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The Ruin Dwellers

The Ruin Dwellersav Jake P. Smith
Om The Ruin Dwellers

"The Ruin Dwellers takes us into the urban spaces of youth revolts during the 1970s and 1980s in West Germany and elsewhere in western and central Europe. These activists have been seen as striving for a utopian future, but as historian Jake Smith shows, this view is inaccurate. Rather, the author argues, they were committed to a much more unique sensibility: one that sought to subvert progressive temporal frameworks and, instead, dwell in the ruins of the past. Examining a rich corpus of radical texts and practices, Smith shows that squatters and their leftist allies in this period engaged in countercultural aesthetic experiments with modes of autonomous living. Smith brings to life the real and imagined landscapes conjured in abandoned, run-down buildings and in reinvented city spaces; through the off-modern punk style in art, dress, music, graffiti, and film; and in philosophical, poetic, and political writing. In so doing, he offers an eye-opening look at anarchic world-making practices that found new ways of imagining an emancipated future through inhabiting the fractured past"--

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  • Språk:
  • Engelsk
  • ISBN:
  • 9780226823614
  • Bindende:
  • Paperback
  • Sider:
  • 272
  • Utgitt:
  • 29. august 2025
  • Dimensjoner:
  • 152x229x0 mm.
  • Vekt:
  • 454 g.
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Leveringstid: Kan forhåndsbestilles
  • Boken er tilgjengelig for forhåndsbestilling 3 måneder før publiseringsdatoen

Beskrivelse av The Ruin Dwellers

"The Ruin Dwellers takes us into the urban spaces of youth revolts during the 1970s and 1980s in West Germany and elsewhere in western and central Europe. These activists have been seen as striving for a utopian future, but as historian Jake Smith shows, this view is inaccurate. Rather, the author argues, they were committed to a much more unique sensibility: one that sought to subvert progressive temporal frameworks and, instead, dwell in the ruins of the past. Examining a rich corpus of radical texts and practices, Smith shows that squatters and their leftist allies in this period engaged in countercultural aesthetic experiments with modes of autonomous living. Smith brings to life the real and imagined landscapes conjured in abandoned, run-down buildings and in reinvented city spaces; through the off-modern punk style in art, dress, music, graffiti, and film; and in philosophical, poetic, and political writing. In so doing, he offers an eye-opening look at anarchic world-making practices that found new ways of imagining an emancipated future through inhabiting the fractured past"--

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