Utvidet returrett til 31. januar 2025

Arabs, Politics, and Performance

Om Arabs, Politics, and Performance

This book is a ground-breaking collection on contemporary Arab theatre. Through four sections discussing occupation and resistance, migration and refugees, religion and secularism, and nationalism and belonging, this study provides nuanced responses to the contested points of intersection between Arab culture and the West, as well as many of the major concerns within contemporary Arab theatre. The collection draws together scholars from the Middle East, North Africa, Europe, and the United States who write about Arab theatre and the representation of Arabs on European and American stages. It introduces concerns in contemporary Arab theatre, the regions in which Arab theatre is performed, and the issues with representations of Arabs onstage. This volume will be of great significance for those interested in expanding the range of global, postcolonial, African, Asian, or diasporic theatre that they study, teach, or stage.

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  • Språk:
  • Engelsk
  • ISBN:
  • 9780367416539
  • Bindende:
  • Hardback
  • Utgitt:
  • 6. september 2024
  • BLACK NOVEMBER
  Gratis frakt
Leveringstid: 2-4 uker
Forventet levering: 27. desember 2024
Utvidet returrett til 31. januar 2025

Beskrivelse av Arabs, Politics, and Performance

This book is a ground-breaking collection on contemporary Arab theatre.
Through four sections discussing occupation and resistance, migration and refugees, religion and secularism, and nationalism and belonging, this study provides nuanced responses to the contested points of intersection between Arab culture and the West, as well as many of the major concerns within contemporary Arab theatre. The collection draws together scholars from the Middle East, North Africa, Europe, and the United States who write about Arab theatre and the representation of Arabs on European and American stages. It introduces concerns in contemporary Arab theatre, the regions in which Arab theatre is performed, and the issues with representations of Arabs onstage.
This volume will be of great significance for those interested in expanding the range of global, postcolonial, African, Asian, or diasporic theatre that they study, teach, or stage.

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