Bøker i ReFocus: The International Directors Series-serien

João Pedro Rodrigues and João Rui Guerra da Mata are one of the most cosmopolitan duos in contemporary world cinema. Their films tell us stories of love and human desire, receiving a highly favourable reception among critics and at international festivals. Despite their high profile, Rodrigues and da Mata's work remains relatively understudied. ReFocus: The Films of João Pedro Rodrigues and João Rui Guerra da Mata, paves the way for the study of the directors' work, critically analysing the various cinematic perspectives of their short and full-length feature films. In the first collection solely dedicated to their work, this book addresses the historical, political, stylistic, industry, and cultural dimensions of Rodrigues and da Mata's films, providing critical recognition for their contribution to world cinema. José Duarte teaches Cinema at the School of Arts and Humanities (UL) and he is a researcher at ULICES (University Lisbon Centre for English Studies). He co-edited the book The Global Road Movie: Alternative Journeys around the World (2018). Filipa Rosário is a Research Fellow at the Centre for Comparative Studies, University of Lisbon (CEC-UL). She co-edited the book New Approaches to Cinematic Space (2019), and is the author of O Trabalho do Actor no Cinema de John Cassavetes (2017).

Explores the detail of Jane Campion's film and television output, considering her vision and practice, legacy, and her contribution to feminist filmmaking

The first comprehensive scholarly volume on Kim Ki-young and his films in English

Amidst the male-dominated South Korean cinema and the film industry, Yim Soon-rye has consistently produced critically and commercially influential films and has been recognized at numerous film festivals both in Korea and abroad. In the first English-language book focusing on this renowned South Korean director, ReFocus: The Films of Yim Soon-rye showcases critical readings of Yim's work and addresses Yim's position in the larger historical context of Korean cinema and women filmmakers globally. Molly Kim is an Adjunct Professor of the College of Humanities at Hanyang University.

Annemarie Jacir is a Palestinian filmmaker whose work is recognised globally as innovative, politically challenging, and genre-crossing. Most scholarship on the politics of film and its role in political conflicts is usually marked by historical overviews of geopolitical events and developments. In contrast, ReFocus: The Films of Annemarie Jacir offers an auteur-focused study of Jacir's transnational cinematic oeuvre, which is informed by the Palestinian experiences as well as the geopolitics and the political discourse around the Occupied Palestinian Territories. Shagufta Cheema and Van de Peer offer an in-depth study of Jacir's oeuvre by locating it in a geospatial and sociopolitical framework to critically analyse her development as an influential contemporary artist, filmmaker, and curator of film. Iqra Shagufta Cheema is an Assistant Professor in Humanities at Graceland University, Iowa. Stefanie Van de Peer is Reader in Film & Media at Queen Margaret University.

With a career spanning over three decades, French filmmaker Claire Denis has demonstrated not only a remarkable longevity in a notoriously fickle industry, but a continuing fascination with the possibilities of film as form, art, and language. ReFocus: The Films of Claire Denis is a timely look at an artist at the height of her powers with an impressive oeuvre which is reinterpreted in light of new works, including High Life and Both Sides of the Blade. Comprised of 13 original chapters from world leading Denis scholars and early career researchers, this collection includes an accessible introduction for those new to Denis studies, with an overview of thematic interests, and a brief survey of the most salient and influential trends in Denis scholarship. Peter Sloane is Senior Lecturer and Programme Director in English at the University of Buckingham, UK.

Working across a range of formats, from video art and gallery installations to independent cinema, Hollywood and the BBC, Steve McQueen's prodigious output has been marked by formal ambition and political urgency. ReFocus: The Films of Steve McQueen interrogates the director's body of work, its political, aesthetic and institutional dimensions, and the interfaces between them. It offers critical insights into McQueen's engagements with race, gender, the body, love and pain, and his abiding self-reflexive interest in the potential of multiple audio-visual forms. The first director to win both the Turner Prize and an Oscar for best picture, McQueen is probably the most important working British filmmaker. This vital collection explores the controversies as well as the achievements in McQueen's stellar career to date. Thomas Austin is Professor of Film Studies at the University of Sussex, UK.

Assessing his work in the context of film aesthetics, philosophy, history, adaptation studies and cultural studies, this is the first book-length English-language anthology about this important director's cinema, offering a wide range of perspectives by a diverse range of international scholars.

Reassesses the work of the influential Russian filmmaker Andrei TarkovskySheds new light on Tarkovsky's biography in connection to his filmsAssesses the director's contributions to film theory and aesthetics by close analysis of his films and writingsOffers highly original interpretations of Tarkovsky's oeuvre in the context of film aesthetics, psychoanalysis, philosophy, cultural studies and art historyTraces the influence of Tarkovsky's legacy on contemporary filmmakersDespite an output of only 7 feature films in 20 years, Andrei Tarkovsky has had a profound influence on international cinema. Famous for their spiritual depth and incredible visual beauty, his films have gained cult status among cineastes and are often included in ranking polls and charts dedicated to the 'best movies ever made.' Beginning with the late 1980s, Tarkovsky's highly complex cinema has continuously attracted scholarly attention by generating countless hermeneutic challenges and possibilities for film critics.This book provides a fresh look at the director's legacy, with critical essays by both world-famous and early-career film scholars. It examines Tarkovsky's cinematic techniques and his treatment of genre, landscape and sound and offers highly original interpretations of his oeuvre in the context of film aesthetics, psychoanalysis, philosophy, cultural studies and art history.

