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A collection of readings in Russian philosophical thought.

Originally presented as the author's thesis. University of Toronto.

The fifteenth century was one of the most tragic and fateful centuries in the history of the Jewish people. It was the century which not only sealed the fate of Sephardic Jewry in the Iberian Peninsula, but also marked the turning point in the historical development of Ashkenazic Jewry from its centre in Germany to Poland and eastern Europe. Rabbi Dr. Bernard Rosensweig utilizes the life and times and works of Rabbi Jacob Weil and his contemporaries in order to give us an intimate picture of Ashkenazic Jewry in this age of transition. Through these original sources, we are exposed to the social, cultural, economic and political structure of the Jewish community, and its relationship to the civil authority and the Church.

Biblical tradition asserts that the revelation of God to Moses in the burning bush involved also a declaration of the divine name, the Tet (represented by the letters Y, H, W, H), and its meaning. There are indications that the divine name was known prior to the time of Moses, although ultimate questions of origin and precise meaning are shrouded in obscurity. IN fact, even the exact pronunciation of the name (usually pronounced YAHWEH) is by no means certain. The author of The Divine Name in the Bible surveys the immense literature on this subject, and traces the use of various names for deity in Israel from patriarchal times onwards, with special attention to the significance of the Tetragrammaton, which in course of time, became the name by which the God of Israel was known. Various aspects of the theological meaning of the name in the Old Testament writings are explored. The Dead Sea Scrolls, the Jewish Talmudic literature, and later mystical writings are also examined. The translators of the Old Testament into Greek used Kyrios as the equivalent for YHWHwith implications for the New Testament understanding of the person of Jesus Christ, reflected also in subsequent Christological formulations.

We are making an interesting break with conventional sociology.... In recent years sociologists, anthropologists, and other students of social behaviour have made considerable use of the network metaphor ... as a peg, as a witching wand, and as a blueprint. from the Preface by Charles Tilly

The intention of this paper is to take a look at a representation of what Canadians were reading about their Indians over seventy years of this century. The purpose is to determine what view of the Canadian Indian writers were extending in the popular national magazines, and to suggest attitudes and changes in attitudes during these seven decades. It is hoped that this endeavor will not only suggest the shape and form of concepts of the Indians as they were portrayed for the Canadian reader but that the detailed content description of each essay, as well as the bibliography compiled will be of assistance to later researchers in choosing their material and in encouraging future studies on Canadian Indians.

Where do children travel when they read a story? In this collection, contributors explore the imaginative geography of a wide range of places, from those of Indigenous myth to the fantasy worlds of Middle-earth, from the semi-fantastic Wild Wood to real-world places like Canada's North, Chicago's World Fair, or the modern urban garden.

Presents a rich collection of original essays and creative works on a representative array of avant-garde literary movements in Canada from the past fifty years. From the work of Leonard Cohen and bpNichol to that of Jordan Abel and Liz Howard, Avant Canada features twenty-eight of the best writers and critics in the field.

This volume, containing responses by R.L. Perkins, R. Archer, P. Carpenter, D. Lochhead, D. Goicoechea, and R. Johnson, will be of interest to Kierkegaard, philosophy, and religion scholars, and those engaged in computer research in the humanities.

A master draughtsman, artist Evan Macdonald had extraordinary facility as a painter, printmaker, and book illustrator. This volume is a richly illustrated chronicle of Macdonald's life and work from the perspective of the artist's daughter, Flora Macdonald Spencer, whose insightful essay creates a lasting image of a great Canadian artist.

Since 1990, Sky Dancer Louise Bernice Halfe's work has stood out as essential testimony to Indigenous experiences within the ongoing history of colonialism and the resilience of Indigenous storytellers. Sohkeyihta includes searing poems, written across the expanse of Halfe's career.

Women's letters and memoirs were until recently considered to have little historical significance. Many of these materials have disappeared or remain unarchived, often dismissed as ephemera. This collection showcases the range of critical debates that animate thinking about women's archives in Canada.

Considers the themes of agency and time through the burgeoning, interdisciplinary field of the environmental humanities. Fourteen essays and a photo album cover topics such as environmental practices and history, temporal literacy, graphic novels, ecocinema, ecomusicology, animal studies, Indigeneity, and green conservatism.

