Bøker i Harvard East Asian Monographs-serien

The writer Higuchi Ichiyo (1872-1896) has been described as a consummate stylist of classical prose. Timothy Van Compernolle investigates the social dimensions of Ichiyo's imagination and argues that she reworked the Japanese literary tradition in order to understand and critique the emerging modernity of the Meiji period.

The author focuses on ordinary religious professionals, most of whom remained obscure temple employees, showing that these Taoists were neither the socially despised illiterates dismissed in so many studies, nor otherworldly ascetics, but active participants in the religious economy of the city.

As a study of Confucian government in action, this intellectual history describes a mode of public policy discussion far less dominated by the Confucian scriptures than expected. It offers a detailed view of members of an ostensibly Confucian government pursuing divergent agendas around the question of "state or merchant?"

The collapse of the Ming dynasty and the Manchu conquest of China were traumatic experiences for Chinese intellectuals. The 12 chapters in this volume and the introductory essays on early Qing poetry, prose, and drama understand the writings of this era wholly or in part as attempts to recover from or transcend the trauma of the transition years.

This book examines responses of Japanese authors to the aesthetic transformation of Tokyo influenced by the activities of Japanese advertisers in the early 20th century. Gardner shows how modernist works offer new constructions of subjectivity amid the social and technological changes that provided the ground for the appearance of "mass media."

By examining the obscured histories of publication, circulation, and reception of widely consumed literary works from late Edo to the early Meiji period, Zwicker traces a genealogy of the literary field across a long nineteenth century: one that stresses continuities between the generic conventions of early modern fiction and the modern novel.

Examining the development of literature depicting the native place (furusato) from the mid-Meiji period through the late 1930s as a way of articulating the uprootedness and sense of loss many experienced as Japan modernized, this book focuses on four authors typing this trend: Kunikida Doppo, Shimazaki Toson, Sato Haruo, and Shiga Naoya.

This book demonstrates that representations of Buddhism by lay people underwent a major change during the T'ang-Sung transition. These changes built on basic transformations within the Buddhist and classicist traditions and sometimes resulted in the use of Buddhism and Buddhist temples as frames of reference to evaluate aspects of lay society.

This book traces how questions about the nature of the Chinese empire and of the human community were addressed in fiction through extreme situations: husbands and wives torn apart in periods of upheaval, families so disrupted that incestuous encounters become inevitable, times so desperate that people must sell themselves to be eaten.

This study revolves around the career of Kobayashi Hideo (1902-1983), one of the seminal figures in the history of modern Japanese literary criticism, whose interpretive vision was forged amidst the cultural and ideological crises that dominated intellectual discourse between the 1920s and the 1940s.

Hideyoshi-peasant turned general, military genius, and imperial regent of Japan-is the subject of an immense legendary literature. He is best known for the conquest of Japan's 16th-century warlords and the invasion of Korea. But his lasting contribution is as governor whose policies shaped Japanese politics for almost 300 years.

Here is the first real comparison of the civil governments of two traditional East Asian societies on an institution-by-institution basis. Woodside examines in detail the surviving statutes of both societies in his political and cultural study, a pioneering venture in East Asian comparative history.

In this richly illustrated book, Shih-shan Susan Huang investigates the visual culture of Daoism, China's primary indigenous religion, from the tenth through thirteenth centuries with references to earlier and later times. Huang shows how Daoist image-making goes beyond the usual dichotomy of text and image to incorporate writings in image design.

Kawai Eijiro was a controversial figure in Japan during the interwar years. Atsuko Hirai examines the family and school influences that contributed to the development of Kawai's thought, and analyzes the manner in which the ideas of Western philosophers and British labor ideologues were absorbed into a receptive and creative East Asian mind.

A careful, factual account of the institutional forms and foreign relations in the Ch'ing dynasty after 1860.

This volume seeks to shed new light on the nationalist paradigm of Japanese repression and exploitation that has dominated the study of Korea's colonial period (1910-1945). The authors adopt a more inclusive, pluralistic approach that stresses the complex relations among colonialism, modernity, and nationalism.

Offering the first systematic examination of five modern Japanese fictional narratives, all of them available in English translations, Atsuko Sakaki explores Natsume Soseki's Kokoro and The Three-Cornered World; Ibuse Masuji's Black Rain; Mori Ogai's Wild Geese; and Tanizaki Jun'ichiro's Quicksand.

The unique amalgam of prayer and play at the Sensoji temple in Edo is often cited as proof of the "degenerate Buddhism" of the Tokugawa period. This investigation of the economy and cultural politics of Sensoji, however, shows that its culture of prayer and play reflected changes taking place in Tokugawa Japan, particularly in the city of Edo.

By looking at how Tokyo Disneyland is experienced by employees, management and visitors, Aviad Raz shows that it is much more an example of successful importation, adaption, and domestication, and that it has succeeded precisely because it has become Japanese even while marketing itself as foreign.

Focusing on the marginal region of Toyama, on the Sea of Japan, the author explores the interplay of central and regional authorities, local and national perceptions of rights, and the emerging political practices in Toyama and Tokyo that became part of the new political culture that took shape in Japan following the Meiji Restoration.

In the traditional Chinese symbolic vocabulary, the construction of gender was never far from debates about ritual propriety, desire, and even cosmic harmony. Competing Discourses maps the aesthetic and semantic meanings associated with gender in the Ming-Qing vernacular novel through close readings of five long narratives.

The twelve essays in this volume underscore the similarities between Chinese and American approaches to bilateral diplomacy and between their perceptions of each other's policy-making motivations.

By approaching May Fourth from novel perspectives, the authors of the eight studies in this volume seek to contribute to the ongoing critique of the movement.

Constantine Vaporis challenges the notion that an elaborate and restrictive system of travel regulations in Tokugawa Japan prevented widespread travel. Instead, he maintains that a "culture of movement" developed in that era.