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Percival Kirby was one of the greatest South African musicologists and ethnomusicologists. Born in Scotland in 1887, after completing his studies at the Royal College of Music in London he came out to South Africa as the Music Organiser to the Natal Education Department.

This is the first publication in the Democratic Marxism Series , which seeks to elaborate the social theorising and politics of Democratic Marxism. This edited volume introduces some contemporary approaches to Marxism and explores some of the ways in which Marxism has been used in Africa.

Scholar and writer Leon de Kock offers a lively and wide-ranging analysis of post-apartheid South African writing which, he contends, has morphed into a far more flexible and multifaceted entity than its predecessor.

Nuruddin Farah is widely regarded as one of the most sophisticated voices in contemporary world literature. Michel Foucault is revered as one of the most important thinkers of the twentieth century, with his discursive legacy providing inspiration for scholars working in a range of interdisciplinary fields.

The first full-length study of slave memory in the South African context, this examines the relevance and effects of slave memory for contemporary negotiations of South African gendered and racialised identities. It reads memory as one way of processing t

Drawing on interviews with mothers who have been diagnosed HIV-positive, this title provides a perspective of motherhood from the mother's point of view. It explores the situation in which two very powerful identities, those of motherhood and of being HIV-positive, collide in the same moment.

Intends to capture the contradictory mixture of innovation and inertia, of loss, violence and xenophobia as well as experimentation and desegregation, which characterises the present. This title explores the concept of entanglement in relation to readings of literature, new media forms and painting.

Analyses texts drawn from the Bleek and Lloyd Archive - one of the important collections for the understanding of South African cultural heritage and in particular the traditions of the /Xam, South Africa's 'first people'. This book offers an analysis of the corpus of /Xam narratives found in the Bleek and Lloyd collection.

This book explores the power of print and the politics of the book in South Africa from a range of disciplinary perspectives - historical, bibliographic, literary-critical, sociological, and cultural studies.

In the twenty years of transitional and democratic politics in South Africa, Susan Booysen constantly traversed two worlds, as direct observer and analyst-researcher.

Pierre Bourdieu (1930-2002) is the most influential sociologist of our time. His works take in education, culture, sport, literature, painting, class, philosophy, religion, law, media, intellectuals, methodology, photography, universities, colonialism, kinship, schooling and politics.

Steve Biko, the founder of the Black Consciousness philosophy, was killed in prison on 12 September 1977. Biko was only thirty years old, but his ideas and political activities changed the course of South African history and helped hasten the end of apartheid. The year 2007 saw the thirtieth anniversary of Biko's death. To mark the occasion, the then Minister of Science and Technology, Dr Mosibudi Mangena, commissioned Chris van Wyk to compile an anthology of essays as a tribute to the great South African son. Among the contributors are Minister Mangena himself, ex-President Thabo Mbeki, writer Darryl Accone, journalists Lizeka Mda and Bokwe Mafuna, academics Jonathan Jansen, Mandla Seleoane and Saths Cooper, a friend of Biko's and former president of Azapo. We Write What We Like proudly echoes the title of Biko's seminal work, I Write What I Like. It is a gift to a new generation which enjoys freedom, from one that was there when this freedom was being fought for. And it celebrates the man whose legacy is the freedom to think and say and write what we like.

South Africa's future is increasingly tied up with that of India. While trade and investment between the two countries is intensifying, they share long-standing historical ties and have much in common: apart from cricket, colonialism and Ghandi, both countries are important players in the global South. This book explores this relationship further.

The National Union of Metalworkers of South Africa was highly prominent in the surge of trade union power of the 1980s. This book tells how its activities built workers' rights and deeply eroded the apartheid state, by revisiting the formation of the powerful modern day union movement.

In this wonderfully original, intensely personal yet deeply analytical work, Carli Coetzee argues that difference and disagreement can be forms of activism to bring about social change, inside and outside the teaching environment.

Explores some of the key features of popular politics and resistance before and after 1994. This volume explores continuities and changes in the forms of struggle and ideologies involved, as well as the significance of post-apartheid grassroots politics.

Focuses on a talented, brave, but tiny minority of whites - liberals, radicals, communists, Trotskyists, humanists, Christians, idealists - who rejected the growing racism of post-war South Africa and worked to breach the dividing line between black and white.

Explores the images of Africa and Africans that evolved in ancient Egypt, in classical Greece and imperial Rome, in the early Mediterranean world, and in the early domains of Christianity. This book provides a survey of the special place that Aksumite Ethiopia has held in European and African conceptual worlds as the site of 'worthy Ethiopia'.

Charts the musical world of a notorious period in world history, apartheid South Africa. This book explores how music was produced through, and was productive of, key features of apartheid's social and political topography.

African headrests have been moved out of the category of functional objects and into the more rarefied category of 'art' objects. Styles in African headrests are usually defined in terms of western art and archaeological discourses, but this book interrogates these definitions of style through a case study of headrests of the 'Tellem' of Mali.