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The T&T Clark Handbook to the Historical Paul gathers leading voices on various aspects of Paul's biography into a thorough reconsideration of him as a historical figure. The contributors show how recent trends in Pauline scholarship have invited new questions about a variety of topics, including his social location, his mode of subsistence, his cultural formation, his place within Judaism, his religious experience and practice, and his affinities with other religious actors of the Roman world. Through careful attention to biographical detail, social context, and historical method, it seeks to describe him as a contextually plausible social actor.The volume is structured in three parts. Part One introduces sources, methods, and historiographical approaches, surveying the foundational texts for Paul and the early Pauline tradition. Part Two examines key biographical questions pertaining to Paul's bodily comportment, the material aspects of his career, and his religious activities. Part Three reconstructs the biographical portraits of Paul that emerge from the letters associated with him, presenting a series of "micro-biographies" pieced together by leading Pauline scholars.

Mystery fiction as a genre renders moral judgments not only about detectives and criminals but also concerning the cultural structures within which these mysteries unfold.In contrast to other volumes which examine morality in crime fiction through the lenses of personal guilt and personal justice, Certainty and Ambiguity in Global Mystery Fiction analyzes the effect of moral imagination on the moral structures implicit in the genre. In recent years, public awareness has attended to the relationship between social structures and justice, and this collection centers on how personal ethics and social ethics are bound together amidst the shifting moral landscapes of mystery fiction.Contributors discuss the interplay between personal guilt and social guilt - considering morality and justice on an individual level and at a societal level - using frameworks of certainty and ambiguity. They show how individual characters in works by Agatha Christie, Gabriel García Márquez, Natsuo Kirino, F.H. Batacan, and Stephen King, among others, may view their moral standing with certainty but clash with the established mores of their culture. Featuring essays on Japanese, Filipino, Indian, and Colombian mystery fiction, as well as American and British fiction, this volume analyzes social guilt and justice across cultures, showing how individuals grapple with the certainty, and, at times, the moral ambiguity, of their respective cultures.

An analysis of the aesthetic, cultural and political aspects of alternative poetic movements and individual poets in three periods: the Constitutional Revolution (1900-1920), the post-constitutional era (1920-1940), and the ascendency of modernism (1940-1960). Farshad Sonboldel shines new light on the history of modern Persian poetry by re-imagining the roles that the aesthetic experimentations of alternative poets played in different phases of the literary revolution in modern Persian poetry. Dominant narratives portray modern Persian poetry as a gradual, rational, and moderate change in the classical regime of aesthetics as well as a response to - and reflection of - cultural and socio-political changes within Iranian society. They also disregard the significance of radical experiments by alternative poets and undervalue the part they played in the initiation and progress of the so-called "literary revolution." These mainstream narratives minimize the socio-political engagement of literary works with the direct reflection of the social reality, and thus neglect the way many alternative poems struggle with socio-political issues through deconstructing the old and constructing new aesthetic systems.Each chapter of The Rebellion of Forms in Modern Persian Poetry is centred around poems chosen for their potential to showcase notable experiments of pioneer movements and individuals in each given period. Examining the formal and thematic aspects of these poems, this book reformulates the story of modern Persian poetry and unravels the relationship between radical aesthetic changes in the practice of poetry and resistance against political and cultural domination in society.

Can novels contribute to the ethical lives of readers? What responsibilities might they bear in representing others? Are we ethically accountable for how we read fiction? This study takes up modern Japanese fiction and metafiction, subjects overwhelmingly ignored by Anglophone scholarship on novel ethics, to discover pioneering answers to these and other questions. Each chapter offers new readings of major works of modern Japanese literature (1880s through 1920s) that experiment with the capacity of novel narration to involve readers in ethically freighted encounters. Christopher Weinberger shows that Mori Ogai and Akutagawa Ryunosuke help to address key issues in new ethical theories today: debates about the roles that identification and empathy play in novel ethics; concerns about the representation of "otherness" and alterity in novels; divergence between cognitive and affective theories of ethics; widespread disagreement about what novel ethics obtain in the experience of reading, the effects of reading, or the form or content of novel representation; and, finally, concerns with bias and appropriation in the study of world literature. Concluding with a jump to the present, Imaginary Worlds and Real Ethics in Japanese Fiction puts on display a startling continuity between the methods of Japan's modern novel progenitors and those of novelists at the forefront of global literature today, especially Haruki Murakami. Ultimately, this book models an original approach to ethical criticism while demonstrating the relevance of modern Japanese fiction for rethinking contemporary theories of the novel.

