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Chantal Thomas presents the history of the mythification of one of the most infamous queens in all history, whose execution still fascinates us today.

Beginning with a definition of the pre-rational meaning of "truth" in archaic Greece, Detienne traces the lineage of the concept. Its distinct difference from the logic of the western philosophers is discussed and a movement from a religious to a secular thought about truth is identified.

In this classic meditation on the problem of style in art history, Henri Focillon describes how art forms change over time.

Essays that span the career of a prominent anthropologist and address the fundamental questions of the field.

The history of Mexico's fearless intimacy with death--the elevation of death to the center of national identity.

Exploring the thought of Mulla Sadra Shirazi, an Iranian Shi'ite of the seventeenth century: a universe of politics, morality, liberty, and order that is indispensable to our understanding of Islamic thought and spirituality.

The maps in this book are drawn with satellites, assembled with pixels radioed from outer space, and constructed from statistics; they record situations of intense conflict and express fundamental transformations in our ways of seeing and of experiencing space. These maps are built with Global Positioning Systems (GPS), remote sensing satellites, or Geographic Information Systems (GIS): digital spatial hardware and software designed for such military and governmental uses as reconnaissance, secrecy, monitoring, ballistics, the census, and national security. Rather than shying away from the politics and complexities of their intended uses, in Close Up at a Distance Laura Kurgan attempts to illuminate them. Poised at the intersection of art, architecture, activism, and geography, her analysis uncovers the implicit biases of the new views, the means of recording information they present, and the new spaces they have opened up. Her presentation of these maps reclaims, repurposes, and discovers new and even inadvertent uses for them, including documentary, memorial, preservation, interpretation, political, or simply aesthetic. GPS has been available to both civilians and the military since 1991; the World Wide Web democratized the distribution of data in 1992; Google Earth has captured global bird’s-eye views since 2005. Technology has brought about a revolutionary shift in our ability to navigate, inhabit, and define the spatial realm. The traces of interactions, both physical and virtual, charted by the maps in Close Up at a Distance define this shift.

A consideration of blandness not as the absence of defining qualities but as the harmonious union of all potential values-an infinite opening into human experience.

The purposeful discontinuities and juxtapositions of Aby Warburg's iconography and how they can be used to analyze other imagery.

An exploration of the roles of metamorphosis and hybridity in the establishment of personal identity, with particular emphasis on the twelfth and thirteenth centuries.

In this groundbreaking work, Ariella Azoulay provides a compelling rethinking of the political and ethical status of photography. In her extraordinary account of the "civil contract" of photography, she thoroughly revises our understanding of the power relations that sustain and make possible photographic meanings. Photography, she insists, must be thought of and understood in its inseparability from the many catastrophes of recent history. Azoulay argues that photography is a particular set of relations between individuals to the power that governs them, and, at the same time, a form of relations among equal individuals that constrains this power. Her book shows how anyone, even a stateless person, who addresses others through photographs or occupies the position of a photograph's addressee, is or can become a citizen in the citizenry of photography. The civil contract of photography enables him or her to share with others the claim made or addressed by the photograph.

A history and theory of the powers, the failures, and even the pleasures of paperwork.

A history and theory of the drive to hide in plain sight.

A provocative study of the iconoclastic impulse in medieval and modern art.

A novel attempt to make sense of our preoccupation with copies of all kinds--from counterfeits to instant replay, from parrots to photocopies.

In this long-awaited study, Claudio Lomnitz tells an unprecedented story about the experience and ideology of American and Mexican revolutionary collaborators of the Mexican anarchist Ricardo Flores Magon. Based on extensive research in American and Mexican archives, Lomnitz explores the rich, complicated, and virtually unknown lives of Magon and his comrades devoted to the "e;Mexican Cause."e;This anthropological history of anarchy, cooperation, and betrayal seeks to capture the experience and meaning of these dedicated militants who themselves struggled to understand their role and place at the margins of the Mexican Revolution. For them, the revolution was untranslatable, a pure but deaf subversion: "e;La revolucion es la revolucion."e; For Lomnitz, their experiences reveal the meaning of this phrase.The Return of Comrade Ricardo Flores Magon tracks the lives of John Kenneth Turner, Ethel Duffy, Elizabeth Trowbridge, Ricardo Flores Magon, and Lazaro Gutierrez de Lara, among others, to illuminate the reciprocal relationship between personal and collective ideology and action. This book is an epic and tragic tale, never before told, about camaraderie and disillusionment in the first transnational grassroots political movement to span the US-Mexico border. This book will revise how we think about not only the Mexican Revolution but also revolutionary action and passion.