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Refocus: the Films of Xavier Dolan

Om Refocus: the Films of Xavier Dolan

Ever since his first feature film I Killed My Mother premiered at Cannes, every film from the 29-year-old director Xavier Dolan has generated significant critical interest. A recipient of numerous awards, Dolan has recently taken his career to an international level with The Death and Life of John F. Donovan. As the first book-length study about Dolan, with case studies of key films like Mommy (2014), Tom at the Farm (2013) and It's Only the End of the World (2016), this volume explores the global reach of small national and subnational cinemas. In particular, it uses Dolan's cinema as a departure point to reconsider the position of Québec film and cultural imaginary within a global cinematic culture, as well as the intersections between national, millennial and queer filmmaking. Andrée Lafontaine is Assistant Professor of Anglophone Literature and Culture at the University of Tsukuba (Japan).

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  • Språk:
  • Engelsk
  • ISBN:
  • 9781474444576
  • Bindende:
  • Hardback
  • Sider:
  • 256
  • Utgitt:
  • 30. september 2019
  • Dimensjoner:
  • 244x164x22 mm.
  • Vekt:
  • 510 g.
  • BLACK NOVEMBER
  Gratis frakt
Leveringstid: 2-4 uker
Forventet levering: 15. desember 2024

Beskrivelse av Refocus: the Films of Xavier Dolan

Ever since his first feature film I Killed My Mother premiered at Cannes, every film from the 29-year-old director Xavier Dolan has generated significant critical interest. A recipient of numerous awards, Dolan has recently taken his career to an international level with The Death and Life of John F. Donovan. As the first book-length study about Dolan, with case studies of key films like Mommy (2014), Tom at the Farm (2013) and It's Only the End of the World (2016), this volume explores the global reach of small national and subnational cinemas. In particular, it uses Dolan's cinema as a departure point to reconsider the position of Québec film and cultural imaginary within a global cinematic culture, as well as the intersections between national, millennial and queer filmmaking.
Andrée Lafontaine is Assistant Professor of Anglophone Literature and Culture at the University of Tsukuba (Japan).

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