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Each time a border is crossed there are cultural, political, and social issues to be considered. Applying the metaphor of the 'border crossing' from one temporal or spatial territory into another, Border Crossing: Russian Literature into Film examines the way classic Russian texts have been altered to suit new cinematic environments. In these essays, international scholars examine how political and economic circumstances, from a shifting Soviet political landscape to the perceived demands of American and European markets, have played a crucial role in dictating how filmmakers transpose their cinematic hypertext into a new environment. Rather than focus on the degree of accuracy or fidelity with which these films address their originating texts, this innovative collection explores the role of ideological, political, and other cultural pressures that can affect the transformation of literary narratives into cinematic offerings.

There are more than 15 million people aged over 65 currently living in the MENA region, yet little attention has been paid to the cultural significance of growing old. This book recognises the widespread silence by countering the critical corpus that reads modern Arabic novels as a political discourse with an emphasis on youth achievement. By assembling a range of fictional works from different parts of the Arab world that incorporate older characters, this book draws on a range of theoretical approaches to aging, particularly from the perspective of gender and feminism, to reconcile the biological and cultural understandings of old age. It reveals that there is no standard female or male experience and no single prototype of oldness in the modern Arabic novel, and that men and women manifest a multiplicity of identities, concerns, and experiences as they grow older.

'Legacies of the Past offers a timely examination of the ways memory and trauma dominate Mexican visual and screen cultures. Bringing together essays on filmmakers, photographers, cartoonists, multi-media artists and student protestors, Haddu and Thornton make a remarkable contribution to understandings of representations of traumatic moments (1968, 1994 2006 and 2012) in Mexico's past.' Dolores Tierney, Senior Lecturer, University of Sussex (author of New Transnationalisms in Contemporary Latin American Cinemas) Riven with unresolved traumas and appropriated by successive governments, the past haunts spaces in Mexican film and visual culture. These events, without consensus or a singular/unifying narrative, act like spectres haunting the present. To comprehend how they manifest, Legacies of the Past considers how filmmakers and visual artists have found ways of understanding these haunted spaces. With case studies of films like El atentado (2010), Flor en Otomí (2012) and the photography of Dulce Pinzón, this collection analyses the audio-visual representations of several heightened events in Mexican history. The contributors' explorations, imaginings and counter-imaginings bring the past to the foreground, creating new narratives and proposing new histories in order to show the significance of storytelling and narrative for a shared understanding of ourselves. Miriam Haddu is Senior Lecturer in the School of Humanities, Royal Holloway, University of London. Niamh Thornton is Reader in Latin American Studies at the University of Liverpool. Cover image: (c) Francisco Mata Rosas + Instagram: @fcomata Cover design: [EUP logo] edinburghuniversitypress.com ISBN Barcode

Examining Monty Python's enduring status as an unconventional, anti-authoritarian comedy touchstone, this book reappraises Python's comedy output from the perspective of its fifty years of cultural circulation. Reconsidering the group's originality, impact and durability, a range of international scholars explores Python's influences, production contexts, frequently controversial themes, and the cult status and forms of fandom associated with Python in the present day. From television sketches, including The Funniest Joke in the World, Hell's Grannies, Dead Parrot and Confuse-a-Cat, to the films Monty Python and the Holy Grail, Life of Brian and The Meaning of Life, to songs from the albums and live shows, this book is a ground-breaking critical analysis of the Monty Python phenomenon. Kate Egan is a senior lecturer in film and media at Northumbria University, UK Jeffrey Andrew Weinstock is professor of English at Central Michigan University, USA

ReFocus: The Films of Rachid Bouchareb is the first book-length study of the internationally recognized director's films. Bouchareb was one of France's first filmmakers of North African descent and his career as a director and producer now spans over thirty-five years. Remarkably varied in their themes, formal elements and narrative settings, Bouchareb's work has engaged with and reflected on a variety of crucial social, political and historical issues; from the role of colonial troops in the French army during the Second World War, to terrorism in contemporary Europe. This volume examines Bouchareb's films from an interdisciplinary perspective, exploring key influences on his output and considering new theoretical approaches to his filmmaking. Michael Gott is Associate Professor of French and program director for the Film & Media Studies BA at the University of Cincinnati Leslie Kealhofer-Kemp is Associate Professor of French and Film at the University of Rhode Island