There are many things we can choose to do about climate change, including doing nothing at all. All of them have consequences, many of which will be unforeseen. If we could foretell more accurately what would happen to the climate in the future, our choices might be clearer, if not necessarily easier to make. Unfortunately, predicting future climate change is fraught with uncertainty, and we will be forced to make choices in the face of that uncertainty. To what extent are we motivated in this difficult process by a desire to do the right thing ? And how do we decide what is the right thing to do? The answer to these questions depends on whose ethical interests are considered. What is best for a Canadian living in the last decade of the twentieth century even supposing we could discover what that is might not be best for a Somali, or for our great-grandchildren, or for the rain forest of the Amazon or the kangaroos of Australia. Decisions about what to do about global warming will therefore be influenced by how much relative weight we give to the ethical interests of Canadians, Somalis, grandchildren, rain forests, kangaroos and a host of other variables. Weighing these competing interests is an exercise in applied ethics. This book examines the role that ethics can and should play in our decisions about how to deal with global warming.

Explores the key roles that culture, arts, and the humanities play in supporting healthy water-based ecology and provides local, global, and Indigenous perspectives on water that help to guide our societies in a time of global warming.

Contemporary notions of identity, belonging, and citizenship are established, contested, and legitimized within sites and institutions of public culture, heritage, and representation that reflect integration with the land, transforming landscape into landmarks.

Focuses on both critical animal studies and posthumanism, two intertwining conversations that ask us to reconsider common sense understandings of other animals and what it means to be human.

Explores some of the latest developments in the literary and cultural practices of Canadians of Asian heritage. The essays in this collection examine the ways in which Asian Canadian authors (such as Larissa Lai and Shani Mootoo) and artists (such as Ken Lum and Paul Wong) have gone beyond autoethnography, or ethnographic autobiography.

Tells the story of three generations of a Jewish Hungarian family whose fate has been inextricably bound up with the turbulent history of Europe, from the First World War through the Holocaust and the communist takeover after World War II, to the family's dramatic escape and emmigration to Canada.

Persecuted as a Jew, both under the Nazis and in post-war East Germany, Johanna Krause (19072001) courageously fought her way through life with searing humour and indomitable strength of character. Johanna Krause Twice Persecuted is her story. Born in Dresden into bitter poverty, Krause received little education and worked mostly in shops and factories. In 1933, when she came to the defence of a Jewish man being beaten by the brownshirts, Krause was jailed for insulting the Furer After a secret wedding in 1935, she was arrested again with her husband, Max Krause, for breaking the law that forbade marriage between a Jew and an Aryan. In the years following, Johanna endured many atrocitiesa forced abortion while eight months pregnant and subsequent sterilization, her incarceration in numerous prisons and concentration camps, including Ravensbr"e;ck, the notorious womens camp near Berlin, and a death march. After the war, the Krauses took part enthusiastically in building the new socialist republic of East Germanyuntil 1958, when Johanna recognized a party official as a man who had tried to rape and kill her during the war. Thinking the communist party would punish the official, Joanna found out whose side the party was on and was subjected to anti-Semitic attacks. Both she and her husband were jailed and their business and belongings confiscated. After her release she lived as a persona non grata in East Germany, having been evicted from the communist party. It was only in the 1990s, after the reunification of Germany, that Johanna saw some justice. Originally published as Zweimal Verfolgt , the book is the result of collaboration between Johanna Krause, Carolyn Gammon, and Christiane Hemker. Translated by Carolyn Gammon, Johanna Krause Twice Persecuted will be of interest to scholars of auto/biography, World War II history, and the Holocaust.

Wrestles with the problems of situating Canadian literature in the ongoing debates about culture, identity, and globalization, and of applying the slippery term of postcolonialism to Canadian literature. The topics range in focus from discussions of specific literary works to general theoretical contemplations.

The Homing Place calls for a vital process of listening to the stories that Indigenous peoples have been telling about this continent since before the arrival of European Settlers centuries ago. Moreover, the text performs this process, creating a model for listening and incorporating Indigenous stories, throughout.

Both an adventure-laced captivity tale and an impassioned denunciation of the marginalization of Indigenous culture in the face of European colonial expansion, Douglass Smith Huyghue's Argimou (1847) is the first Canadian novel to describe the fall of eighteenth-century Fort Beausjour and the expulsion of the Acadians. Its integration of the untamed New Brunswick landscape into the narrative, including a dramatic finale that takes place over the reversing falls in Saint John, intensifies a sense of the heroic proportions of the novel's protagonist, Argimou. Even if read as an escapist romance and captivity tale, Argimou captures for posterity a sense of the Tantramar mists, boundless forests, and majestic waters informing the topographical character of pre-Victorian New Brunswick. Its snapshot of the human suffering occasioned by the 1755 expulsion of the Acadians, and its appeal to Victorian readers to pay attention to the increasingly disenfranchised state of Indigenous peoples, make the novel a valuable contribution to early Canadian fiction. Situating the novel in its eighteenth-century historical and geographical context, the afterword to this new edition foregrounds the author's skilful adaptation of historical-fiction conventions popularized by Sir Walter Scott and additionally highlights his social concern for the fate of Indigenous cultures in nineteenth-century Maritime Canada.