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Critical Race Theory and Copyright in American Dance

- Whiteness as Status Property

Om Critical Race Theory and Copyright in American Dance

The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loie Fuller, George Balanchine, and Martha Graham.

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  • Språk:
  • Engelsk
  • ISBN:
  • 9781137321961
  • Bindende:
  • Hardback
  • Sider:
  • 243
  • Utgitt:
  • 7. november 2013
  • Dimensjoner:
  • 138x222x19 mm.
  • Vekt:
  • 428 g.
  • BLACK NOVEMBER
  Gratis frakt
Leveringstid: 2-4 uker
Forventet levering: 20. desember 2024

Beskrivelse av Critical Race Theory and Copyright in American Dance

The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loie Fuller, George Balanchine, and Martha Graham.

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