This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations. It situates Costa's filmmaking within the contexts of Portuguese, European and global art film, looking into his working practices alongside the impact of digital video, forms of collaborative authorship, and the intricate dialogue between modes of production and aesthetics. Considering the exhibition, circulation and reception of Costa's creative output in settings such as film festivals, the art gallery circuit and the home video market, ReFocus: The Films of Pedro Costa provides an essential critical analysis of this major filmmaker - as well as of the multifaceted production and consumption practices that surround contemporary art cinema.

Showcases the most contemporary scholarly and archival research into Ken Russell's career and work

The first in-depth look at the work of Indian cinema director, screenwriter, and producer Zoya Akhtar, this book celebrates Akhtar's art while examining her position within popular film and how she is contributing to a shift in one of the world's leading film industries. Through Akhtar's work, it also explores larger trends in the Mumbai-based Hindi film industry -- Bollywood -- ranging from the changing form and distribution of mainstream films to gender politics. It highlights how Akhtar's unique position exemplifies the contradictions and possibilities of the present moment in Bollywood; it also explores the impact of female filmmakers in global industries Edited by Aakshi Magazine is a writer and academic based in India. She received her PhD in Film Studies from the University of St Andrews in 2020. Her doctoral thesis, The 1950s Hindi film song: Between transgression and memory, is on the relationship of the film song to the contradictions of the Indian nationalist discourse. She has published several journal articles, a book chapter and film criticism in popular publications. Amber Shields received her PhD in Film Studies from the University of St Andrews where she focused on how fantasy is used to tell stories of individual and collective trauma in films from around the world. She has taught Film and English courses at Mount Tamalpais College and currently works with nonprofits reimagining education and supporting the development of young leaders. She has published several journals articles and book chapters.

'A mystic poet of the hidden sights of our souls, Sohrab Shahid Saless was the filmmakers' filmmaker. He achieved an almost cultic character in his homeland and his two Iranian films formed the DNA of Iranian New Wave before the Iranian Revolution of 1977-9 catapulted him into Europe and then the US where he died lonely and forlorn. Azadeh Fatehrad has given the world of cinema a priceless gift by editing a much overdue volume celebrating both phases of Shahid Saless's Iranian and foreign filmmaking careers: in one he mapped the solitude of our souls, and in the other the exilic permanence of our very existence.'Hamid Dabashi, author of Close Up: Iranian Cinema, Past, Present, FutureAn Iranian immigrant struggling to integrate into 1970s German society, the filmmaker Sohrab Shahid Saless (1944-98) has become a neglected figure in discussions of diaspora cinema. In this - the first English-language book to reflect on his work and its implications for creativity in the diasporic conditions of urban displacement - a range of international scholars provide a comprehensive account of Shahid Saless's films and production methods.Outlining his affinity with celebrated directors like Chantal Akerman and Abbas Kiarostami, as well as visual artists like Romuald Karmakar, the contributors firmly position Shahid Saless as a filmmaker who speaks forcefully to the traumas of displacement and migration.Azadeh Fatehrad is an artist and curator. She has conducted projects across Europe and the Middle East, including at the International Institute of Social History in Amsterdam and the Archiv für Forschung und Dokumentation Iran in Berlin. She is also the co-founder of 'Herstoriographies: The Feminist Media Archive Research Network' in London.Cover image: Sohrab Shahid Saless at Golden Gate Bridge, photographed by Bert Schmidt, November 1979Cover design:[EUP logo]edinburghuniversitypress.comISBN 978-1-4744-5639-5Barcode

Jocelyne Saab was one of the most important female filmmakers pioneering a sense of international emancipatory world cinema from the early 1970s to her death in 2019. This book is the first English-language study dedicated to her entire oeuvre which consisted of journalism, documentaries, experimental and feature films, as well as photography, art exhibitions and curation, and film festival organisation. In this book, a range of international scholars integrates her work into a cohesive study of all aspects of her oeuvre - filmic, activist and artistic - representing the global significance of Saab's work and the ongoing resonance of her ideals and activism in a worldwide perspective. Mathilde Rouxel is a researcher and independent curator, specialising in Arab cinema. Stefanie Van de Peer is Lecturer in Film and Media at Queen Margaret University, Edinburgh.

Using an auterist lens to challenge the notions of taste, genre and aesthetics that are commonly used to form the cinematic canon, this book explores the twelve films Veber directed between 1976 and 2008. These include Le Jouet (1976), Les fugitifs (1986) and L'emmerdeur (2008).

