Utvidet returrett til 31. januar 2024

London's New Scene

Om London's New Scene

A groundbreaking and extensively researched account of the 1960s London art scene In the 1960s, London became a vibrant hub of artistic production. Postwar reconstruction, jet air travel, television arts programs, new color supplements, a generation of young artists, dealers, and curators, the influx of international film companies, the projection of “creative Britainâ€? as a national brand‿all nurtured and promoted the emergence of London as “a new capital of art.â€? Extensively illustrated and researched, this book offers an unprecedented, rich account of the social field that constituted the lively London scene of the 1960s. In clear, fluent prose, Tickner presents an innovative sequence of critical case studies, each of which explores a particular institution or event in the cultural life of London between 1962 and 1968. The result is a kaleidoscopic view of an exuberant decade in the history of British art. Distributed for the Paul Mellon Centre for Studies in British Art

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  • Språk:
  • Engelsk
  • ISBN:
  • 9781913107109
  • Bindende:
  • Hardback
  • Sider:
  • 416
  • Utgitt:
  • 9. juni 2020
  • Dimensjoner:
  • 267x200x40 mm.
  • Vekt:
  • 1490 g.
  • BLACK NOVEMBER
  På lager
Leveringstid: 4-7 virkedager
Forventet levering: 13. november 2024

Beskrivelse av London's New Scene

A groundbreaking and extensively researched account of the 1960s London art scene In the 1960s, London became a vibrant hub of artistic production. Postwar reconstruction, jet air travel, television arts programs, new color supplements, a generation of young artists, dealers, and curators, the influx of international film companies, the projection of “creative Britainâ€? as a national brand‿all nurtured and promoted the emergence of London as “a new capital of art.â€? Extensively illustrated and researched, this book offers an unprecedented, rich account of the social field that constituted the lively London scene of the 1960s. In clear, fluent prose, Tickner presents an innovative sequence of critical case studies, each of which explores a particular institution or event in the cultural life of London between 1962 and 1968. The result is a kaleidoscopic view of an exuberant decade in the history of British art. Distributed for the Paul Mellon Centre for Studies in British Art

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