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A multidisciplinary view of how our competitive and cooperative natures make us human
Exploring how the name of Liberty became synonymous with Aestheticism and the English Art Nouveau Movement, and its role in shaping contemporary late nineteenth and early twentieth century Artistic Dress. Liberty’s dress department opened in 1884, headed by Edward William Godwin, an architect with a multi-faceted career and an important figure in the Aesthetic Movement. Following the women’s rights movement of the 1840s, women fought against restrictive clothing such as tight-laced corsets, heavy petticoats and too tight shoes, which were harmful to their health and chose instead to dress in looser fitting dresses, coloured with natural dyes and ornamented with embroidery and needlework, otherwise known as Aesthetic dress. Liberty was at the forefront of Aestheticism with their recognisable soft drapeable silks, transparent textiles and fabrics imported from Central Asia and the Middle East. Their consumers were an eclectic mix of women who wanted to dress artistically and stand out from the crowd. Liberty was the chosen resort of the artistic shopper. With archival materials and previously unpublished pattern books, Anna Buruma navigates Liberty’s role in Artistic dress. Examining how their idiosyncratic fashions of Greek and Roman style evening dress and medieval tea gowns translated into late nineteenth and early twentieth century fashionable dress. Liberty sustained their popularity through good taste and willingness to expand into new markets. From their flourishing commitment to Aestheticism to becoming a trail-blazer for the Art Nouveau movement which would emerge from it, Artistic Dress at Liberty & Co: The Early Years is the go-to source for the early history of Liberty’s dress department.
A lively, accessible history of mathematics throughout the ages and across the globe
The latest entry in the Yale Oriental Series presents descriptions, translations, and commentary for tablets and seals from the Babylonian Collection at the Yale Peabody Museum
The remarkable history of the women who worked for Special Operations Executive across occupied Europe
A revelatory new account of the Second World War—and how bitter competition between the Allies would shape the postwar world
An insightful and beautifully illustrated new perspective on the role of Central European émigré artists, architects, and designers on American modernism
How Africa’s most notorious tyrant made his oppressive regime seem both necessary and patriotic
The gripping story of Indira Gandhi’s premiership—and the profound influence she had on India
An authoritative and original history of the Maginot Line that reshapes our understanding of interwar France and the events of 1940
A history of masks protecting against bad air—in cities, factories, hospitals, and war trenches—exploring how our identities and beliefs shape the decision to wear a mask
How, for just over a century, Britain ensured it would not face another Napoleon Bonaparte—manipulating European powers while building a global maritime empire
A sweeping retelling of American religious history, showing how religion has enhanced and hindered human flourishing from the Ice Age to the Information Age
A thought-provoking account of the life and work of Franz Boas and his influential role in shaping modern anthropology Franz Boas (1858–1942) is widely acknowledged for his pioneering work in the field of cultural anthropology. His rigorous studies of variations across societies were aimed at demonstrating that cultures and peoples were not shaped by biological predispositions. This book traces Boas’s life and intellectual passions from his roots in Germany and his move to the United States in 1884, partly in response to growing antisemitism in Germany, to his work with First Nations communities and his influential role as a teacher, mentor, and engaged activist who inspired an entire generation. Drawing from Boas’s numerous but rarely read writings, Noga Arikha brings back to life the man and the ideas he developed about the complex interplay of mind and culture, biology and history, language and myth. She provides a comprehensive picture of the cultural contexts in which he worked, of his personal and professional relationships, and of his revolutionary approach to fieldwork. He was celebrated in his lifetime for the cultural relativism he developed and the arguments he marshaled against entrenched racialism, but his was a constant battle, and Arikha shows how urgently relevant his voice and legacy have become again today.
An insightful, hugely engaging new history of elite women and the country house from the sixteenth to the twentieth century
The first survey of Joe Overstreet, abstract painter of the Black Arts Movement and forecaster of Afrofuturism
An illuminating examination of the interconnectivity of women artists and activists in Great Britain from the Victorian era through the Second World War
The full story of Josephine Baker’s wartime and intelligence work in France and North Africa
A landmark survey of the wide-ranging practice of one of the twentieth century’s most innovative artists
The origins and evolution of Irish American identity, from colonial times through the twentieth century
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