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Julie A. Wilson and Emily Chivers Yochim explore how working- and middle-class mothers of young children negotiate difficulties of holding a family together during difficulties such as job loss, health scares, and weakening social services through their everyday engagement with digital media.

Attiya Ahmad examines the practice of conversion to Islam by South Asian migrant domestic workers in the Arabian Peninsula and Persian Gulf region and how these women's conversions stem from an ongoing process rooted in their everyday experiences as migrant workers rather than a clean break from their preexisting lives.

Bruce O'Neill shows how the Bucharest, Romania's homeless are unable to fully participate in a society that is increasingly organized around practices of consumption, leaving them mired in an unshakeable boredom and the slow deterioration of their lives that are symptomatic of the alienation brought on by globalization.

Kaushik Sunder Rajan traces the structure and operation of what he calls pharmocracy-a concept explaining the global hegemony of the multinational pharmaceutical industry. He outlines pharmocracy's logic in two case studies from contemporary India to demonstrate the stakes of its intersection with health, politics, democracy, and global capital.

Eminent critic Achille Mbembe reevaluates history and racism, offering a capacious genealogy of the category of Blackness-from the Atlantic slave trade to the present-to show how the conjoining of the biological fiction of race with definitions of Blackness have been and continue to be used to uphold oppression.

Michelle D. Commander traces how black American artists, intellectuals, and travelers envision literal and figurative flight back to Africa through speculative literature and film and travel to cultural heritage sites as means to create a sense of homecoming, belonging, and connection with their ancestors, spiritual realm, and Africa.

Hershini Bhana Young engages with the archive of South African and black diasporic performance to examine the absence of black women's will from that archive, showing that alternative critical imaginings juxtaposed against traditional historical research can help to locate where agency and will may reside.

Rebecca E. Karl interrogates the concept and practice of "the economic" as it was understood in China in the 1930s and the 1980s and 90s, showing how the use of Eurocentric philosophies, narratives, and conceptions of the economic that exist outside lived experiences fail to capture modern China's complex history.

David McDermott Hughes investigates why climate change is not yet a moral issue by examining the history of energy use in Trinidad and Tobago. Drawing parallels between Trinidad's history of slavery and its oil industry, Hughes shows how treating oil as "ordinary" prevents us from making the moral choice to abandon it.

Lori Merish establishes working-class women as significant actors within nineteenth-century U.S. literary culture by analyzing previously unexplored archives of working-class women's literature, showing how white, African American, and Mexican American factory workers, seamstresses, domestic workers, and prostitutes understood themselves while forging class identity.

Tina M. Campt explores a way of listening to photography by engaging with lost archives of state identification photographs of Afro-diasporan people taken between the late 1800s and the present, showing how to hear the quiet refusal emanating from these photos originally intended to dehumanize and police their subjects.

Lalaie Ameeriar follows the experiences of immigrant Pakistani women in Toronto who-despite being skilled, white-collar workers-suffer high levels of unemployment and poverty and who are advised by government-sanctioned worker programs to conform to an embodied form of multiculturalism that privileges whiteness and erases difference.

Kellie Jones traces how the artists in L.A.'s black communities during the 1960s and 70s created a vibrant, productive, and engaged activist arts scene in the face of structural racism through the production of art works that spoke to African American migration and L.A.'s racial politics.

Nikhil Anand explores the politics of Mumbai's water infrastructure to demonstrate how citizenship and the rights through which to make demands on the state for public services emerges through the relations between residents, plumbers, politicians, engineers, and the 3000 miles of pipe that bind them.

Aya Hirata Kimura traces the experiences of citizen scientists-particularly mothers-who after the 2011 Fukushima Daiichi Nuclear Power Plant disaster collected scientific data that revealed radiation-contaminated food, showing how the Japanese government used neoliberal and traditional gender ideologies to discount and socially sanction these women and their findings.

Flyboy 2 provides a panoramic view of the last thirty years of Greg Tate's influential cultural criticism of contemporary Black music, art, literature, film, and politics. These essays, interviews, and reviews cover everything from Miles Davis, Ice Cube, and Suzan Lori Parks to Afro-futurism, Kara Walker, and Amiri Baraka.

In From Washington to Moscow veteran US Foreign Service officer Louis Sell draws archival sources and memoirs-many in Russian-as well as his own experiences to trace the history of US-Soviet relations between 1972 and 1991 and to explain what caused the Soviet Union's collapse.

Offering a new queer theorization of melodrama, Jonathan Goldberg explores the ways melodramatic film and literature provide an aesthetics of impossibility and how melodrama as a whole provides queer ways to promote identifications that exceed the bounds of the identity categories that regulate and constrain social life.

In The Brink of Freedom David Kazanjian revises dominant understandings of nineteenth-century conceptions of freedom by examining the letters of black settler colonists in Liberia and the letters and literature of Mayan rebels and their Creole antagonists in Yucatan, showing how they disrupted liberal formations of freedom.

Lisa Yoneyama argues that the efforts intensifying since the 1990s to bring justice to the victims of Japanese military and colonial violence have generated what she calls a "transborder redress culture" that has the potential to bring powerful challenging perspectives on American exceptionalism, militarized security, justice, sovereignty, forgiveness, and decolonization.

In this moving memoir Jane Lazarre, a white Jewish mother, describes her experience being married to an African American man and raising two sons as she learns, from family experience, teaching, and her studies, about the realities of racism in America.

Robert Bailey reconstructs the history of conceptual art collective Art & Language to show how its international collaborations with dozens of artists and critics between 1969 and 1977 laid the foundation for global contemporary art, all while highlighting how conceptual art exceeds the visual to impact the philosophical and political.

In Plastic Bodies Emilia Sanabria examines how women's use of sex hormones in Bahia, Brazil for menstrual suppression shapes social relations, having become central to contemporary understandings of the body, class, gender, sex, personhood, modernity, and Brazilian national identity.

In The Sublime Perversion of Capital Gavin Walker examines the Japanese debate about capitalism between the 1920s and 1950s, using it as a "prehistory" to consider current problems of uneven economic development and contemporary topics in Marxist theory and historiography.

In Undoing Monogamy Angela Willey analyzes the contemporary science of monogamy, demanding a critical reorientation toward the understanding of monogamy and non-monogamy in the natural sciences, social sciences, and humanities.

In Real Pigs Brad Weiss traces the desire for creating "authentic" local foods in the Piedmont region of central North Carolina as he follows farmers, butchers, and chefs as they breed, raise, butcher, market, sell, and prepare their pasture-raised hogs for consumption.

In The Value of Comparison Peter van der Veer highlights anthropology's continuing ability to gain insights on the whole through the comparative study of the particular and unique while critiquing the quantitative social sciences for their sweeping generalizations.

In Ghostly Desires Arnika Fuhrmann examines post-1997 Thai cinema and video art to show how vernacular Buddhist values, stories, and images combine with sexual politics in figuring in current struggles over gender, sexuality, personhood, and collective life.

In Encoding Race, Encoding Class Sareeta Amrute explores the lives of Indian IT coders temporarily working in Berlin, showing how their cognitive labor reimagines race and class and how their acceptance and resistance to their work offers new potentials for alternative visions of living and working in neoliberal economies.