Utvidet returrett til 31. januar 2025

Geschichte der Kunst in Grossbritannien und Irland

Om Geschichte der Kunst in Grossbritannien und Irland

Walter Armstrong gibt in diesem Buch einen umfassenden Einblick in die Kunstgeschichte Großbritanniens und Irlands. Dabei zeigt er auf, wie sich die Kunst im Laufe der Zeit verändert hat und welchen Einfluss verschiedene Künstler und Stilrichtungen auf die Kunstszene hatten. Eine spannende und informative Reise durch die Kunstgeschichte Großbritanniens und Irlands. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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  • Språk:
  • Tysk
  • ISBN:
  • 9781021131478
  • Bindende:
  • Hardback
  • Sider:
  • 396
  • Utgitt:
  • 18. juli 2023
  • Dimensjoner:
  • 156x234x22 mm.
  • Vekt:
  • 730 g.
  • BLACK NOVEMBER
  Gratis frakt
Leveringstid: 2-4 uker
Forventet levering: 27. desember 2024
Utvidet returrett til 31. januar 2025

Beskrivelse av Geschichte der Kunst in Grossbritannien und Irland

Walter Armstrong gibt in diesem Buch einen umfassenden Einblick in die Kunstgeschichte Großbritanniens und Irlands. Dabei zeigt er auf, wie sich die Kunst im Laufe der Zeit verändert hat und welchen Einfluss verschiedene Künstler und Stilrichtungen auf die Kunstszene hatten. Eine spannende und informative Reise durch die Kunstgeschichte Großbritanniens und Irlands.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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