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Refocus: the Films of Rachid Bouchareb

Om Refocus: the Films of Rachid Bouchareb

ReFocus: The Films of Rachid Bouchareb is the first book-length study of the internationally recognized director's films. Bouchareb was one of France's first filmmakers of North African descent and his career as a director and producer now spans over thirty-five years. Remarkably varied in their themes, formal elements and narrative settings, Bouchareb's work has engaged with and reflected on a variety of crucial social, political and historical issues; from the role of colonial troops in the French army during the Second World War, to terrorism in contemporary Europe. This volume examines Bouchareb's films from an interdisciplinary perspective, exploring key influences on his output and considering new theoretical approaches to his filmmaking. Michael Gott is Associate Professor of French and program director for the Film & Media Studies BA at the University of Cincinnati Leslie Kealhofer-Kemp is Associate Professor of French and Film at the University of Rhode Island

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  • Språk:
  • Engelsk
  • ISBN:
  • 9781474466523
  • Bindende:
  • Paperback
  • Sider:
  • 264
  • Utgitt:
  • 31. august 2022
  • Dimensjoner:
  • 234x155x20 mm.
  • Vekt:
  • 424 g.
  Gratis frakt
Leveringstid: Ukjent

Beskrivelse av Refocus: the Films of Rachid Bouchareb

ReFocus: The Films of Rachid Bouchareb is the first book-length study of the internationally recognized director's films. Bouchareb was one of France's first filmmakers of North African descent and his career as a director and producer now spans over thirty-five years. Remarkably varied in their themes, formal elements and narrative settings, Bouchareb's work has engaged with and reflected on a variety of crucial social, political and historical issues; from the role of colonial troops in the French army during the Second World War, to terrorism in contemporary Europe. This volume examines Bouchareb's films from an interdisciplinary perspective, exploring key influences on his output and considering new theoretical approaches to his filmmaking. Michael Gott is Associate Professor of French and program director for the Film & Media Studies BA at the University of Cincinnati Leslie Kealhofer-Kemp is Associate Professor of French and Film at the University of Rhode Island

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