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Theatre/Theory/Theatre

- The Major Critical Texts from Aristotle and Zeami to Soyinka and Havel

Om Theatre/Theory/Theatre

Available for the First Time in Paperback!ÞFrom Aristotle''s ÊPoeticsÊ to Vaclav Havel the debate about the nature and function of theatre has been marked by controversy. Daniel Gerould''s landmark work ÊTheatre/Theory/TheatreÊ collects history''s most influential Eastern and Western dramatic theorists ä poets playwrights directors and philosophers ä whose ideas about theatre continue to shape its future. In complete texts and choice excerpts spanning centuries we see an ongoing dialogue and exchange of ideas between actors and directors like Craig and Meyerhold and writers such as Nietzsche and Yeats. Each of Gerould''s introductory essays shows fascinating insight into both the life and the theory of the author. From Horace to Soyinka Corneille to Brecht this is an indispensable compendium of the greatest dramatic theory ever written.

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  • Språk:
  • Engelsk
  • ISBN:
  • 9781557835277
  • Bindende:
  • Paperback
  • Sider:
  • 496
  • Utgitt:
  • 1. august 2003
  • Dimensjoner:
  • 156x226x30 mm.
  • Vekt:
  • 792 g.
  • BLACK NOVEMBER
Leveringstid: Ukjent

Beskrivelse av Theatre/Theory/Theatre

Available for the First Time in Paperback!ÞFrom Aristotle''s ÊPoeticsÊ to Vaclav Havel the debate about the nature and function of theatre has been marked by controversy. Daniel Gerould''s landmark work ÊTheatre/Theory/TheatreÊ collects history''s most influential Eastern and Western dramatic theorists ä poets playwrights directors and philosophers ä whose ideas about theatre continue to shape its future. In complete texts and choice excerpts spanning centuries we see an ongoing dialogue and exchange of ideas between actors and directors like Craig and Meyerhold and writers such as Nietzsche and Yeats. Each of Gerould''s introductory essays shows fascinating insight into both the life and the theory of the author. From Horace to Soyinka Corneille to Brecht this is an indispensable compendium of the greatest dramatic theory ever written.

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