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The Horizontal Man

Om The Horizontal Man

A philandering professor on the faculty of an Ivy League school is found murdered, setting off ripple effects of anxiety, suspicion, and panic in this Edgar Award-winning classic from 1946.The Horizontal Man was Helen Eustis's only crime novel, and she won an Edgar Award for it, combining a wildly disparate set of elements into an enduringly fascinating work. In its way it is a classical whodunit that stands comparison with old-school practitioners such as Agatha Christie or Dorothy Sayers. This mystery transpires in the rarefied precincts of the English department of a venerable New England college, one very much of the restless postwar moment, echoing with references to Freud and Kafka. Eustis finds comedy high and low in a cavalcade of characters bursting at the seams with repressed sexual longings and simmering malice. Beyond the satire, she stirs up--with a narrative whose multiple viewpoints give the book a striking modernistic edge--a troubling sense of the mental chaos lurking just beneath the civilized surfaces of her academic setting.

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  • Språk:
  • Ukjent
  • ISBN:
  • 9781598536317
  • Bindende:
  • Paperback
  • Sider:
  • 318
  • Utgitt:
  • 14 juli 2020
  • Dimensjoner:
  • 201x124x21 mm.
  • Vekt:
  • 310 g.
  På lager
Leveringstid: 4-7 virkedager
Forventet levering: 8 oktober 2024

Beskrivelse av The Horizontal Man

A philandering professor on the faculty of an Ivy League school is found murdered, setting off ripple effects of anxiety, suspicion, and panic in this Edgar Award-winning classic from 1946.The Horizontal Man was Helen Eustis's only crime novel, and she won an Edgar Award for it, combining a wildly disparate set of elements into an enduringly fascinating work. In its way it is a classical whodunit that stands comparison with old-school practitioners such as Agatha Christie or Dorothy Sayers. This mystery transpires in the rarefied precincts of the English department of a venerable New England college, one very much of the restless postwar moment, echoing with references to Freud and Kafka. Eustis finds comedy high and low in a cavalcade of characters bursting at the seams with repressed sexual longings and simmering malice. Beyond the satire, she stirs up--with a narrative whose multiple viewpoints give the book a striking modernistic edge--a troubling sense of the mental chaos lurking just beneath the civilized surfaces of her academic setting.

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