How can genocide be witnessed through imaginative literature? How can the Holocaust affect readers who were not there?Reading the work of major figures such as Elie Wiesel, Paul Celan, Avrom Sutzkever, Ida Fink, Wladyslaw Szlengel, Itzhak Katzenelson, and Czeslaw Milosz, Poesis in Extremis poses fundamental questions about how prose and poetry are written under extreme conditions, either in real time or immediately after the Holocaust. Framed by discussion of literary testimony, with Wiesel's literary memoir Night as an entry point, this innovative study explores the blurred boundary of fact and fiction in Holocaust literature. It asks whether there is a poetics of the Holocaust and what might be the criteria for literary witnessing. Wartime writing in particular tests the limits of "poesis in extremis" when poets faced their own annihilation and wrote in the hope that their words, like a message in a bottle, would somehow reach readers. Through Poesis in Extremis, Daniel Feldman and Efraim Sicher probe the boundaries of Holocaust literature, as well as the limits of representation.

Julia Kristeva has revolutionized the study of modernism by developing a theoretical approach that is uniquely attuned to the dynamic interplay between, on the one hand, linguistic and formal experimentation, and, on the other hand, subjective crisis and socio-political upheaval. Inspired by the contestatory spirit of the late 1960s in which she emerged as a theorist, Kristeva has defended the project of the European avant-gardes and has systematically attempted to reclaim their legacy in the new societal structures produced by a global, spectacle-dominated capitalism. Understanding Kristeva, Understanding Modernism brings together essays that take up the threads in Kristeva's analyses of the avant-garde, offering an appreciation of her overall contribution, the intellectual and political horizon within which she has produced her seminal works as well as of the blind spots that need to be acknowledged in any contemporary examination of her insights. As with other volumes in this series, this volume is structured in three parts. The first part provides new readings of key texts or central aspects in Kristeva's oeuvre. The second part takes up the task of showing the impact of Kristeva's thought on the appreciation of modernist concerns and strategies in a variety of fields: literature, philosophy, the visual arts, and dance. The third part is a glossary of some of Kristeva's key terms, with each entry written by an expert contributor.

If you could have one wish what would it be?Sent away to live in the countryside with their reclusive uncle, five children discover a secret that's been hidden away for centuries: a magical, mischievous but somewhat grouchy Sand Fairy called It with the power to grant spectacular wishes. There's just one catch.As the children set off on a series of fantastic adventures, they soon learn that wishes can get you into a whole heap of trouble. Perhaps a wish granted isn't always the dream come true you might expect!Marietta Kirkbride's sparkling take on Five Children and It, the classic story by E. Nesbit, is published in Methuen Drama's Plays For Young People series which offers suitable plays for young performers and audiences at schools, youth groups and youth theatres.

I've been trying to remember a story.Can you help me?A long time ago our ancestors told it to us.I think it has to do with where we belong.In 2015, Mohegan Theater Maker Madeline Sayet travelled to England to pursue a PhD in Shakespeare, but her voyage across the ocean became an unexpected journey of transformation. Riding the spirit wind of her Mohegan ancestors who crossed the Atlantic in the 1700s on diplomatic missions to protect her people, Where We Belong is a search for belonging in a globalized world. It is at once a rich investigation into the impulses that divide and connect us as people, but it is also about a wolf that learns how to become a bird and fly.

Staunchly homosocial, vaguely or overtly misogynistic, anxiously homophobic-this study follows the male breadwinner as he is incarnated in Arthur Miller's most celebrated plays and as he resurfaces in different guises throughout American drama, from the 1950s to the present.Anxious Masculinity offers a compelling analysis of gender dynamics and the legacy of this figure as he stalks through the works of other American dramatists, and argues that the gendered anxieties exhibited by their characters are the very ones invoked with such success by Donald Trump.Claire Gleitman examines this figure in the plays of Miller and Tennessee Williams, as well as later 20th-century writers Lorraine Hansberry, August Wilson, and Sam Shepard, who reposition him in more racially and economically marginalized settings. He reappears in the more recent work of playwrights Tony Kushner, Paula Vogel, and collaborators Lisa Kron and Jeanine Tesori, who shift their focus to the next generation, which seeks to escape his clutches and forge new, often gleefully queer identities. The final chapter concerns contemporary Black dramatists Suzan Lori-Parks, Jackie Sibblies Drury, and Jeremy O. Harris, whose plays move us from anxious masculinity to anxious whiteness and speak directly to the current moment.

