Utvidet returrett til 31. januar 2025

Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989

- Re-Visions

Om Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989

This book presents a comprehensive re-examination of the cinemas of the Soviet Union and Central and Eastern Europe during the communist era. It argues that, since the end of communism in these countries, film scholars are able to view these cinemas in a different way, no longer bound by an outlook relying on binary Cold War terms. With the opening of archives in Eastern Europe and the former Soviet Union, much more is known about these states and societies; at the same time, the field has been reinvigorated by its opening up to more contemporary concepts, themes and approaches in film studies and adjacent disciplines. Taking stock of these developments, this book presents a rich, varied tapestry, relating specific films to specific national and transnational circumstances, rather than viewing them as a single, monolithic "Cold War Communist" cinema.

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  • Språk:
  • Engelsk
  • ISBN:
  • 9781138079564
  • Bindende:
  • Paperback
  • Sider:
  • 216
  • Utgitt:
  • 10. mai 2017
  • Dimensjoner:
  • 233x155x21 mm.
  • Vekt:
  • 368 g.
  • BLACK NOVEMBER
  Gratis frakt
Leveringstid: 2-4 uker
Forventet levering: 19. desember 2024

Beskrivelse av Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989

This book presents a comprehensive re-examination of the cinemas of the Soviet Union and Central and Eastern Europe during the communist era. It argues that, since the end of communism in these countries, film scholars are able to view these cinemas in a different way, no longer bound by an outlook relying on binary Cold War terms. With the opening of archives in Eastern Europe and the former Soviet Union, much more is known about these states and societies; at the same time, the field has been reinvigorated by its opening up to more contemporary concepts, themes and approaches in film studies and adjacent disciplines. Taking stock of these developments, this book presents a rich, varied tapestry, relating specific films to specific national and transnational circumstances, rather than viewing them as a single, monolithic "Cold War Communist" cinema.

Brukervurderinger av Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989



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