'Offering an imaginative and convincing reconceptualisation of Balkan cinema, this volume brings to life the rich results of efforts by talented filmmakers and committed film industry professionals in thirteen countries. Capacious in scope, the book examines films, but also, crucially, the forging, since 2008, of productive, collaborative links across the Balkan region. An uplifting and inspiring read, Contemporary Balkan Cinema shows us how thoughtful and resilient practitioners have sought to overcome multiple challenges including small nationhood and political impasse, and achieve the means for meaningful, sustainable filmmaking.' Mette Hjort, Hong Kong Baptist University 'This is an exceptionally timely book that both updates and innovates the notion of Balkan cinema. Taking the financial crisis of 2008 as its starting point - rather than postcommunism, which has lost its significance - this collection offers new interpretation of the cinema of the Balkans and forms new constellations within these fast growing, intertwined cinema industries. There is a gap in current research on Balkan cinema, which has splintered into various national cinemas, and this volume patently fills this gap by insisting on inclusiveness in accounting for the region's cinema production. This book will undoubtedly be a key resource for the study of Balkan cinema in the future.' Lars Kristensen, University of Skövde, Sweden 'This comprehensive and outstandingly-organized collection studies a dynamic segment of the European cinema and inspires its rethinking in a global context. It insightfully regards the year 2008 as a game-changer in the filmmaking practices of the region and stands out for its ambition to trace cross-border cultural fertilizations and highlight transnational cooperation.' Constantin Parvulescu, Babeș-Bolyai University The first inclusive collection to examine post-2008 developments in Balkan cinema, this book brings together a number of international scholars to explore its industrial contexts and textual dimensions. With a focus on transnational links, global networks and cross-cultural exchanges, the book addresses the role of national and supranational institutions as well as film festival networks in supporting film production, distribution and reception. It also identifies key characteristics in the subject matter and aesthetics of Balkan films made since the global economic crisis. Through critical and comprehensive country profiles, and with a focus on smaller and underrepresented cinemas from Montenegro, Kosovo, North Macedonia and Albania, the collection argues for the continuing relevance of the concept of 'Balkan cinema'. Lydia Papadimitriou is Reader (Associate Professor) in Film Studies at Liverpool John Moores University. Ana Grgic is a Lecturer in Film, TV and Screen Studies at Monash University Malaysia. Cover image: I Do Not Care If We Go Down In History As Barbarians (directed by Radu Jude, Romania/Czech Republic/France/Bulgaria/Germany, 2018). Image courtesy of Hi Film Productions Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-5843-6 Barcode

Studies literary representations of Israel and Palestine that challenge mainstream political and historical discourses This edited collection brings together discussions of literary works from Israel, the Occupied Palestinian Territories, the Palestinian and Jewish Diasporas, as well as from authors not directly involved who are seeking to unpack the conflict's complexities for a wider audience. It offers new perspectives into how the Palestine/Israel conflict is, and can be, represented after the Second Palestinian Intifada, an epochal event for both Israelis and Palestinians. The collection foregrounds the thematic concerns that link literary engagements with Palestine/Israel across the globe but also examines the role that aesthetic representation plays in framing the conflict and its power dynamics. As such, the contributors address how emergent forms of writing and representation illuminate but also re-describe conflict in the context of Israel and Palestine and how depicting this conflict has had reverberations for representing conflict and conflict zones more widely. Key Features and Benefits - Examines a range of emergent and existing literary forms that represent the Palestine/Israel conflict to a global audience. - Argues that emergent literary forms have adapted to imperatives for political witnessing, while offering scope for the re-fashioning of identity beyond restrictive nationalisms. - Discusses diverse literary works from Israel, the Palestinian Occupied Territories including Gaza, as well as Belgium, Canada, Egypt, France, Lebanon, the United Kingdom and the United States. - Brings together a geographically diverse team of literary and cultural studies researchers with depth of expertise in Palestine/Israel and Middle Eastern studies. Ned Curthoys is Senior Lecturer in English and Literary Studies at the University of Western Australia. Isabelle Hesse is Senior Lecturer in the English Department at the University of Sydney.

