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A history of the continent-spanning Armenian print tradition in the early modern period

A new approach to the work of self-taught artist James Castle that focuses on how his drawings and practice resonate with earlier masters

From forests, farmland, and seascapes to existential environments, Munch portrayed human relationships with nature with intensity and insight. This is the first book to explore Edvard Munch's fascination with nature in depth, considering paintings, lithographs, watercolors, as well as woodcuts.

A sumptuous re-issue in two volumes of James Tod’s Annals and Antiquities of Rajast’han (1829–32) alongside a new critical volume which reframes this monumental, but often misunderstood, work

A revelatory meditation on class and consumer culture, from 2022 Nobel laureate Annie Ernaux

Multitalented artist Philip Aguirre sees his prints as completed products. His drawings, however, serve a very different purpose within his work. He views these drawings as the start of a thought process, forming a consistent thread throughout what is, for him, a vitally important method of creation. In that process, it is not unusual to see historic heritage as a source of his inspiration. Thus, his work engages with reoccurring themes such as the spring and water in the world, immigration and refugees, and the story of Africa threading throughout his oeuvre.   This book focuses on the broad palette of disciplines that Aguirre practices, reflecting on these important reoccurring themes that have been present throughout his career, as well as the role played by printmaking in his work. It also highlights the selection of prints and drawings from the rich oeuvre that he has built up over the last 40 years, which he recently donated to the collection of modern prints and drawings for the Plantin Moretus Museum print cabinet. Distributed for MercatorfondsExhibition Schedule:Plantin Moretus Museum, Antwerp, Belgium. The Print Cabinet. 27 0ctober 2022 - February 2023.

Interweaving art, literature and chemistry, Charlotte Ribeyrol draws on rare archival material to explore the fascinating story of an extraordinary piece of furniture in the context of the Victorian “color revolution”

A novel exploration of the idea of nonlinear time and its place at the heart of modern art and architecture

The complete short stories of acclaimed Moroccan author Mohamed Choukri, translated into English and collected in one volume for the first time

A multifaceted look at the work of award-winning American industrial designer Stephen Burks

How objects associated with the American, French, and Haitian revolutions drew diverse people throughout the Atlantic world into debates over revolutionary ideals

A daring reassessment of Louise Nevelson, an icon of twentieth-century art whose innovative procedures relate to gendered, classed, and racialized forms of making

Illustrated essays that broaden our understanding of modernism by centering Black artists and experiences, with a contribution featuring the work of Venice Biennale Golden Lion winner Simone Leigh

One hundred years after Austrian satirist Karl Kraus began writing his dramatic masterpiece, The Last Days of Mankind remains as powerfully relevant as the day it was first published. Kraus's play enacts the tragic trajectory of the First World War, when mankind raced toward self-destruction by methods of modern warfare while extolling the glory and ignoring the horror of an allegedly "e;defensive"e; war. This volume is the first to present a complete English translation of Kraus's towering work, filling a major gap in the availability of Viennese literature from the era of the War to End All Wars. Bertolt Brecht hailed The Last Days as the masterpiece of Viennese modernism. In the apocalyptic drama Kraus constructs a textual collage, blending actual quotations from the Austrian army's call to arms, people's responses, political speeches, newspaper editorials, and a range of other sources. Seasoning the drama with comic invention and satirical verse, Kraus reveals how bungled diplomacy, greedy profiteers, Big Business complicity, gullible newsreaders, and, above all, the sloganizing of the press brought down the Austro-Hungarian Empire. In the dramatization of sensationalized news reports, inurement to atrocities, and openness to war as remedy, today's readers will hear the echo of the fateful voices Kraus recorded as his homeland descended into self-destruction.

A powerful record of the first four months of the Russian-Ukrainian war, this book is at once the testimony of one man entering a new reality as he writes and the story of a society unified in its fight for the right to exist.