Rakshi Banietemad is one of Iran's first female film directors. This book, the first English language study of her films and career, contains chapters by some of the most prominent scholars of Iranian cinema, as well as younger scholars with fresh points of view.Taking an interdisciplinary perspective, the book gives special attention to Banietemad's under-studied documentaries and films, including Under the Skin of the City (2000) and Tales (2014), while offering new perspectives on well-known works such as The Blue Veiled (1994) and The May Lady (1997). The contributors focus on questions of aesthetics and poetics, social realism, gender dynamics and the 'afterimages' and 'counter-memories' of revolution and war, and the book also includes an in-depth interview with Banietemad herself.Maryam Ghorbankarimi is a Lecturer in Film at Lancaster University. Her research concentrates on Iranian Cinema and transnational cinema and cultures, specifically the representation of gender in Middle Eastern cinemas.

Ever since his first feature film I Killed My Mother premiered at Cannes, every film from the 29-year-old director Xavier Dolan has generated significant critical interest. A recipient of numerous awards, Dolan has recently taken his career to an international level with The Death and Life of John F. Donovan. As the first book-length study about Dolan, with case studies of key films like Mommy (2014), Tom at the Farm (2013) and It's Only the End of the World (2016), this volume explores the global reach of small national and subnational cinemas. In particular, it uses Dolan's cinema as a departure point to reconsider the position of Québec film and cultural imaginary within a global cinematic culture, as well as the intersections between national, millennial and queer filmmaking.Andrée Lafontaine is Assistant Professor of Anglophone Literature and Culture at the University of Tsukuba (Japan).

This book provides a fresh look at the director's legacy, with critical essays by both world-famous and early-career film scholars.

Featuring essays from both recognized and up-and-coming scholars in Scandinavian, transnational and feminist film and media studies, this book also includes an original interview with Bier, addressing some of the provocative readings of her films advanced by the volume's contributors.

'This remarkable collection of articles focusses on one of the most prominent and internationally renowned French directors seen through the lens of academics and researchers. A must-read for filmgoers as well as researchers who want to discover or rediscover Michel Gondry's inventive and very distinctive visual style as well as the mesmerizing universe he creates.'Michael Abecassis, University of OxfordThe acclaimed French auteur behind the mind-bending modern classic Eternal Sunshine of the Spotless Mind (2004), for which he won an Academy Award for Best Original Screenplay, Michel Gondry has directed a number of innovative, ground-breaking films and documentaries, episodes of the acclaimed television show Kidding and some of the most influential music videos in the history of the medium.In this collection, a range of international scholars offers a comprehensive study of this significant and influential figure, covering his French- and English-language films and videos, and framing Gondry as a transnational auteur whose work provides insight into both French/European and American cinematic and cultural identity.With detailed case studies of films such as Eternal Sunshine of the Spotless Mind, The Science of Sleep (2006), Microbe & Gasoline (2015) and Mood Indigo (2013), this collection appeals to readers interested in the various media in which Gondry has worked, and in contemporary post-modern French and American cinema in general.Marcelline Block is a graduate of Harvard and Princeton Universities and has written numerous books and articles on French and francophone cinema, literature, music and visual art, including French Cinema in Close-up: La vie d'un acteur pour moi (2015), which was named a Best Reference Book of 2015 by Library Journal.Jennifer Kirby received her PhD in Media, Film and Television from the University of Auckland, New Zealand in 2018 and is currently a Senior Tutor in Media Studies at Massey University.

'This new book on Pablo Larraín is comprehensive - it investigates the early films as well as the masterpieces, El club (2015) and Neruda (2016) - and it reveals Larraín as not only Chile's most important film director but the twenty-first-century master of the precise point in cinematic space where cinematography intersects with politics. A joy to read!'Stephen M. Hart, University College LondonPablo Larraín is among the most prominent filmmakers in contemporary Chilean cinema. Having created a highly original cinematic language and established a focused critical dialogue about Chile's troubled contemporary history, his work presents an unflinching portrait of one of the most notorious regimes of modern Latin America (indeed, the world) and its problematic aftermath. In a straightforward, often surprising, and reliably controversial series of films, Larraín never retreats in the face of violence or the painful truths that still undergird Chilean reality.Assessing his work in the context of film aesthetics, philosophy, history, adaptation studies and cultural studies, ReFocus: The Films of Pablo Larraín is the first book-length English-language anthology about this important director's cinema, offering a wide range of perspectives by a diverse range of international scholars.Laura Hatry earned her PhD from Universidad Autónoma de Madrid in Hispanic Studies.Cover image: Alfredo Castro on the set of Post Mortem, Pablo Larraín, 2010 © FabulaCover design:[EUP logo]edinburghuniversitypress.comISBN 978-1-4744-4828-4Barcode

This is the first English-language collection on this innovative director, exploring Tulio's unique style and the extent and effect of his obsessive recirculation of story elements and stylistic patterns in his work.