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Rene Gonzalez Architects: Not the Little House on the Prairie

Om Rene Gonzalez Architects: Not the Little House on the Prairie

"Gonzalez has lately emerged as one of Miami's most influential young architects." -Raul A. Barreneche, the New York TimesSpecializing in the design of museum and gallery spaces, hospitality, commercial retail and residential projects, Miami-based Rene Gonzalez Architects also endeavors to develop solutions to rising sea levels in coastal communities. This volume compiles drawings and photographs of a residence on Prairie Avenue in Miami designed by the firm in 2018. Inspired by red mangrove trees, the dwelling hovers entirely above the ground plane. A lush garden covers most of the site and absorbs enormous quantities of water. Charles Renfro celebrates the building thus: "Is this blown-up modernism, a house made of fragments and gaps, also a new gay architecture? If so, it is but one of the many ways this compact complex house performs, one that in so many ways pulls modernism forward into a brave new world of sensuality, sexuality and lifestyle. Within it, social progress has found a new architecture."

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  • Språk:
  • Engelsk
  • ISBN:
  • 9786078880065
  • Bindende:
  • Hardback
  • Sider:
  • 112
  • Utgitt:
  • 4. juli 2023
  • Dimensjoner:
  • 236x18x312 mm.
  • Vekt:
  • 930 g.
  • BLACK NOVEMBER
  Gratis frakt
Leveringstid: Ukjent

Beskrivelse av Rene Gonzalez Architects: Not the Little House on the Prairie

"Gonzalez has lately emerged as one of Miami's most influential young architects." -Raul A. Barreneche, the New York TimesSpecializing in the design of museum and gallery spaces, hospitality, commercial retail and residential projects, Miami-based Rene Gonzalez Architects also endeavors to develop solutions to rising sea levels in coastal communities. This volume compiles drawings and photographs of a residence on Prairie Avenue in Miami designed by the firm in 2018. Inspired by red mangrove trees, the dwelling hovers entirely above the ground plane. A lush garden covers most of the site and absorbs enormous quantities of water. Charles Renfro celebrates the building thus: "Is this blown-up modernism, a house made of fragments and gaps, also a new gay architecture? If so, it is but one of the many ways this compact complex house performs, one that in so many ways pulls modernism forward into a brave new world of sensuality, sexuality and lifestyle. Within it, social progress has found a new architecture."

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