a unique contribution to the study of Canadian literature. The book is an original interpretation of Laurence s work and reveals how she displaces the simple notion that Canada is a sum total of different cultures and conceives Canada as a mosaic that is in flux and constituted through continually changing social relations.

The New Canadian Pentecostals takes readers into the everyday religious lives of the members of three Pentecostal congregations located in the Region of Waterloo, Ontario, Canada. Using the rich qualitative and quantitative data gathered through participant observation, personal interviews, and surveys conducted within these congregations, Adam Stewart provides the first book-length study focusing on the specific characteristics of Canadian Pentecostal identity, belief, and practice. Stewart asserts that Pentecostalism remains an important tradition in the Canadian religious landscapecontrary to the assumptions of many Canadian sociologists and scholars of religion. Recent decreases in Canadian Pentecostal affiliation recorded by Statistics Canada are not the result of Pentecostals abandoning their congregations; rather, they are indicative of a radical transformation from traditionally Pentecostal to generically evangelical modes of religious identity, belief, and practice that are changing the ways that Pentecostals understand and explain their religious identities. The case study presented in this book suggests that a new breed of Canadian Pentecostals are emerging for whom traditional definitions and expressions of Pentecostalism are much less important than religious autonomy and individualism.

Presents essays on religious life in Canada that address the state of religious communities dedicated to religious virtuosity normally characterized by formal promises of chastity, poverty, and obedience. The essays examine a range of topics related to the general state of consecrated life in contemporary Canadian Christian and Buddhist traditions.

Sonosyntactics introduces the reader to over forty-five years of Paul Dutton's diverse and inventive poetry, ranging from lyrics, prose poems, and visual work to performance texts and scores. Perhaps best known for his acclaimed solo sound performances and his contributions to the iconic sound poetry group The Four Horsemen, Dutton is a surprising, witty, sensitive, and innovative explorer of language and of the human. This volume gathers a representative selection of his most significant and characteristic poetry together with a generous selection of uncollected new work. Sonosyntactics demonstrates Dutton's willingness to (re)invent and stretch language and to listen for new possibilities while at the same time engaging with his perennial concernslove, sex, music, time, thought, humour, the materiality of language, and poetry itself. Gary Barwin's introduction outlines the major subjects and techniques of Dutton's poetry: an intricate weaving of thought and language, sound and emotion, sound and sense, and the unfolding of a text through the logic of language play such as puns, paradoxes, ambiguity, and sound relations. In an afterword by Dutton himself, the poet insightfully lays out the terms of his engagement with the materialityboth visual and auralof language, often beyond the purely recountable, representational, or depictive.

This book demolishes many of the cliches that imbue writings about bush life, the Far North, and dogsledding. It is a unique blend of armchair adventure, personal memoir, and thoughtful, down-to-earth reflection.

This book explores the largely unrecognized contribution of women to the development of maps throughout history. Common themes explored are social justice and the making of maps work for the betterment of humanity.

Making Feminist Media provides new ways of thinking about the vibrant media and craft cultures generated by Riot Grrrl and feminisms third wave. It focuses on a cluster of feminist publicationsincluding BUST , Bitch , HUES , Venus Zine , and Rockrgrl that began as zines in the 1990s. By tracking their successes and failures, this book provides insight into the politics of feminisms recent past. Making Feminist Media brings together interviews with magazine editors, research from zine archives, and analysis of the advertising, articles, editorials, and letters to the editor found in third-wave feminist magazines. It situates these publications within the long history of feminist publishing in the United States and Canada and argues that third-wave feminist magazines share important continuities and breaks with their historical forerunners. These publishing lineages challenge the still-dominantand hotly contested wave metaphor categorization of feminist culture. The stories, struggles, and strategies of these magazines not only represent contemporary feminism, they create and shape feminist cultures. The publications provide a feminist counter-public sphere in which the competing interests of editors, writers, readers, and advertisers can interact. Making Feminist Media argues that reading feminist magazines is far more than the consumption of information or entertainment: it is a profoundly intimate and political activity that shapes how readers understand themselves and each other as feminist thinkers.

Contributors from a variety of disciplines provide a critical context for the relationship between feminist pedagogy and academic feminism by exploring the complex ways that critical perspectives can be brought into the classroom.

