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Der Todten-Tantz

- Wie derselbe in der weitberühmten Stadt Basel, als ein Spiegel Menschlicher Beschaffenheit, gantz künstlich mit lebendigen Farben gemahlet, nicht ohne nutzliche Verwunderung zu sehen ist

Om Der Todten-Tantz

Dieses Buch von Hans Holbein beschreibt den 'Totentanz' in Basel, eine berühmte Gemäldesammlung, die den Tod als den großen Gleichmacher von Königen und Bettlern darstellt. Holbein bietet eine detaillierte Analyse des Kunstwerks und interpretiert seinen subtilen Humor und seine moralische Botschaft. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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  • Språk:
  • Tysk
  • ISBN:
  • 9781022716384
  • Bindende:
  • Paperback
  • Utgitt:
  • 18 juli 2023
  • Dimensjoner:
  • 156x234x5 mm.
  • Vekt:
  • 141 g.
Leveringstid: 2-4 uker
Forventet levering: 30 juli 2024

Beskrivelse av Der Todten-Tantz

Dieses Buch von Hans Holbein beschreibt den 'Totentanz' in Basel, eine berühmte Gemäldesammlung, die den Tod als den großen Gleichmacher von Königen und Bettlern darstellt. Holbein bietet eine detaillierte Analyse des Kunstwerks und interpretiert seinen subtilen Humor und seine moralische Botschaft.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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