"A novel in the world of The Laundry Files"--Cover.

The Sound of Silence explores how non-verbal communication in film, shown primarily through the acting of Ryan Gosling, provides an expressive space in which passive audience viewing is made more active by removing the expository signifier of dialogue. The German Expressionist era may have been brief, but the shadows cast since its end nonetheless loom large. The silhouetted, cigar-wielding men of film noir and their respectively dark, doom-laden haunts mirror the angst-inducing atmospheres of their forebearers, while also introducing the now-familiar figure of the silent hero. Considering the numerous silent hero actors in film history, there's one that stands out in the 21st century like no other: Ryan Gosling. His later career has seen some of the most iconic silent heroes of the past decade, with films such as Drive, Only God Forgives, Blade Runner 2049 and First Man cementing him as the go-to guy for a monosyllabic, taciturn and moody hero whose actions speak louder than words. This book argues that it is Gosling's expressive capabilities that keep audiences compelled by his performances. With the use of non-verbal silence - combined with its counterbalance, sound - a more active, emotive audience response can be achieved. Looking further into this idea through theorists such as Michel Chion and Susan Sontag, the book demonstrates that the sound of silence is one of the most meaningful cinematic sounds of all.

Explores the emphasis that contemporary novels, films and television series place on the present, arguing that hope emerges from the potentiality of the here and now, rather than the future, and as intimately entangled with negotiations of structures of belonging.Taking its cue from an understanding of hope as connoting an organizing temporality, one which is often presumed to be projecting into a future, Hope and Kinship in Contemporary Fiction challenges this understanding, arguing that hope emerges in practices of relationality in the present, disentangling hope from a necessary correlation with futurity. Through close readings of contemporary works, including The Road, The Walking Dead, Cloud Atlas, Sense8, The People in the Trees and A Little Life, Gero Bauer investigates how these texts explore structures of kinship as creative and affective practices of belonging and care that claim spaces beyond the heterosexual, reproductive nuclear family. In this context, fictional figurations of the child - often considered the bearer of the future - are of particular interest. Through these interventions into definitions of and reflections on fictional manifestations of hope and kinship, Bauer's analyses intersect with queer theory, new materialism and postcritical approaches to literature and cultural studies, moving towards counterintuitively hopeful readings of the present moment.

Nakul, is a story of passion, of emotions.Nakul, an eleven year old school going boy is passionate about football and greatly attached to his pets.His sister and grandmother play an important role in his life, while Karthik and Bhupinder, his friends in school, are many times Nakul's guiding light. His shy nature stops him from asking doubts from his teachers. Thus he is many times laughed at by other class mates for his wrong answers. Remembering names and dates in History is a mystery for him, and sometimes latitude - longitude make him puzzled. The story sees love between teens, crush of young ones, and a turning point is Nakul's visit to his paternal Village. Meeting his cousin Bhombol brings a turning point in his life. The city boy gains confidence, clarity and hope thus making his stay memorable in the village. Does Nakul return to the city? What is his outlook? What's the new change in Nakul?The book shall answer all.

This book provides a counter-balance to the traditional focus on judicial decisions by exploring the contribution of legal scholars to the development of private law.In the book the work of a selection of leading scholars of contract law from across the common law world, ranging from Sir Jeffrey Gilbert (1674-1726) to Professor Brian Coote (1929-2019), is addressed by legal historians and current scholars in the field. The focus is on the nature of the work produced by the scholars in question, important influences on their work, and the impact which that work in turn had on thinking about contract law. The book also includes an introductory chapter and an afterword by Professor William Twining that explore connections between the scholars and recurrent themes.The process of subjecting contract law scholarship to sustained analysis provides new insights into the intellectual development of contract law and reveals the central role played by scholars in that process. And by focusing attention on the work of influential contract scholars, the book serves to emphasise the importance of legal scholarship to the development of the common law more generally.