Explores the work women did during the war: the labour of survival, resistance, and collaboration, and the labour of recording, representing, and memorializing these wartime experiences. The contributors follow their subjects' tracks and deepen our understanding of the experiences from the imprints left behind.

Examines the transnational practices and identities of immigrant women, youth, and children in an era of global migration and neoliberalism, addressing such topics as family relations, gender and work, schooling, cultural identities, caring for children and the elderly, inter- and multi-generational relationships, and refugee determination.

Explores the emergence of the Spiritual Baptist faith, an African-Caribbean religious tradition, in Toronto, Canada.

In this major work Professor MacDonald chronicles an intensive and systematic archaeological survey of the southern flank of the Wadi el Hasa in WestâCentral Jordan. The survey resulted in the recovery of human evidence spanning the Lower Paleolithic to the Ottoman period (500,000 B.C.âA.D. 1918). The area is cut by a number of impressive and deep, southâtoânorth flowing wadis. As a region marginal for farming but stable for grazing, it would be the first to "empty out" and the last to "fill up" compared to more favourable regions. The methodology employed included a combination of purposive, predictive, and pedestrian transects. Lithics spanning the Lower Paleolithic to the end of the Early Bronze period (500,000â2000 B.C.) and ceramics covering the period from the Pottery Neolithic to the end of the Ottoman domination (4750 B.C.âA.D. 1918) were collected in the area. Sites surveyed included lithic and sherd scatters, camps, hamlets, villages, roads, milestones, fortresses, watchtowers, and mills. This research sheds new light on the settlement of the area, which now appears to have been most dense during the Middle Paleolithic, Iron II, Nabataean, and Byzantine periods.

Expresses the eschatological faith of the Church by using the time language of our age. To achieve this, this book provides an overview on the research in the nature of time done in geology, cosmology, physics, biology, psychology, sociology, history and philosophy and proposes a notion of time for "timely" Christology and for "timely" eschatology.

For Canada the last century was one of great social and economic change: an increasingly urban population witnessed shifts from an agricultural to a mixed economy and from moderate to greater wealth. Heick chronicles how changing attitudes toward butter and margarine reflected the nature of that society.

How did an ambitious British army officer advance his career in mid-eighteenth-century North America? This study examines the career of an Anglo-Irish-Acadian army officer, treating in considerable detail the network of old-world connections and patrons which at times facilitated his advancement.

Since the late 1950s Stan Brakhage has been in the forefront of independent filmmaking. His body of work - some seventy hours - is one of the largest of any filmmaker in the history of cinema, and one of the most diverse. Probably the most widely quoted experimental filmmaker in history, his films typify the independent cinema. Until now, despite well-deserved acclaim, there has been no comprehensive study of Brakhage's oeuvre. The Films of Stan Brakhage in the American Tradition fills this void. R. Bruce Elder delineates the aesthetic parallels between Brakhage's films and a broad spectrum of American art from the 1920s through the 1960s. This book is certain to stir the passions of those interested in artistic critique and interpretation in its broadest terms.

Addresses the contribution that political theories of modern political philosophers have made to our understandings of peace. By looking back at the great works of political philosophy, this collection hopes to revive peace as an active question for political philosophy while making an original contribution to contemporary peace research.

On the morning of April 9, 1917, troops of the Canadian Corps under General Julian Byng attacked the formidable German defences of Vimy Ridge. Since then, generations of Canadians have shared a deep emotional attachment to the battle, inspired partly by the spectacular memorial on the battlefield. Although the event is considered central in Canadian military history, most people know very little about what happened during that memorable Easter in northern France. Vimy Ridge: A Canadian Reassessment draws on the work of a new generation of scholars who explore the battle from three perspectives. The first assesses the Canadian Corps within the wider context of the Western Front in 1917. The second explores Canadian leadership, training, and preparations and details the story of each of the four Canadian divisions. The final section concentrates on the commemoration of Vimy Ridge, both for contemporaries and later generations of Canadians. This long-overdue collection, based on original research, replaces mythology with new perspectives, new details, and a new understanding of the men who fought and died for the remarkable achievement that was the Battle of Vimy Ridge. Co-published with the Laurier Centre for Military, Strategic and Disarmament Studies