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#FeesMustFall, the student revolt that began in October 2015, was an uprising against lack of access to, and financial exclusion from, higher education in South Africa. More broadly, it radically questioned the socio-political dispensation resulting from the 1994 social pact between big business, the ruling elite and the liberation movement. The 2015 revolt links to national and international youth struggles of the recent past and is informed by black consciousness politics and social movements of the international left. Yet, its objectives are more complex than those of earlier struggles. The student movement has challenged the hierarchical, top-down leadership system of university management and it's 'double speak' of professing to act in workers' and students' interests yet entrenching a regressive system for control and governance. University managements, while on one level amenable to change, have also co-opted students into their ranks to create co-responsibility for the highly bureaucratised university financial aid that stands in the way of their social revolution. This book maps the contours of student discontent a year after the start of the #FeesMustFall revolt. Student voices dissect colonialism, improper compromises by the founders of democratic South Africa, feminism, worker rights and meaningful education. In-depth assessments by prominent scholars reflect on the complexities of student activism, its impact on national and university governance, and offer provocative analyses of the power of the revolt.
Cuba was a key participant in the struggle for the independence of African countries during the Cold War. Beyond the military interventions, there were many-side engagements between Cuba and the continent. This book tells the story of tens of thousands of individuals who crossed the Atlantic as doctors, scientists, soldiers, students and artists.
Critically examines influential novels in English by eminent black female writers. Studying these writers' key engagements with nationalism, race and gender during apartheid and the transition to democracy, Barbara Boswell traces the ways in which black women's fiction critically interrogates narrow ideas of nationalism.
Focuses on Johannesburg, the largest and wealthiest city in South Africa, as a case study for the contemporary global South city. Anxious Joburg invites readers to consider an intimate perspective of living inside such a city.
Offers close readings of Hegel's Phenomenology of Spirit, and of responses to it in the work of twentieth-century philosophers, that highlight the entangled history of the translations, transpositions and transformations of Hegel in the work of Frantz Fanon, and more generally in colonial, postcolonial and decolonial contexts.
Drawing primarily on insights and materials from Africa for their capacity to speak to global developments, the authors in this volume propose new concepts and methodologies to analyse how public engagements work in society. The cases examined show how issues of public discussion circulate in unpredictable ways.
Investigates the problem of disproportionate media representation and offers a hands-on demonstration of listening journalism and research in practice to promote a more active engagement between journalists and local communities.
Social scientist Archie Mafeje, who was born in the Eastern Cape but lived most of his scholarly life in exile, was one of Africa's most prominent intellectuals. This groundbreaking book is the first to consider the entire body of Mafeje's oeuvre and offers much-needed engagement with his ideas.
Patrick van Rensburg (1931-2017) was an anti-apartheid activist and self-made "alternative educationist". Van Rensburg was an innovative and charismatic visionary who captured the zeitgeist of the late twentieth century, and whose work and vision still have resonance for debates in educational policy today.
This timely collection of essays analyses the crisis of journalism in contemporary South Africa at a period when the media and their role are frequently at the centre of public debate. A valuable introduction to the confusion that confronts journalism students, this book has much to offer practising media professionals.
Presents a selection of monologues from a series of one-person satirical revues. Using the 2010 FIFA World Cup as an entry point for satirical commentary, the sketches focus on various issues facing democratic South Africa: state "vanity" projects, land issues, abuse of women and state capture.
This revised edition of Bats of Southern and Central Africa builds on the solid foundation of the first edition and supplements the original account of bat species then known to be found in Southern and Central Africa with an additional eight newly described species, bringing the total to 124.
Tells the story of 32 boys from Alexandra, one of Johannesburg's largest townships, over a period of twelve seminal years in which they negotiate manhood and masculinity. Psychologist and academic Malose Langa documents in close detail what it means to be a young black man in contemporary South Africa.
A clear, concise and accessible dissection guide for undergraduate allied health sciences and medical students encountering dissection for the first time. This revised edition incorporates all the features unique to this text and updates to the methodology, anatomical terminology as outlined in the Terminologia Anatomica, text and illustrations.
Exploring in detail the twists and turns of the African National Congress' economic and social policy-making during the transition era of the 1990s, this book focuses on the primary question of how and why the ANC, given its historical redistributive stance, did such a dramatic about-face and moved towards an essentially market-dominated approach.
BRICS is a grouping of the five major emerging economies - Brazil, Russia, India, China and South Africa. Volume five in the Democratic Marxism series, BRICS and the New American Imperialism challenges the mainstream understanding of BRICS and US dominance to situate the new global rivalries engulfing capitalism.
