Bøker utgitt av University of Georgia Press

Beginning with an overview of early naturalists who marveled at the region's natural treasures, Eric Bolen and James Parnell's natural history of the Coastal Plain offers a nature-focused walk through the distinctive geological features and plant and animal communities of the area that extends from the Fall Line to the shores of the Atlantic Ocean.

Explores Rev Dr Prathia Laura Ann Hall's preaching and research, curating a collection of her work to expand scholarship on her influence on American religion and Black churches. Hall pioneered womanist preaching, embodying the necessary interconnections among theology, social science, history, and practical ministry.

Explores the processes of visual contestation at work in the competing official media campaigns of state forces and militant, nonstate actors in the online environment. Kareem El Damanhoury introduces an analytical framework of visual contestation to guide future studies of competing visual media campaigns in the online environment.

Provides behind-the-scenes explanations from nineteen former BJU students from the past few decades who now identify as LGBT+. They write about their experiences, reflect on their relationships with a religious institution, and describe their vulnerability under a controlling regime.

Explores plantation museums as sites for contesting and reforming public interpretations of slavery in the American South. The book turns a critical eye on the growing inclusion of the formerly enslaved within these museums, specifically examining advances but also continuing inequalities in how they narrate and memorialize the formerly enslaved.

Provides a guided tour of some of the most significant tabby structures found along the American southeastern coast and includes more than two hundred illustrations that highlight the human and architectural histories of forty-eight specific sites.

In this artful, expansive novel, we follow five protagonists -- Jacob, Martin, Caroline, Jeanie, and Jill -- through love, marriage, parenthood, and the romance of friendship as they struggle to make sense of themselves and each other and of what makes for good art, good magic, and a good life. What follows is a story only Michelle Herman could write: one of missed connections and old grievances, of loneliness and longing, of rifts and reconciliations and redemption. Close-Up depicts the fraught entanglements of the relationships we're born into and those we choose -- carefully or with abandon -- with the precision and nuance that has characterized her work over the last thirty years.

In recent years, food writers and historians have begun to retell the story of southern food. Heirloom ingredients and traditional recipes have been rediscovered, the foundational role that African Americans played in the evolution of southern cuisine is coming to be recognized, and writers are finally clearing away the cobwebs of romantic myth that have long distorted the picture. The story of southern dining, however, remains incomplete.The Lost Southern Chefs begins to fill that niche by charting the evolution of commercial dining in the nineteenth-century South. Robert F. Moss punctures long-accepted notions that dining outside the home was universally poor, arguing that what we would today call "e;fine dining"e; flourished throughout the region as its towns and cities grew. Moss describes the economic forces and technological advances that revolutionized public dining, reshaped commercial pantries, and gave southerners who loved to eat a wealth of restaurants, hotel dining rooms, oyster houses, confectionery stores, and saloons.Most important, Moss tells the forgotten stories of the people who drove this culinary revolution. These men and women fully embodied the title "e;chef,"e; as they were the chiefs of their kitchens, directing large staffs, staging elaborate events for hundreds of guests, and establishing supply chains for the very best ingredients from across the expanding nation. Many were African Americans or recent immigrants from Europe, and they achieved culinary success despite great barriers and social challenges. These chefs and entrepreneurs became embroiled in the pitched political battles of Reconstruction and Jim Crow, and then their names were all but erased from history.

Presents essays that explore the long shadow of America's 'War on Terror' discourse. Two decades after the attacks of September 11, 2001, this book calls on us to resist the tyranny of collateral language at a time when the need for such interventions in the public sphere is more urgent than ever.

Beginning with the French founding of New Orleans in 1718 and concluding with the outbreak of the American Civil War in 1861, An American Color traces the impact of racial science, law, and personal reputation and identity through multiple colonial and territorial regimes.

The first book to place American privateers and their experiences during the War for Independence front and centre. Kylie Hulbert tells the story of privateers at home and abroad while chronicling their experiences, engagements, cruises, and court cases.

In her debut collection, Melinda Moustakis brings to life a rough-and-tumble family of Alaskan homesteaders through a series of linked stories. Born in Alaska herself to a family with a homesteading legacy, Moustakis examines the near-mythological accounts of the Alaskan wilderness that are her inheritance and probes the question of what it means to live up to larger-than-life expectations for toughness and survival.The characters in Bear Down, Bear North are salt-tongued fishermen, fisherwomen, and hunters, scrappy storytellers who put themselves in the path of destruction-sometimes a harsh snowstorm, sometimes each other-and live to tell the tale. While backtrolling for kings on the Kenai River or filleting the catch of the Halibut Hellion with marvelous speed, these characters recount the gamble they took that didn't pay off, or they expound on how not only does Uncle Too-Soon need a girlfriend, the whole state of Alaska needs a girlfriend. A story like 'The Mannequin at Soldotna' takes snapshots: a doctor tends to an injured fisherman, a man covets another man's green fishing lure, a girl is found in the river with a bullet in her head. Another story offers an easy moment with a difficult mother, when she reaches out to touch a breaching whale.This is a book about taking a fishhook in the eye, about drinking cranberry lick and Jippers and smoking Big-Z cigars. This is a book about the one good joke, or the one night lit up with stars, that might get you through the winter.

Shining new light on Martin Luther King's largely implicit economic and political theories, and expanding appreciation of the Black radical tradition to which he belonged, Andrew Douglas and Jared Loggins reconstruct, develop, and carry forward King's strikingly prescient critique of capitalist society.

Charts the course of the American literary response to the twentieth century's accumulation of environmental deprivations. The essays range in subject matter from twentieth-century examples of what was then called nature writing, through writing after 2000 that gradually redefines the environment in increasingly human terms.

Originally published in 1991, Celia, a Slave illuminates the moral dilemmas that lie at the heart of a slaveholding society by telling the story of a young slave who was sexually exploited by her enslaver and ultimately executed for his murder. Melton A. McLaurin uses Celia's story to reveal the tensions that strained the fabric of antebellum southern society by focusing on the role of gender and the manner in which the legal system was used to justify slavery. An important addition to our understanding of the pre-Civil War era, Celia, a Slave is also an intensely compelling narrative of one woman pushed beyond the limits of her endurance by a system that denied her humanity at the most basic level.

In the popular imagination, Civil War disability is synonymous with amputation. But war affects the body in countless ways. Sarah Handley-Cousins expands our understanding of wartime disability by examining a variety of bodies and ailments, ranging from the temporary to the chronic, from disease to injury, and both physical and mental conditions.

In her debut poetry collection, Jasmine Elizabeth Smith takes inspiration from Oklahoma Black history. In the wake of the Tulsa Race Massacre of 1921, Jim Waters makes the difficult decision to leave behind his lover, Beatrice Vernadene Chapel, who as a Black woman must navigate the dangerous climate that produced the Jim Crow South and Red Summer. As Beatrice and Jim write letters to one another and hold imagined conversations with blues musicians Ida B. Cox, Robert Johnson, Charlie Patton, Ethel Waters, and the ghosts of Greenwood, the couple interrogates themes of blues epistemology, Black feminism, fraught attachments, and the way in which Black Americans have often changed their geographical regions with the hope of improving their conditions. The poetry collection South Flight is a eulogy, a blues, an unabashed love letter, and ragtime to the history of resistance, migration, and community in Black Oklahoma.