It is widely recognised that international order is undergoing transformative change and the old norms no longer apply. This collection looks at how the EU, specifically its judicial wing, is responding to these new challenges. It looks both externally at those internationally shared problems of unequal societies, the rise of populism and the migrant crisis and internally at Brexit, the differences between the EU centre and peripheries and the division of competences. Taking a multifaceted approach, it draws on voices from academia and the judiciary to suggest how the EU might respond effectively to the challenges faced.

This book features essays by leading legal scholars on 'landmark' labour law cases from the mid-19th century to the present day. The essays are acutely sensitive to the historical and theoretical context of each case, and the volume provides original and sometimes startling new perspectives on some familiar friends. There are few activities as distinctively human as work and labour. The book traces the development of labour law through the social struggles and economic conflicts between workers, trade unions, and employers. The narrative arc of its landmark cases reveals the richness and complexity of the human story played out in the working lives of real people. It also charts the remarkable transformation of the constitutional role of courts in labour law, from instruments of class oppression to the vindication of workers' fundamental rights at work. The collection will be of interest to students, scholars, and legal practitioners in labour and equality law, as well as students in management studies, industrial relations, and labour history.

Do Christians and Muslims worship the same God? Who was Muhammad? How do Evangelicals view the Israeli-Palestinian conflict? This is a book about Evangelical Christians and how they are answering questions about Islam. It also considers the public sphere and how we conduct our debates and handle our disagreements.Drawing on over 300 texts published by Evangelicals in the first two decades of the twenty-first century, this book explores what the Evangelical micro public sphere has to say about key issues in Christian-Muslim relations today. It is clear from the books they write, the blogs they post and the videos they make that Evangelical Christians disagree profoundly with one another over the sorts of questions above. Answers range from seeing Islam as demonic through to embracing Muslims as cousins. This book looks at some of their answers and considers where they may lead in the future.

In the first English language translation of this classic late 20th-century text within French Catholic thought, Poetics of the Sensible brings together insights from Neoplatonism and phenomenology with a distinctive and innovative approach. Taking a stance within the generative conception of human language represented by continental thinkers such as Humboldt and Herder and powerfully articulated today by Charles Taylor, Stanislas Breton expands the sense of the "poetic"-the constructive meaning-bearing capacity that is a core characteristic of humanity-to include the body and its senses phenomenologically intertwined with the world. Defying Heidegger's prohibition on the question of God alongside contemporary thinkers such as Jean-Luc Marion, Jean-Louis Chrétien and Emmanuel Falque, he boldly writes of God, of the angel, of the icon, and of prayer in a refusal to bracket his religious faith. Against a Neoplatonic backdrop, Breton promotes the dense material dimensions of embodied signification as paradoxically harbouring meaning that is greater than that of conceptual abstraction alone. Illuminating Breton's poetic and allusive discourse, Poetics of the Sensible showcases his unique voice in French philosophy, phenomenology and the philosophy of religion and is essential reading for scholars and students alike.

To become effective and knowledgeable social workers, students need to be able to draw upon and apply a wide range of theories to the complex lives of service users in professional practice. For many students this is no simple task: social work draws upon theories from a wide range of disciplines and students are confronted with a plethora of approaches and ideas. The result is a gap between theory and practice. This book, with its unique journal format, will provide readers with a framework for engaging with and applying theory to practice.Part 1 introduces 12 common theoretical approaches in social work. Each chapter starts with a short, accessible summary of the theory and then presents five steps which help students to consolidate their understanding and engage with the theory:- Step 1: students write their own short summary of the theory- Step 2: reflective questions/exercises help students to consider the theory in terms of their own life experience- Step 3: questions/exercises to help students apply the theory to their placement experiences- Step 4: a case study from social work practice to illustrate this approach- Step 5: a commentary on the case study with key questions to ask in order to examine the case in relation to this approach Part 2 contains three complex and contrasting case studies. These help students to examine the ways in which theory can help them understand more about the complex lives of service users. Reflective prompts encourage students to reflect on which theories help to inform understanding of the situation, with discussion over how particular theories can be applied.Part 3 contains space for students to capture their own experiences from placement. Key questions will help them to think about which theories might offer most insight, and prompts help to assist students in the act of reflecting deeply about theory. This text presents students with an original, hands-on way of engaging with theory.

