Utvidet returrett til 31. januar 2025

Beginnings

Om Beginnings

The language of emotions and symbols is, par excellence, that of poetry. Yet the Bible uses a language of symbols from nature or the history of Israel that call and respond in echo throughout its various books including those of the New Covenant. Beginnings uses poetry to bring out the interplay of symbols or the deeply human aspect of emotions present in texts of the First Testament; it explores also different human experiences. Therefore, it does not in itself require any particular knowledge of the Scriptures to be appreciated. However, as this knowledge can help with grasping the poems in all their dimensions, some notes may support the reader to do so. The texts were first written in French, and it seemed useful to put the original text in front of the translation, as the play of rhythms and sonorities often could not be rendered in the latter. However, the entanglement of symbolic games and the deep description of emotions that poetic language allows is fully kept in the English text, and thus all readers can appreciate the poems, letting the words penetrate them by the magic of poetry.

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  • Språk:
  • Engelsk
  • ISBN:
  • 9781666775242
  • Bindende:
  • Paperback
  • Sider:
  • 160
  • Utgitt:
  • 26. mai 2023
  • Dimensjoner:
  • 140x9x216 mm.
  • Vekt:
  • 211 g.
  • BLACK NOVEMBER
Leveringstid: 2-4 uker
Forventet levering: 20. desember 2024
Utvidet returrett til 31. januar 2025

Beskrivelse av Beginnings

The language of emotions and symbols is, par excellence, that of poetry. Yet the Bible uses a language of symbols from nature or the history of Israel that call and respond in echo throughout its various books including those of the New Covenant. Beginnings uses poetry to bring out the interplay of symbols or the deeply human aspect of emotions present in texts of the First Testament; it explores also different human experiences. Therefore, it does not in itself require any particular knowledge of the Scriptures to be appreciated. However, as this knowledge can help with grasping the poems in all their dimensions, some notes may support the reader to do so. The texts were first written in French, and it seemed useful to put the original text in front of the translation, as the play of rhythms and sonorities often could not be rendered in the latter. However, the entanglement of symbolic games and the deep description of emotions that poetic language allows is fully kept in the English text, and thus all readers can appreciate the poems, letting the words penetrate them by the magic of poetry.

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