The Exhibition of Persephone Q

A New York Times Book Review EditorsΓÇÖ Choice
A WALL STREET JOURNAL AND VOGUE MOST ANTICIPATED BOOK OF 2020
"A triumph of tone and intelligence. Percy Q''s perspective is skewed and searching at once, and through her eyes, we see afresh not only New York''s post-9/11 landscape but also the world of art, and love, and the process of becoming." ΓÇöRivka Galchen, author of Atmospheric Disturbances

Percy is pregnant. She hasnΓÇÖt told a soul. Probably she should tell her husbandΓÇöcertainly she means toΓÇöbut one night she wakes up to find she no longer recognizes him. Now, instead of sleeping, Percy is spending her nights taking walks through her neighborhood, all the while fretting over her marriage, her impending motherhood, and the sinister ways the city is changing.
Amid this alienationΓÇöfrom her husband, home, and rapidly changing bodyΓÇöa package arrives. In it: an exhibition catalog for a photography show. The photographs consist of a series of digitally manipulated images of a woman lying on a bed in a red room. It takes a moment for even Percy to notice that the woman is herself . . . but no one else sees the resemblance.
Percy must now come to grips with the fundamental question of identity in the digital age: To what extent do we own our own image, and to what extent is that image shaped by the eyes of others?
Capturing perfectly the haunted atmosphere of Manhattan immediately after 9/11ΓÇöand the simmering insanity of America ever sinceΓÇöJessi Jezewska Stevens''s The Exhibition of Persephone Q is a darkly witty satire about how easy it is to lose ownership of our own selves.