This book documents the structure of religious diversity in Australia, and examines the strategies used in the context of the law, migration, education, policing, the media, and interfaith. Focusing on Melbourne and Tasmania, it articulates the challenges that confront religious and ethnic minorities, including discrimination and structural inequalities generated by Christian and other forms of privilege. It also articulates constructive strategies that are deployed, including encouraging forms of belonging, structured ways of negotiating disagreement, and respectful engagement with difference. Scholars across the West are increasingly attuned to the problems and promises of growing religious diversity in a global age, and currently lack good empirical research on the consequences of that diversity in the important Australian case. This therefore promises to provide a rich, well-researched, and timely intervention into an essential global conversation.

The 3,000 year old I Ching is the most esteemed of the ancient Chinese classics, yet also the most enigmatic. Reading the I Ching (Book of Changes): Themes, Imagery, Expressions, and Rhetoric is supplemented by recent advances in scholarship, particularly recently discovered excavated texts, and demonstrates how the Zhouyi (the ancient textual layer of the I Ching) was compiled from mostly oral material and how it is organized as an easily consulted compendium of divination responses.This book, written by I Ching expert Geoffrey Redmond, clarifies the meanings of the ancient text by examining use of literary devices such as technical prognostic terms, imagery, rhetorical tropes, ambiguity, analogy, metaphor, and proverb-like phrases. This permits reconstruction of how the Zhouyi was composed and explains how it would have served for divination. It shows how the Zhouyi was adapted by the supposedly Confucian Dazhuan and Shuogua, to support an apocryphal sagely origin of a later metaphysics and cosmology. A novel approach is application to the Zhouyi of a variety of philological theories such as the Sapir-Whorf hypothesis, analogy and anomaly, argumentative versus context dependence, Jungian psychology, and critical theory.Reading the I Ching (Book of Changes) includes an interlinear Chinese text, a glossary of important words in English, Chinese, and pinyin, and an appendix. These features make it essential reading for students taking courses in Chinese philosophy, Chinese religion, and early Chinese history, as well as readers looking for a clear and accessible gloss of this text.

Luchino Visconti's The Leopard (Il Gattopardo, 1963) tells the story of an aristocratic Sicilian family adjusting to the realities of political and commercial modernity after the unification Italy during the Risorgimento.The film, starring Claudia Cardinale, Burt Lancaster and Alain Delon, met with success upon its initial release, winning the Palme d'Or at Cannes and having a successful theatrical run in Europe. Despite this, however, it did not do well with English-speaking audiences, and eventually even fell out of favour with Italian audiences, who took issue with the way Risorgimento history was represented. David Weir's study of the film seeks to understand the film's paradoxical place in Italian film history. He argues that Visconti's use of artifice, narrative and history, all aspects that came to be criticised, were in fact, essential to his cinematic art, and can all be understood as strengths of the film. Providing a scene-by-scene analysis of the film, as well as illuminating its relationship to the Lampedusa novel from which it was adapted, Weir suggests that Visconti's film goes beyond mere adaptation, using the form of the novel for cinematic purposes and making The Leopard a cinematic novel in its own right. He goes on to situate the film within Visconti's career, questioning whether the uneven reception of the film reflects the paradox of Visconti's social status as a Marxist aristocrat and his position as an auteur director whose films borrowed heavily from the decadent tradition, while at the same time professing allegiance to the Italian Communist Party.

Ken Loach's 1969 drama Kes, considered one of the finest examples of British social realism, tells the story of Billy, a working class boy who finds escape and meaning when he takes a fledgling kestrel from its nest.David Forrest's study of the film examines the genesis of the original novel, Barry Hines' A Kestrel for a Knave (1968), the eventual collaboration that brought it to the screen, and the film's funding and production processes. He provides an in depth analysis of key scenes and draws on archival sources to shed new light on the film's most celebrated moments. He goes on to consider the film's lasting legacy, having influenced films like Ratcatcher (1999) and This is England (2006), both in terms of its contribution to film history and as a document of political and cultural value. He makes a case for the film's renewed relevance in our present era of systemic economic (and regional) inequality, alienated labour, increasingly narrow educational systems, toxic masculinity, and ecological crisis. Kes endures, he argues, because it points towards the possibility for emancipation and fulfilment through a more responsive and nurturing approach to education, a more delicate and symbiotic relationship with landscape and the non-human, and an emotional articulacy and sensitivity shorn of the rigid expectations of gender.