D.D.T. Jabavu's account of his journey to India in 1949, in the original isiXhosa and with an English translation by Cecil Wele Manona. Chapters by the volume editors provide biographical context for the travelogue, and commentary on its contribution to the archive of African-language literature and thought.
Offers a critical account of the role of art and visual culture in the construction of a unified Afrikaner imaginary. This volume examines the implications of metaphors and styles deployed in visual culture, and considers how the design of objects, images and architecture were informed by Afrikaner nationalist ideals.
A lyrical, philosophical and poetic treatise on practising African psychology in a decolonised world view. Employing a style common in philosophy but rarely used in psychology, the book offers thoughts about the ideas, contestation, urgency and desire around a psychological praxis in Africa for Africans.
Pelong ya ka is a volume of twenty essays and stories written by Sophonia Machabe Mofokeng and first published in 1962 in the Bantu (later, African) Treasury Series by the University of the Witwatersrand Press. In his short life Mofokeng, an expert on African folklore, was also regarded as a gifted exponent of African languages, in particular Southern Sesotho, and this assessment is still valid today.The essays and stories in this collection are largely autobiographical, with the author being both the writer and the main character in them. Their style is in turn meditative, descriptive, narrative and polemic, and the tone of voice of the narrator is characterised by melancholy, humour and satire. The themes span a wide range of human experiences, and reflect Mofokeng's deep personal convictions and passion for freedom, as well as his Christian beliefs . As he says in 'Nako' ('Time'), 'we are worried because we want to live for a long time, as if the most important thing is to live for many decades, but the fact is that we must live our life to the fullest'.His descriptions of his time spent in hospital are filled with insights into the experiences of the patients, doctors and workers he met there, and reflect his gift for observing the details of everyday life, and recounting them with both depth and simplicity.
A tragic play adapted from Sotho folk narrative. The play is regarded as a classic of Sesotho literature. Seen as one of the greatest essayists and dramatists writing in Southern Sotho, Senkatana was S. Machabe Mofokeng's first book.
Provides a textured analysis of a contested urban space that will resonate with other contested urban spaces around the world and challenges researchers involved in such spaces to work in creative and politicised ways.
Civil society, NGOs, governments, and multilateral institutions all repeatedly call for improved or 'good' governance - yet they seem to speak past one another. Offering a set of multidisciplinary analyses of governance in different sectors, in different locales, and from different theoretical approaches, this volume makes a useful addition to the growing debates on how to govern.
Shortly after the statue of Cecil John Rhodes came down at the University of Cape Town, protestors called for the decolonisation of universities. What exactly is decolonisation? This book brings together some of the most innovative thinking on curriculum theory to address this important question.
Social science researchers in the global South, and in South Africa particularly, utilise research methods in innovative ways in order to respond to contexts characterised by diversity, racial and political tensions, socioeconomic disparities and gender inequalities. These methods often remain undocumented - a gap that this book starts to address. Written by experts from various methodological fields, Transforming Research Methods in the Social Sciences is a comprehensive collation of original essays and cutting-edge research that demonstrates the variety of novel techniques and research methods available to researchers responding to these context-bound issues. It is particularly relevant for study and research in the fields of applied psychology, sociology, ethnography, biography and anthropology. In addition to their unique combination of conceptual and application issues, the chapters also include discussions on ethical considerations relevant to the method in similar global South contexts. Transforming Research Methods in the Social Sciences has much to offer to researchers, professionals and others involved in social science research both locally and internationally.
Brings together leading scholars and activists from around the world studying and challenging racism. In eleven thematically rich and conceptually informed chapters, the contributors interrogate the complex nexus of questions surrounding race and relations of oppression as they are played out in the global South and global North.
Comprising approximately 300 letters, this book provides access to the voice of Robert Sobukwe via the single most poignant resource of Sobukwe's voice that exists: his prison letters. Not only do the letters evince Sobukwe's storytelling abilities, they convey the complexity of a man who defied easy categorization.
Argues against the stereotype that the goal of new democracies, such as South Africa and other developing nation-states, is to become like the global North, and asserts that democracies can only work when every person has an equal say in the public decisions that affect them.
Performance art is transgressive and interdisciplinary. Acts of Transgression, an illustrated collection of 15 essays by respected researchers, critically probes where live art and socio-political turbulence intersect in post-apartheid South African society. Focusing on work by 25 contemporary artists, it adds significantly to the field.
The first study to probe the primary features, and possible effects, of some major literary genres as they pertain to elephants south of the Zambezi over three centuries: indigenous forms, early European travelogues, hunting accounts, novels, game ranger memoirs, scientists' accounts, and poems.
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