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Geschichte der ouvertüre und der freien orchesterformen

Om Geschichte der ouvertüre und der freien orchesterformen

Hugo Botstiber gibt einen umfassenden Überblick über die Geschichte der Ouvertüre und der Freien Orchesterformen von der Barockzeit bis in die Moderne. Sein Verständnis von Musikgeschichte und Komposition bietet wertvolle Einblicke in die Entwicklung der Musik bis heute. Ein Muss für Musiker und Musikwissenschaftler. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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  • Språk:
  • Tysk
  • ISBN:
  • 9781021131355
  • Bindende:
  • Hardback
  • Sider:
  • 288
  • Utgitt:
  • 18. juli 2023
  • Dimensjoner:
  • 156x234x18 mm.
  • Vekt:
  • 581 g.
  • BLACK NOVEMBER
  Gratis frakt
Leveringstid: 2-4 uker
Forventet levering: 19. desember 2024

Beskrivelse av Geschichte der ouvertüre und der freien orchesterformen

Hugo Botstiber gibt einen umfassenden Überblick über die Geschichte der Ouvertüre und der Freien Orchesterformen von der Barockzeit bis in die Moderne. Sein Verständnis von Musikgeschichte und Komposition bietet wertvolle Einblicke in die Entwicklung der Musik bis heute. Ein Muss für Musiker und Musikwissenschaftler.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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