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An exploration of recent work by the award-winning Dutch visual artist Berend Strik

An engaging history of the surprising, poignant, and occasionally scandalous stories behind scientific names and their cultural significance

"The central figure of the Qur'an is not Muhammad but Allah. The Qur'an, Islam's sacred scripture, is marked above all by its call to worship Allah, and Allah alone. Yet who is the God of the Qur'an? What distinguishes the qur'anic presentation of God from that of the Bible? In this illuminating study, Gabriel Said Reynolds depicts a god of both mercy and vengeance, one who transcends simple classification. He is personal and mysterious; no limits can be placed on his mercy. Remarkably, the Qur'an is open to God's salvation of both sinners and unbelievers. At the same time, Allah can lead humans astray, so all are called to a disposition of piety and fear. Allah, in other words, is a dynamic and personal God. This eye-opening book provides a unique portrait of the God of the Qur'an."--Publisher's description.

This pioneering book by an acclaimed expert is the first to discuss all of Bach's unaccompanied pieces in one volume, including an examination of crucial issues of style and composition type and the options open to interpretation and performance. David Ledbetter, a leading expert on Bach, provides the historical background to Bach's instrumental works, as well as detailed commentaries on each work. Ledbetter argues that Bach's unaccompanied works - the six suites for solo cello, six sonatas and partitas for solo violin, seven works for lute and the suite for solo flute - should be considered together to enable one piece to elucidate another. This illuminating and significant book is essential for professionals, performers, students or anybody who wishes to learn more about Bach's music.

"What is time? This question has fascinated philosophers, mathematicians, and scientists for thousands of years. Why does time seem to speed up with age? What is its connection with memory, anticipation, and sleep cycles?0Award-winning author and mathematician Joseph Mazur provides an engaging exploration of how the understanding of time has evolved throughout human history and offers a compelling new vision, submitting that time lives within us. Our cells, he notes, have a temporal awareness, guided by environmental cues in sync with patterns of social interaction. Readers learn that, as a consequence of time's personal nature, a forty-eight-hour journey on the Space Shuttle can feel shorter than a six-hour trip on the Soyuz capsule, that the Amondawa of the Amazon do not have ages, and that time speeds up with fever and slows down when we feel in danger. 0With a narrative punctuated by personal stories of time's effects on truck drivers, Olympic racers, prisoners, and clockmakers, Mazur's journey is filled with fascinating insights into how our technologies, our bodies, and our attitudes can change our perceptions. Ultimately, time reveals itself as something that rides on the rhythms of our minds. 'The Clock Mirage' presents an innovative perspective that will force us to rethink our relationship with time, and how best to use it."--Provided by publisher.

The Harvard Art Museums house one of the most significant collections of works on paper in North America. Among its many strengths are sheets by draftsmen of the French School, including notable masters such as Simon Vouet, Claude Lorrain, Nicolas Poussin, Jean-Antoine Watteau, Franðcois Boucher, Jean-Baptiste Greuze, and Jean-Honorâe Fragonard. Following an introductory essay that charts the formation of this group of drawings, this catalogue provides thorough entries on more than 100 outstanding examples from the 16th to 18th century that encompass a range of genres and motifs-from landscapes and figure studies to historical and mythological scenes-many of which were produced for major commissions or mark key moments in the development of style and taste in early modern France. Alvin L. Clark Jr. marshals his decades-long engagement with these works, pairing a discerning eye with perceptive readings that deepen our understanding of the drawings and their makers.

A revealing look at ancient art in the Menil Collection that addresses the problem of objects lacking archaeological context

Catalogue of an exhibition of the same name held at the Princeton University Art Museum, Princeton, New Jersey on March 17-June 14, 2020 and at the Royal Academy of Arts, London, England on July 12-October 18, 2020.

The first major monograph on the work of contemporary Belgian artist Fabrice Samyn

Artificially intelligent "bot" accounts attack politicians and public figures on social media. Conspiracy theorists publish junk news sites to promote their outlandish beliefs. Campaigners create fake dating profiles to attract young voters. We live in a world of technologies that misdirect our attention, poison our political conversations, and jeopardize our democracies. With massive amounts of social media and public polling data, and in depth interviews with political consultants, bot writers, and journalists, political consultants, Philip N. Howard offers ways to take these "lie machines" apart. Lie Machines is full of riveting behind the scenes stories from the world's biggest and most damagingly successful misinformation initiatives-including those used in Brexit and U.S. elections. Howard not only shows how these campaigns evolved from older propaganda operations but also exposes their new powers, gives us insight into their effectiveness, and shows us how to shut them down.

