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The Crown of Thorns

Om The Crown of Thorns

Jesus' Crown of Thorns has become one of the most ubiquitous features of Christian religious art, but was the original crown anything like the crown of popular medieval art and piety? The image conjured by art history is that of a bloodied, beaten Jesus, wearing a cruelly fashioned, woven crown made of sharp thorns. But this image is deeply misleading, based on a fundamental misunderstanding and possible mistranslation.Faith Tibble rectifies this misunderstanding, showing how The Crown of Thorns underwent a yet unrecognized artistic evolution. Tibble tracks the artistic progression of the Crown of Thorns from its first depiction in the 4th century, until the 11th century, when it begins to exhibit the artistic trends that are still recognizable today. In doing so, Tibble adds new perspective to our understanding of the ideologies associated with medieval Christianity - victory, humility, perseverance - and how those ideologies are exemplified in depictions of the Crown of Thorns. Tibble demonstrates the profound and unintended consequences of a simple misunderstanding of the Gospels, and examines an unexpected trajectory in European art.

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  • Språk:
  • Engelsk
  • ISBN:
  • 9780567713230
  • Bindende:
  • Hardback
  • Sider:
  • 208
  • Utgitt:
  • 20. mars 2025
  • Dimensjoner:
  • 169x244x0 mm.
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Leveringstid: Kan forhåndsbestilles

Beskrivelse av The Crown of Thorns

Jesus' Crown of Thorns has become one of the most ubiquitous features of Christian religious art, but was the original crown anything like the crown of popular medieval art and piety? The image conjured by art history is that of a bloodied, beaten Jesus, wearing a cruelly fashioned, woven crown made of sharp thorns. But this image is deeply misleading, based on a fundamental misunderstanding and possible mistranslation.Faith Tibble rectifies this misunderstanding, showing how The Crown of Thorns underwent a yet unrecognized artistic evolution. Tibble tracks the artistic progression of the Crown of Thorns from its first depiction in the 4th century, until the 11th century, when it begins to exhibit the artistic trends that are still recognizable today. In doing so, Tibble adds new perspective to our understanding of the ideologies associated with medieval Christianity - victory, humility, perseverance - and how those ideologies are exemplified in depictions of the Crown of Thorns. Tibble demonstrates the profound and unintended consequences of a simple misunderstanding of the Gospels, and examines an unexpected trajectory in European art.

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