A study of the iconic illustrated periodical Mollā Nasreddin, whose editors, writers and illustrators were Muslims and Georgians of South Caucasus In 1906, a group of artists and intellectuals reinterpreted the tales of the Middle Eastern trickster Nasreddin to construct a progressive anti-colonial discourse with a strong emphasis on social, political and religious reform. Using folklore, visual art and satire, their periodical - Mollā Nasreddin - which had full-page lithographic cartoons in colour, reached tens of thousands of people across the Muslim world, from Iran and Turkey, to India and Egypt, impacting the thinking of a generation. The founder of the periodical was Jalil Mamedqolizadeh, an Azerbaijani educator and playwright. As a transnational and social democratic publication, Mollā Nasreddin saw itself as a mouthpiece for other persecuted Muslim populations and colonised peoples around the globe. This book looks at the milieu in which the periodical was born, the manner through which the journal recast the trickster trope for its audience, and the influence of European graphic artists on its cartoons and illustrations. Key features  Provides a new reading of the text and illustrations of one of the best-known journals in the Muslim region in the early 20th century  Based on primary and secondary materials in Azerbaijani, Persian, Russian and Georgian languages, as well as English and French sources, collected on trips to Baku, Tbilisi, Moscow and Tehran, and translated with the help of a team of researchers from the region  Carefully curates a selection of over 300 colour images from Mollā Nasreddin Janet Afary holds the Mellichamp Chair in Global Religion and Modernity at the University of California, Santa Barbara, where she is a Professor of Religious Studies. Kamran Afary is Associate Professor of Communication Studies at California State University Los Angeles and Lecturer at the Drama Therapy Institute of Los Angeles.

Provides a set of multi-disciplinary approaches that focus on how 'Islamic data' is created, studied and disseminated New Methods in the Study of Islam offers an international perspective on the field of Islamic studies. It seeks to push the study of Islam to the forefront of methodological considerations by revisiting classical topics - for example the Qur'an, hadith and kalam - using new lenses, as well as new subjects, such as lived Islam and Islamic critiques of the West. Taken as a whole, the collection provides new perspectives on the role and place of the academic study of Islam in contemporary scholarship. Key Features  Brings together a set of international voices from a variety of disciplines and fields, including religious studies, theology, philosophy, law and history  Offers a large picture of what methods and methodologies are, how they have been used in the study of Islam, and how new ones can be introduced to sharpen our understanding of Islam, both historically and in the contemporary period  Challenges existing paradigms by providing alternative systems for the study of Islam  Revisits understandings and misunderstandings in long-established academic traditions in the study of Islam Abbas Aghdassi is an Assistant Professor in the Department of History and Civilisation of Muslim Societies at the Ferdowsi University of Mashhad (FUM), Iran. Aaron W. Hughes is the Dean's Professor of the Humanities and the Philip S. Bernstein Professor of Religious Studies at the University of Rochester, USA.

Brings Romanticism into dialogue with current understandings of consciousness With explosive interest in Romantic science and theories of mind and a renewed sense of the period's porousness to the world, along with new developments in cognitive theory and research, Romantic studies scholars have been called to revisit and remap the terrain laid out in the highly influential 1970 volume Romanticism and Consciousness. Romanticism and Consciousness, Revisited brings this shift in approach to Romantic "consciousness"- no longer the possession of a sole self but transactional, social, and entangled with the outside world - up to date. Richard C. Sha is Professor of Literature and Affiliate Professor of Philosophy at American University in Washington, DC. Joel Faflak is Professor of English and Theory at the University of Western Ontario

Provides the most comprehensive portrayal of Virginia Woolf's education to date.

Presents the first extended account of asbestos in literature, film and visual culture Few modern materials have been as central to histories of environmental toxicity, medical ignorance, and legal liability as asbestos. A naturally occurring mineral fibre once hailed for its ability to guard against fire, asbestos is now best known for the horrific illnesses it causes. This book offers a new take on the established history of asbestos from a literary critical perspective, showing how literature and film during and after modernism responded first to the material's proliferation through the built environment, and then to its catastrophic effects on human health. Starting from the surprising encounters writers have had with asbestos - Franz Kafka's part-ownership of an asbestos factory, Primo Levi's work in an asbestos mine, and James Kelman's early life as an asbestos factory worker - the book looks to literature to rethink received truths in historical, legal and medical scholarship. In doing so, it models an interdisciplinary approach for tracking material intersections between modernism and the environmental and health humanities. Asbestos - The Last Modernist Object offers readers a compelling new method for using cultural objects when thinking about how to live with the legacies of toxic materials. Arthur Rose is a Senior Research Fellow at the University of Exeter.

