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"Jessica Hopper's criticism is a trenchant and necessary counterpoint not just on music, but on our culture at large." -Annie Clark, St. VincentAn acclaimed, career-spanning collection from a fiercely feminist and revered contemporary rock critic, reissued with new materialThroughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta. Hopper journeys through the truths of Riot Grrrl's empowering insurgence; decamps to Gary, Indiana, on the eve of Michael Jackson's death; explodes the grunge-era mythologies of Nirvana and Courtney Love; and examines the rise of emo. The collection also includes profiles and reviews of some of the most-loved, and most-loathed, women artists making music today: Fiona Apple, Kacey Musgraves, M.I.A., Miley Cyrus, Lana Del Rey. In order for the music industry to change, Hopper writes, we need "the continual presence of radicalized women . . . being encouraged and given reasons to stay, rather than diminished by the music which glues our communities together." The First Collection of Criticism by a Living Female Rock Critic-published to acclaim in 2015, and reissued now with new material and an introduction by Samantha Irby-is a rallying cry for women-centered history and storytelling, and a groundbreaking, obsessive, razor-sharp panorama of music writing crafted by one of the most influential critics of her generation.
The essential primer on the most influential American documents between 1831 and 1900The Great American Documents series, written by the graphic-book author Ruth Ashby and illustrated by the renowned Ernie Colón, tells the history of America through the major speeches, laws, proclamations, court decisions, and essays that shaped it.The second volume begins where the first left off. Uncle Sam returns to take us through numerous major documents, ranging from the Texas Declaration of Independence from Mexico in 1836 to Jacob Riis's seminal exposé of slum life in New York City, How the Other Half Lives, published in 1900. Each document gets its own chapter, in which Uncle Sam explains not only its key passages but its origins, how it came to be written, and its impact. In the chapter "The Compromise of 1850" we learn how westward expansion forced the federal government to confront the expansion of slavery. "The Emancipation Proclamation" places Abraham Lincoln's famous decree within the context of the ongoing Civil War. And "The Chinese Exclusion Act" depicts the unique discrimination faced by Chinese immigrants and shows how that 1882 law presaged the restrictive policies and quotas established in the early twentieth century. As Ashby shows, the growth and expansion of the United States through the nineteenth century forced the nation to reckon with and confront many of its original injustices, plunging the country into the Civil War and emerging into new challenges as it rose to become a world power. A handy and elegantly concise guide, this masterfully illustrated volume is the perfect book for students of American history, young and old.
"Combines the otherworldliness of Jeff VanderMeer's "Annihilation," the menacing irony of Shirley Jackson and the cold feminist fury of Margaret Atwood" --The New York Times Book ReviewNamed a Fall Read by The Boston Globe and the Chicago TribuneThe mundane becomes sinister in a disquieting story collection from the author of The Grip of ItIn Jac Jemc's dislocating second story collection, False Bingo, we watch as sinister forces-some supernatural, some of this earth, some real and some not-work their ways into the mundanity of everyday life.In "Strange Loop," an outcast attempting to escape an unnamed mistake spends his days taxiderming animals, while in "Delivery," a family watches as their dementia-addled, basement-dwelling father succumbs to an online shopping addiction. "Don't Let's" finds a woman, recently freed from an abusive relationship, living in an isolated vacation home in the South that might be haunted by breath-stealing ghosts.Fueled by paranoia and visceral suspense, and crafted with masterful restraint, these seventeen stories explore what happens when our fears cross over into the real, if only for a fleeting moment. Identities are stolen, alternate universes are revealed, and innocence is lost as the consequences of minor, seemingly harmless decisions erupt to sabotage a false sense of stability. "This is not a morality tale about the goodness of one character triumphing over the bad of another," the sadistic narrator of "Pastoral" announces. Rather, False Bingo is a collection of realist fables exploring how conflicting moralities can coexist: the good, the bad, the indecipherable.
The fascinating story of a young Russian filmmaker's attempts to portray Catherine the Great, before and after the collapse of the Soviet UnionCatherine the Great's life seems to have been made for the cinema-her rise to power; her reportedly countless love affairs and wild sexual escapades; the episodes of betrayal, revenge, and even murder-there's no shortage of historical drama. But Oleg Erdmann, a young Russian filmmaker, seeks to discover and portray Catherine's essential, emotional truth, her real life beyond the rumors and façade. His first screenplay just barely makes it past the Soviet film board and is assigned to a talented director, but the resulting film fails to avoid the usual clichés. After the dissolution of the Soviet Union, as he struggles to find a place for himself in the new order, Oleg agrees to work with an old friend on a television series that becomes a quick success-as well as increasingly lurid, a far cry from his original vision. He continues to seek the real Catherine elsewhere. With A Woman Loved, Andreï Makine delivers a sweeping novel about the uses of art, the absurdity of history, and the overriding power of human love, if only it can be uncovered and allowed to flourish.
The expansive, energetic new poetry book by David Rivard, author of Sugartown and Wise PoisonYou pay as you go. Mornings at this point are either like spread sails or (more likely) spread-sheets-they fill fast. Mornings are fortunes, but as suspect as a wristwatch running in reverse. -from "Vigorish" David Rivard's new collection Otherwise Elsewhere describes the many powers-psychological and historical-that flow through people's lives in acts of faith, greed, pleasure, celebrity, gossip, and consolation. A teenage boy looking at a weathered gravestone wonders how many times he'll sign his name in his life; the forest on the move in Macbeth intersects with a blind man cured by Christ; a man coming out of a terrible dream of being lost is saved by touching his wife's hair. "For those of us who need it," one poem asserts, "instruction is everywhere." Rivard's poetry is full of unsettling humor and the careening movement of memory and imagination.
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