The life and work of an essential photographer whose feminism and pictorialist images distanced her from the mainstream

"What I want to do is code-switch. To have there be layers of history and politics, but also this heady, arty stuff--inside jokes, black humor--that you might have to take a while to research if you want to really get it."--Sanford Biggers

Gianlorenzo Bernini (1598-1680), like all ambitious artists, imitated eminent predecessors. What set him apart was his lifelong and multifaceted focus on Michelangelo Buonarroti-the master of the previous age. 'Bernini's Michelangelo' is the first comprehensive examination of Bernini's persistent and wide-ranging imitation of Michelangelo's canon (his art and its rules). Prevailing accounts submit that Michelangelo's pervasive, yet controversial, example was overcome during Bernini's time, when it was rejected as an advantageous model for enterprising artists. Carolina Mangone reconsiders this view, demonstrating how the Baroque innovator formulated his work by emulating his divisive Renaissance forebear's oeuvre. Such imitation earned him the moniker "Michelangelo of his age." Investigating Bernini's "imitatio Buonarroti" in its extraordinary scope and variety, this book identifies principles that pervade his production over seven decades in papal Rome. Close analysis of religious sculptures, tomb monuments, architectural ornament, and the design of New Saint Peter's reveals how Bernini approached Michelangelo's art as a surprisingly flexible repertory of precepts and forms that he reconciled-here with daring license, there with creative restraint-to the aesthetic, sacred, and theoretical imperatives of his own era. Situating Bernini's imitation in dialogue with that by other artists as well as with contemporaneous writings on Michelangelo's art, Mangone repositions the Renaissance master in the artistic concerns of the Baroque from peripheral to pivotal. Without Michelangelo, there was no Bernini.

"Published on the occasion of the exhibition 'America's impressionism: echoes of a revolution' [held at] Brandywine River Museum of Art, Chadds Ford, October 17, 2020-January 10, 2021; Dixon Gallery and Gardens, Memphis, January 23-April 11, 2021; San Antonio Museum of Art, June 11-September 5, 2021"--Colophon. According to the Brandywine River Museum of Art website (viewed 10/21/2020), their portion of the exhibition appears to have been rescheduled for October 9, 2021-January 9, 2022.

A major new collection of stories by one of the most exciting and creative voices in contemporary Chinese literature

A fascinating exploration of the introduction of Vincent van Gogh's work to the United States one hundred years later

Published in conjunction with the exhibition of the same name organized by the Jewish Museum, New York, May 1, 2020-September 13, 2020.

Published in conjunctions with the exhibition of the same name, Detroit Institute of Arts, June 13 2020 January 10, 2021.

Faced with relentless technological aggression that imperils democracy, how can Western nations fight back?

"Celestial Mirror is a photographic book about India's 18th-century astronomy observatories, popularly known as the Jantar Mantars. Jai Singh's observatories are an extraordinary combination of architecture and science, putting elements of astronomy, astrology, and geometry into architectural forms of exotic beauty. The book draws on author Perlus' extensive work in panoramic photography to create an immersive experience for the reader. The book also includes an introduction to Indian astronomy by conservation architect and scholar Anisha Shekhar Mukherji"--

A compelling evolutionary narrative that reveals how human civilization follows the same ecological rules that shape all life on Earth

A wide-ranging and original introduction to the Anthropocene (the Age of Humanity) that offers fresh, theoretical insights bridging the sciences and the humanities

The story of how Brazilian Catholics and Protestants confronted one of the greatest shocks to the Latin American religious system in its 500-year history

"Security Empire examines the history of early secret police forces in Poland, Czechoslovakia, and East Germany in the aftermath of the Second World War. Molly Pucci delves into the ways their origins diverged from the original Soviet model based on differing interpretations of communism and local histories and illuminates the difference between veteran agents who fought in foreign wars and younger, more radical agents who combatted 'enemies of communism' in the Stalinist terror in Eastern Europe"--Jacket.

A fascinating history of the artistic innovation and political debates that took shape in New Deal-era murals

"Now available in English for the first time, Austrian satirist and polemicist Karl Kraus's Third Walpurgis Night was written in immediate response to the Nazi seizure of power in 1933 but withheld from publication for fear of reprisals against Jews trapped in Germany. Acclaimed when finally published by Kèosel Verlag in 1952, it is a devastatingly prescient exposure, giving special attention to the regime's corruption of language as masterminded by Joseph Goebbels. Bertolt Brecht wrote to Kraus that, in his indictment of Nazism, "You have disclosed the atrocities of intonation and created an ethics of language." This masterful translation, by the prizewinning translators of Kraus's The Last Days of Mankind, aims for clarity where Kraus had good reason to be cautious and obscure"--

A new vision of money as a communication technology that creates and sustains invisible--often exclusive--communities