Bøker i Material Texts-serien

Daniel O'Quinn investigates the complex interpersonal, political, and aesthetic relationships between Europeans and Ottomans in the long eighteenth century. Bookmarking his analysis with the conflict leading to the 1699 Treaty of Karlowitz on one end and the 1815 bid for Greek independence on the other, he follows the fortunes of notable British, Dutch, and French diplomats to the Sublime Porte of the Ottoman Empire as they lived and worked according to the capitulations surrendered to the Sultan.Closely reading a mixed archive of drawings, maps, letters, dispatches, memoirs, travel narratives, engraved books, paintings, poems, and architecture, O'Quinn demonstrates the extent to which the Ottoman state was not only the subject of historical curiosity in Europe but also a key foil against which Western theories of governance were articulated. Juxtaposing narrative accounts of diplomatic life in Constantinople, such as those contained in the letters of Lady Mary Wortley Montagu, wife of the English ambassador, with visual depictions such as those of the costumes of the Ottoman elite produced by the French-Flemish painter Jean Baptiste Vanmour, he traces the dissemination of European representations and interpretations of the Ottoman Empire throughout eighteenth-century material culture.In a series of eight interlocking chapters, O'Quinn presents sustained and detailed case studies of particular objects, personalities, and historical contexts, framing intercultural encounters between East and West through a set of key concerns: translation, mediation, sociability, and hospitality. Richly illustrated and provocatively argued, Engaging the Ottoman Empire demonstrates that study of the Ottoman world is vital to understanding European modernity.

The antebellum period has long been identified with the belated emergence of a truly national literature. Restoring a political dimension to accounts of the economic grounds of antebellum literature, this book presents the arguments and struggles that produced an American "culture of reprinting" and held it in place for two crucial decades.

Addressing Christian-Muslim relations generally, as well as the histories of reading and the book, Burman offers a balanced and hands-on picture of the ways Europeans read the sacred text of Islam.

Early African American Print Culture presents seventeen original essays that demonstrate how the study of African American print culture might enrich the study of print culture, while at the same time expanding the terrain of African American literature beyond authorship to editing, illustration, printing, circulation, and reading.

Robert Darnton explores the scandalous literature of libel and the colorful lives of libelers in eighteenth-century France. By doing so he shows how an ideological current eroded authority under the Old Regime and became absorbed in a new, more radical, political culture under Robespierre.

Alberto Manguel examines metaphors of readers and reading from literatures across centuries and the globe, from the ancient epic Gilgamesh to the World Wide Web, from the adventures of Ulysses to the tragedy of Emma Bovary, and he considers how these metaphors reflect the cultures that invent them.

Based on a survey of early printed books, Used Books describes what readers wrote in and around their books and what we can learn from these marks by using the tools of archaeologists as well as historians and literary critics.

In Cultures of Correspondence in Early Modern Britain leading scholars approach the letter from different disciplinary perspectives to illuminate its workings. Contributors to this volume examine how elements, such as handwriting, seals, ink, and use of space, were vitally significant to how letters communicated.

The essays in this volume discuss the changing purpose of reading from late antiquity to the Renaissance. "A most unusual, fascinating, and rich book, very well written, with copious scholarly notes."-Choice

"A volume that will interest a wide spectrum of readers."-Patrick Geary, University of California, Los Angeles

The Mind Is a Collection approaches seventeenth- and eighteenth-century theory of the mind from a material point of view, examining the metaphors for mental activity that invoked the material activity of collection.

Examines readers, reading, and publication practices from the Renaissance to the Restoration. This work includes essays that draw on an array of documentary evidence - such as library catalogs and prefaces - to explore individual reading habits and experiences in a period of religious dissent, political instability, and cultural transformation.

A collection of essays from one of the most renowned bibliographical scholars of our time.

In its innovative methodology and its unprecedented attention to the productive interplay of audience and text, The Afterlife of Character, 1726-1825 offers a compelling new approach to eighteenth-century studies, the history of the book, and the very idea of character itself.

Reading Women brings into conversation the latest scholarship by early modernists and early Americanists on the role of gender in the production and consumption of texts during the expansion of female readership in the early modern period.

From his emergence on the German political scene in 1914 and subsequent public infatuation with him, to his fall in 1945 and the growing revulsion as his horrific acts were revealed to the world, Adolf Hitler's visage, Claudia Schmolders argues, was the first political image manufactured for the modern media.

The author of the hugely influential The Printing Press as an Agent of Change offers a magisterial and highly readable account of five centuries of ambivalent attitudes toward printing and printers. Once again, she makes a compelling case for the ways in which technological developments and cultural shifts are intimately related.

James Kearney engages with recent work in the history of the book and the history of religion to investigate the crisis of the book occasioned by the Reformation's simultaneous faith in text and distrust of material forms.

Who owns the tabula picta, the painted tablet? The owner of the tablet? Or to the person who painted it? This meticulous analysis of how medieval jurists responded to these questions is a major a contribution to the history of the proprietary rights to artistic works and to the history of ideas.

Were the Romantic poets plagiarists, and did plagiarism have the same meaning two hundred years ago as it has today? Tilar J. Mazzeo offers a major reassessment of the role of borrowing, textual appropriation, and narrative mastery in British Romantic literature and provides a new picture of the period and its central aesthetic contests.

"Voice in Motion is a book of interdisciplinary reach, solid scholarship, and imaginative resonance."-Bruce Smith, University of Southern California

Edited by Marta Straznicky, this seminal collection is the first to explore the multiple and intersecting forms of agency exercised by Shakespeare's stationers in the design, production, marketing, and distribution of his printed works.

Ways of Writing is about the making of texts in seventeenth-century New England, whether they were fashioned into printed books or disseminated in handwritten form. David D. Hall explores issues of authority and authenticity, the roles of intermediaries, and the political and social contexts of publication, among other issues.

This book examines one of the most important axes of the book trade in Enlightenment Europe: the circulation of French books between France and German-speaking Europe. The first detailed study of the Franco-German trade, it shows how book dealers mediated the transmission of literature across the frontiers of nation, language, and culture.

Through a wide-ranging examination of antebellum images and literature, The Camera and the Press shows how Americans' first encounter with photography was more textual than visual. This thoroughly illustrated case study reexamines current theories on new media and reconnects print and visual culture in nineteenth-century America.

Eileen Reeves examines the ways in which a long-standing association of reportage with covert surveillance and astrological prediction was altered by the near simultaneous emergence of weekly newsheets, the invention of the Dutch telescope, and the appearance of Galileo Galilei's astronomical treatise, The Starry Messenger.

"The Pilgrim and the Bee makes a broad claim about a reading-centered history, reclaiming for this purpose a distinctive body of texts. Brown's analysis marks an important step toward a better history of reading."-David D. Hall, Harvard University

This book explores actors' systems of intellectual property in early modern England. Focusing on Hamlet, The Taming of the Shrew, King Lear, and other plays, James Marino demonstrates how Shakespeare's company asserted ownership of its plays through intense ongoing revision and through insistent attribution to Shakespeare.

Knowing Books examines a variety of eighteenth-century sources that deploy language to emphasize their status as physical objects and their circulation as commodities. In Lupton's account, these texts use this device to enhance their appeal as entertaining objects, making them part of an ongoing tradition of self-conscious media.