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Shakespeare and Indian Theatre

- The Politics of Performance

Om Shakespeare and Indian Theatre

Shakespeare and Indian Theatre: The Politics of Performance looks at the performance history of Shakespeare productions in India which date back to the mid-eighteenth century when the British officers in India staged Shakespeare's plays along with those of other English playwrights for entertainment. This became part of a larger imperialistic design that was evolving during the latter part of the nineteenth century to establish moral and cultural superiority over India through English education and literature. Shakespeare was used as a convenient ploy for achieving this aim. However, India's engagement with Shakespeare performance for over two hundred years has not been uniform throughout. From being 'imitative' during the first half of the nineteenth century to popular during the later nineteenth and early twentieth centuries to 'urban-folkish' in the post-Independence India, productions of Shakespeare's plays have undergone interesting transformations. The book looks at Shakespeare in Bengali and Parsi theatre at length. Other theatre traditions like Marathi, Kannada, Malayalam and Hindi which are equally rich and have registered a considerable influence of Shakespeare have been included.

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  • Språk:
  • Engelsk
  • ISBN:
  • 9789389351132
  • Bindende:
  • Hardback
  • Sider:
  • 232
  • Utgitt:
  • 18. januar 2020
  • Dimensjoner:
  • 135x216x0 mm.
  • Vekt:
  • 460 g.
  • BLACK NOVEMBER
  Gratis frakt
Leveringstid: 2-4 uker
Forventet levering: 27. desember 2024
Utvidet returrett til 31. januar 2025

Beskrivelse av Shakespeare and Indian Theatre

Shakespeare and Indian Theatre: The Politics of Performance looks at the performance history of Shakespeare productions in India which date back to the mid-eighteenth century when the British officers in India staged Shakespeare's plays along with those of other English playwrights for entertainment. This became part of a larger imperialistic design that was evolving during the latter part of the nineteenth century to establish moral and cultural superiority over India through English education and literature. Shakespeare was used as a convenient ploy for achieving this aim. However, India's engagement with Shakespeare performance for over two hundred years has not been uniform throughout. From being 'imitative' during the first half of the nineteenth century to popular during the later nineteenth and early twentieth centuries to 'urban-folkish' in the post-Independence India, productions of Shakespeare's plays have undergone interesting transformations.
The book looks at Shakespeare in Bengali and Parsi theatre at length. Other theatre traditions like Marathi, Kannada, Malayalam and Hindi which are equally rich and have registered a considerable influence of Shakespeare have been included.

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