Utvidet returrett til 31. januar 2025

Outrage

Om Outrage

"A cultural revolution in England, France, and the United States beginning during the time of the industrial and political revolutions helped usher in modernity. This cultural revolution worked alongside the better documented political and economic revolutions to usher in the modern era of continuous revolution. Focusing on the period between 1847 and 1937, the book examines in depth six of the cultural "battles" that were key parts of this revolution: the novels of the BronteáI p8 s sisters, the paintings of the Impressionists, the poetry of Emily Dickinson, The Ballets Russes production of Le Sacre du printemps, James Joyce's Ulysses, and Zora Neal Hurston's Their Eyes Were Watching God. Using contemporaneous reviews in the press as well as other historical material, we can see that these now-canonical works provoked outrage at the time of their release because they addressed critical points of social upheaval and transformation in ways that engaged broad audiences with subversive messages. This framework allows us to understand and navigate the cultural debates that play such an important role in 21st century politics"--

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  • Språk:
  • Engelsk
  • ISBN:
  • 9781503635357
  • Bindende:
  • Hardback
  • Sider:
  • 210
  • Utgitt:
  • 13. juni 2023
  • Dimensjoner:
  • 154x18x230 mm.
  • Vekt:
  • 181 g.
  • BLACK NOVEMBER
  Gratis frakt
Leveringstid: 2-4 uker
Forventet levering: 8. desember 2024

Beskrivelse av Outrage

"A cultural revolution in England, France, and the United States beginning during the time of the industrial and political revolutions helped usher in modernity. This cultural revolution worked alongside the better documented political and economic revolutions to usher in the modern era of continuous revolution. Focusing on the period between 1847 and 1937, the book examines in depth six of the cultural "battles" that were key parts of this revolution: the novels of the BronteáI p8 s sisters, the paintings of the Impressionists, the poetry of Emily Dickinson, The Ballets Russes production of Le Sacre du printemps, James Joyce's Ulysses, and Zora Neal Hurston's Their Eyes Were Watching God. Using contemporaneous reviews in the press as well as other historical material, we can see that these now-canonical works provoked outrage at the time of their release because they addressed critical points of social upheaval and transformation in ways that engaged broad audiences with subversive messages. This framework allows us to understand and navigate the cultural debates that play such an important role in 21st century politics"--

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