Brings forth the Islamicate as an aesthetic and critical force in World Literature Since its advent, Islam has been cross-pollinating world literatures in Africa, Europe, Asia, the Pacific Ocean and the Americas, constantly enriching and enriched by various humanistic traditions in multiple languages, spanning the lives of individuals and societies throughout history. Yet, scholarship on Islam as World Literature has been sparse despite its significant contribution. Islam and New Directions in World Literature understands Islamic literary and cultural heritages as dynamic forces, constantly enriching and enriched by various humanistic traditions in multiple languages. Exploring Islam's presence in world literatures in two strands - on the one hand examining the orientalist versions and usages of Islam; on the other hand analysing the presence of Islam as a discursive and creative tradition - this book advances a consideration of Islam as an agent in the history of World Literature. In so doing, it delinks World Literature from its default 'Global North' originary moments and geographies, and posits the Islamicate as an alternative modality of literary worldliness. It avoids antagonising one literature against the other, and instead creates hospitable sites of fresh interpretations across hemispheres in a collection of chapters that engage a plurality of scholarly fields, and cover a variety of periods, literary traditions and languages. Key Features  Brings forth the Islamicate as an aesthetic and critical force in World Literature  Disrupts the one-way traffic in the field of World Literature studies by regarding Islam as both an alternative and a critical force behind creative processes  Covers a wide range of regions (Western European, Turkic, Indo-Persian, Middle-Eastern, African, Chinese literatures), temporal settings, literary traditions (fiction, poetry, critical theory and philosophy, oral literature and orature), as well as languages of the Islamicate  Asserts interdisciplinarity and moves beyond the binary frame of East vs West or North vs South  Includes a foreword by Jeffrey Einboden Sarah R. Bin Tyeer is Assistant Professor at the Department of Middle Eastern, South Asian, and African Studies at Columbia University. Claire Gallien is Assistant Professor at the University of Montpellier 3 and is a member of the Institut de Recherche sur l'Âge Classique et les Lumières at the CNRS.

There are numerous myths and misconceptions entrenched in the popular history of golf. Neil Millar challenges these myths and revisits the evidence surrounding the early history of golf. He shows how the game blossomed in Scotland in the fifteenth and sixteenth centuries and describes the role of Scottish golfers in its spread to other countries between the seventeenth and nineteenth centuries. Early Golf also examines the relative antiquity of golf compared with that of other early stick-and-ball games - a topic that has been debated extensively. Golf historians frequently retell anecdotes concerning historical figures such as King James II of Scotland, Queen Catherine of Aragon, Mary Queen of Scots, King Charles I and James, Duke of York. This book re-examines the evidence underpinning such anecdotes and provides a reliable account of early golf history. Neil Millar has had a long-standing interest in the history of golf and has written extensively on this topic. He is a member of the Royal and Ancient Golf Club of St Andrews and has served on the R&A Rules of Golf Committee and the R&A Referees Panel. He is Professor of Molecular Pharmacology at University College London (UCL).

Celebrates the centennial of Katherine Mansfield's Bliss This book celebrates the centennial of Bliss's publication by offering new readings of some of Mansfield's most well-known stories, revealing not only the depth and innovation of her work but also the extent to which she was instrumental in revisioning the potential of the short story form. It includes the publication of a newly discovered short story potentially by Mansfield, with an explanatory essay. It also presents a selection of new poetry and a new short story by acclaimed New Zealand author Paula Morris, all inspired by Mansfield. Enda Duffy is the Arnhold Presidential Dept. Chair of English at UC Santa Barbara. Gerri Kimber is Visiting Professor in English at the University of Northampton. Todd Martin is Professor of English at Huntington University and President of the Katherine Mansfield Society.

Explores Beckett's artistic vision at the intersection of queer, disability and posthumanist studies This book examines why Beckett's writing is so queer, so disabled and disabling. Why did Beckett write so often about mental illness, disability, perversion? Why did he take such an interest in 'abnormals' and 'degenerates'? How did he reconceive 'the human' in the wake of Hitler and Stalin? Drawing on Beckett's voluminous archive, as well as his primary texts, the authors use psychoanalysis, queer theory, disability theory and biopolitics to push Beckett studies beyond the normal. Seán Kennedy is Professor of English and Coordinator of Irish Studies at Saint Mary's University, Halifax, Nova Scotia.