Bøker utgitt av Yale University Press

A study of the relations between men and women in early modern England. Michael Fletcher seeks to demonstrate that by grasping the production of gender categories, the inner logic of society as a whole will be revealed.

Mel Bochner (b. 1940) is recognized as one of the leading figures in the development of Conceptual art in New York in the 1960s and 1970s. He pioneered the introduction of the use of language in the visual, probing the way they relate to one another to make us more attentive to the unspoken codes that underpin our visual engagement with the world. Featuring color plates of more than thirty new, previously unpublished paintings, and accompanied by an essay by Jeremy Sigler, this handsome publication offers a new perspective on Mel Bochner's career-long engagement with language and painting. Sigler points to how Bochner's newest images poignantly signal a return to visceral materiality, revealing the unexpected painterly roots of his body of work.

A political, social, and cultural battle is currently raging in the Middle East. On one side are the Islamists, those who believe Islam should be the region's primary identity. In opposition are nationalists, secularists, royal families, military establishments, and others who view Islamism as a serious threat to national security, historical identity, and a cohesive society.This provocative, vitally important work explores the development of the largest, most influential Islamic groups in the Middle East over the past century. Tarek Osman examines why political Islam managed to win successive elections and how Islamist groups in various nations have responded after ascending to power. He dissects the alliances that have formed among Islamist factions and against them, addressing the important issues of Islamism's compatibility with modernity, with the region's experiences in the twentieth century, and its impact on social contracts and minorities. He explains what Salafism means, its evolution, and connections to jihadist groups in the Middle East. Osman speculates on what the Islamists' prospects for the future will mean for the region and the rest of the world.

"To have the preeminent graphic designer in America-the leading proponent of the Modern-intelligently and forcefully speak out makes this a document for today and the ages. Rand's book is a classic." -Stephen Heller (1993)

"Hannah Gluckstein (who called herself Gluck; 1895-1976) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck'slife and work, examining, among other things, the artist'snumerous personal relationships and contemporary notions of gender and social history. Gluck'spaintings comprise a full range of artistic genres--still life, landscape, portraiture--as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artistis known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter. "--

The first comprehensive overview of Jasper Johns's work in an innovative medium that the artist has singlehandedly redefined over the course of four decades

"My work is largely concerned with relations between seeing and knowing, seeing and saying, seeing and believing."-Jasper Johns, 1965

"Published in conjunction with the exhibition 'The condition of being here: drawings by Jasper Johns', organized by the Menil Collection, Houston ... November 3, 2018-January 27, 2019"--Title page verso.

Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography

A beautiful celebration of six decades of work by Edgar Degas, published in the centennial year of the artist's death

A comprehensive survey of American artist Mark Dion, examining three decades of his critically engaged practice interrogating our relationship with nature

An unprecedented visual exploration of the intertwined histories of art and science, of the old world and the new

A beautiful overview of fascinating paintings of the classical world and the Holy Land by a beloved American artist

Taking an interdisciplinary approach that looks at film, television, and commercial advertisements as well as more traditional media such as painting, The Tiger in the Smoke provides an unprecedented analysis of the art and culture of post-war Britain. Art historian Lynda Nead presents fascinating insights into how the Great Fogs of the 1950s influenced the newfound fashion for atmospheric cinematic effects. She also discusses how the widespread use of color in advertisements was part of an increased ideological awareness of racial differences.  Tracing the parallel ways that different media developed new methods of creating images that variously harkened back to Victorian ideals, agitated for modern innovations, or redefined domesticity, this book's broad purview gives a complete picture of how the visual culture of post-war Britain expressed the concerns of a society that was struggling to forge a new identity.         Published in association with the Paul Mellon Centre for Studies in British Art

-This catalogue accompanies the exhibition Technologies of the Image: Art in 19th-Century Iran, on view at the Harvard Art Museums, Cambridge, Massachusetts, from August 26, 2017 through January 7, 2018.-

An authoritative look at the art, life, and legacy of a revered artist

By taking simple ways of looking at sculpture, this book uncovers unexpected affinities between works of very different periods and types. From sundials to mirrors, from graves to way-markers, from fountains to contemporary art, a wide range of illustrated examples expands the definitions of sculpture and proposes that we understand this art as something more fundamental to the way we experience and construct our rites of passage. Penelope Curtis argues that there are some basic functions shared by many kinds of three-dimensional objects, be they more or less obviously sculptural. Even contemporary sculpture, with no apparent purpose, makes use of this deeply embedded vocabulary. Together, the qualities of vertical, horizontal, closed and open are consolidated in the ensemble, which places the viewer at its heart, on the threshold of sculpture and on the threshold of change. This book elides the usual notions of figurative and abstract to think instead about how sculpture works. >Published in association with the Paul Mellon Centre for Studies in British Art

An unprecedented survey of artists in exile from the 19th century through the present day, with notable attention to Asian, Latin American, African American, and female artists